Connect with us

Movie Reviews

‘Neptune Frost’: A Cyberpunk Anti-Capitalist Queer Love Story

Published

on

Neptune Frost

Neptune Frost is one of those rare movies that when you’re watching it, you can tell will be a cult classic right as it comes out. Utilizing some of the most innovative and eye-catching production design in 2022 cinema paired with a cyberpunk, queer, sci-fi African concept, this film is simply something that has not been done before and should be seen by as many as possible. 

The Rwandan sci-fi musical spectacle, which we caught at Boston Underground Film Festival, is directed by musician and poet Saul Williams and playwright and actress Anisia Uzeyman, who go by the moniker SWAN. It is also notably produced by Ezra Miller (Justice League, We Need To Talk About Kevin) and Lin Manuel-Miranda (Hamilton, Encanto). 

Neptune Frost Review

Courtesy of Kino Lorber

The film, loosely, is a love story between an intersex runaway and a coltan miner, who’s future child will lead an underground hacking group that reveals the evils of the world. 

About the film, director Saul Williams said: “Maya Angelou once said that anything an artist writes should be written with the urgency of what they would write if someone were holding a gun in their mouth. The state of this country and the world has my mouth propped open enough to swallow whole timelines. We need art that is unafraid to challenge the narrative structure of our programming.”

This scream for awareness hangs large in the film. While some scenes of this film get muddled, the clearest thread is the coltan miners suffering the exploitative work that comes with mining, while lacking the resources to use the technology that could not exist without them. Tech companies are built on the backs of abused workers, and consumers aren’t even aware of their presence. 

Thus, this film turns into a sort of fantasy revenge film, with the miners turning their technology against the very groups that they propped up. It’s a very necessary message for modern times, and the future. 

Neptune Frost Boston Underground Film Festival

Courtesy of Kino Lorber

The entire aesthetic of this film is captivating: blending afro-futurism with cyberpunk DIY dystopia and the surreal reality of dreams and musicals. 

In a year that brought a similarly-themed Dune (colonialist themes in the desert future) it cannot help but be noted that Neptune Frost created a production that was just as beautiful and memorable (if not more) than Dune with assumedly a fraction of the budget. The budget, speaking of which, started on Kickstarter and drew $196,000, including from Manuel-Miranda, so that the director could keep creative control. 

It was first conceived over 10 years ago, and started as ideas for a Broadway musical and graphic novel. This texture can still be seen in Neptune Frost, with dramatized action, impressively choreographed musical numbers, and distinct, saturated sets. 

Every aspect of the production design of this film deserves to be discussed. The costuming is unparalleled, with unique and striking handmade outfits, most iconically a jacket with computer keyboard keys sewn over it. 

Neptune Frost Review Boston Underground. Film Festival

The makeup in this film puts Euphoria to shame. Both simply executed and memorable, the makeup was designed masterfully and is impossible to overlook. 

The sets in this are also of note, switching between a more realistic setting in a mining area of Burundi and a sci-fi future world, where the characters hang by a wall filled with circuit boards and CRT televisions. It sounds like the production designer needs to design my house.  

Of course, it goes without saying that the music must be discussed, as it is a musical. I am not usually a fan of musicals: I don’t like the style of music or the dramatization, but this film had an actually fantastic soundtrack, with some popping musical numbers. 

Neptune Frost iHorror Review

Courtesy of Kino Lorber

Almost everything about this film works. If one detractor were to be put to it, it is not the most understandable film, it was written by a poet and takes place in a dream world, but the visuals speak for themselves. 

Neptune Frost is easily one of the most interesting films of the year. This is a movie that I seriously hope finds a footing, because between the lush production and the intimate and important messaging, it demands to be seen. 

If you’re the type of person who needs a clear narrative, this may not be for you, but if you’re in it for the vibes, it will greatly impress you. 

Neptune Frost is distributed by Kino Lorber who will hopefully be releasing the film in American theaters sometime in 2022, and will have a digital release on their streaming Kino Now and other VOD platforms. Check out the trailer below.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Movie Reviews

Review: Is There ‘No Way Up’ For This Shark Film?

Published

on

A flock of birds flies into the jet engine of a commercial airliner making it crash into the ocean with only a handful of survivors tasked with escaping the sinking plane while also enduring depleting oxygen and nasty sharks in No Way Up. But does this low-budget film rise above its shopworn monster trope or sink beneath the weight of its shoestring budget?

First, this film obviously isn’t on the level of another popular survival film, Society of the Snow, but surprisingly it isn’t Sharknado either. You can tell a lot of good direction went into making it and its stars are up for the task. The histrionics are kept at a bare minimum and unfortunately the same can be said about the suspense. That isn’t to say that No Way Up is a limp noodle, there is plenty here to keep you watching until the end, even if the last two minutes is offensive to your suspension of disbelief.

Let’s start with the good. No Way Up has plenty of good acting, especially from its lead Sophie McIntosh who plays Ava, a rich governor’s daughter with a heart of gold. Inside, she is struggling with the memory of her mother’s drowning and is never far from her overprotective older bodyguard Brandon played with nannyish diligence by Colm Meaney. McIntosh doesn’t reduce herself to the size of a B-movie, she is fully committed and gives a strong performance even if the material is trodden.

No Way Up

Another standout is Grace Nettle playing the 12-year-old Rosa who is traveling with her grandparents Hank (James Caroll Jordan) and Mardy (Phyllis Logan). Nettle doesn’t reduce her character to a delicate tween. She’s scared yes, but she also has some input and pretty good advice about surviving the situation.

Will Attenborough plays the unfiltered Kyle who I imagine was there for comic relief, but the young actor never successfully tempers his meanness with nuance, therefore he just comes across as a die-cut archetypical asshole inserted to complete the diverse ensemble.

Rounding out the cast is Manuel Pacific who plays Danilo the flight attendant who is the mark of Kyle’s homophobic aggressions. That whole interaction feels a bit outdated, but again Attenborough hasn’t fleshed out his character well enough to warrant any.

No Way Up

Continuing on with what is good in the film are the special effects. The plane crash scene, as they always are, is terrifying and realistic. Director Claudio Fäh has spared no expense in that department. You have seen it all before, but here, since you know they are crashing into the Pacific it’s more tense and when the plane hits the water you’ll wonder how they did it.

As for the sharks they are equally impressive. It’s hard to tell if they used live ones. There are no hints of CGI, no uncanny valley to speak of and the fish are genuinely threatening, although they don’t get the screentime you might be expecting.

Now with the bad. No Way Up is a great idea on paper, but the reality is something like this couldn’t happen in real life, especially with a jumbo jet crashing into the Pacific Ocean at such a fast speed. And even though the director has successfully made it seem like it could happen, there are so many factors that just don’t make sense when you think about it. Underwater air pressure is the first to come to mind.

It also lacks a cinematic polish. It has this straight-to-video feel, but the effects are so good that you can’t help but feel the cinematography, especially inside the plane should have been slightly elevated. But I’m being pedantic, No Way Up is a good time.

The ending doesn’t quite live up to the film’s potential and you will be questioning the limits of the human respiratory system, but again, that’s nitpicking.

Overall, No Way Up is a great way to spend an evening watching a survival horror movie with the family. There are some bloody images, but nothing too bad, and the shark scenes can be mildly intense. It is rated R on the low end.

No Way Up might not be the “next great shark” movie, but it is a thrilling drama that rises above the other chum so easily thrown into the waters of Hollywood thanks to the dedication of its stars and believable special effects.

No Way Up is now available to rent on digital platforms.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Movie Reviews

TADFF: ‘Founders Day’ is a Sly Cynical Slasher [Movie Review]

Published

on

Founders Day

The horror genre is inherently socio-political. For every zombie film there’s a theme of social unrest; with each monster or mayhem there’s an exploration of our cultural fears. Even the slasher subgenre isn’t immune, with meditations on gender politics, morality, and (quite often) sexuality. With Founders Day, brothers Erik and Carson Bloomquist take the political leanings of horror and make them far more literal.

Short clip from Founders Day

In Founders Day, a small town is shaken by a series of ominous killings in the days leading up to a heated mayoral election. As accusations fly and the threat of a masked killer darkens every street corner, the residents must race to uncover the truth before fear consumes the town.

The film stars Devin Druid (13 Reasons Why), Emilia McCarthy (SkyMed), Naomi Grace (NCIS), Olivia Nikkanen (The Society), Amy Hargreaves (Homeland), Catherine Curtin (Stranger Things), Jayce Bartok (SubUrbia), and William Russ (Boy Meets World). The cast are all very strong in their roles, with particular praise to the two smarmy politicians, played by Hargreaves and Bartok. 

As a Zoomer-facing horror film, Founders Day feels heavily inspired by the 90s teen horror cycle. There’s a wide cast of characters (each a very specific and easily identifiable “type”), some sexy brooding pop music, slashtacular violence, and a whodunnit mystery that pulls the pace. But there’s a lot going on inside the engine; a strong “this social structure is bullshit” energy makes certain scenes all the more relevant. 

One scene shows a feuding protest mob drop their signs to fight over who gets to comfort and protect a queer woman of colour (each claiming “she’s with us”). Another shows a politician attempting to rile up their constituents with an impassioned speech, calling them to storm the town in an offensive defense. Even the diametrically opposed mayoral candidates wear their allegiances on their sleeve (a vote for “change” versus a vote for “consistency”). There’s a whole overarching theme of popularity and profiting from tragedy. It’s not subtle, but dammit it works. 

Behind the commentary is director/co-writer/actor Erik Bloomquist, a two-time New England Emmy Award Winner (Outstanding Writer and Director for The Cobblestone Corridor) and former Top 200 Director on HBO’s Project Greenlight. His work on this film is slasher-horror  comprehensive; from tense single-take shots and excessive violence to a potentially iconic killer’s weapon and costume (that cleverly incorporates the Sock and Buskin comedy/tragedy mask).

Founders Day offers the basic necessities of the slasher subgenre (including some well-timed comedic delivery) while poking a middle finger at political institutions. It presents unflattering commentary on both sides of the fence, suggesting less “right versus left” ideology and more “burn it all down and start over” cynicism. It’s a surprisingly effective inspiration. 

If political horror isn’t for you, that’s… fine, but there’s some bad news. Horror is commentary. Horror is a reflection of our anxieties; it’s a reaction to politics, economy, tension, and history. It’s a counterculture that acts as a mirror on culture, and it’s meant to engage and challenge. 

Films like Night of the Living Dead, Soft and Quiet, and The Purge franchise present a biting commentary on the damaging effects of strong politics; Founders Day cynically reflects on the absurd theatre of these politics. It’s poignant that the suggested target audience for this film is the next generation of voters and leaders. Through all the slashing, stabbing, and screaming, it’s a powerful way to promote change. 

Founders Day played as part of the Toronto After Dark Film Festival. For more on the politics of horror, read about Mia Goth defending the genre.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Movie Reviews

[Fantastic Fest] ‘Infested’ is Guaranteed to Make Audiences Squirm, Jump and Scream

Published

on

Infested

It has been a while since spiders were effective in making folks lose their minds with fear in theaters. The last time I recall it being lose your mind suspenseful was with Arachnophobia. The latest from director, Sébastien Vaniček creates the same event cinema that Arachnophobia did when it was originally released.

Infested begins with a few individuals out in the middle of desert looking for exotic spiders under rocks. Once located, the spider is taken in a container to be sold to collectors.

Flash to Kaleb an individual absolutely obsessed with exotic pets. In fact, he has an illegal mini collection of them in his flat. Of course, Kaleb makes the desert spider a nice little home in a shoe box complete with cozy bits for the spider to relax. To his astonishment, the spider manages to escape from the box. It doesn’t take long to discover that this spider is deadly and it reproduces at alarming rates. Soon, the building is completely packed with them.

Infested

You know those little moments we all have had with unwelcome insects that come into our home. You know those instants right before we hit them with a broom or before we put a glass over them. Those little moments in which they suddenly launch at us or decide to run at the speed of light are what Infested does flawlessly. There are plenty of moments in which someone attempts to kill them with a broom, only to be shocked that the spider runs right up their arm and onto their face or neck. shudders

The residents of the building are also quarantined by the police who initially believe that there is a viral outbreak in the building. So, these unfortunate residents are stuck inside with tons of spiders moving freely in vents, corners and anywhere else you can think of. There are scenes in which you can see someone in the restroom washing their face/hands and also happen to see a whole lot of spiders crawling out of the vent behind them. The film is filled with plenty of big chilling moments like that which don’t let up.

The ensemble of characters is all brilliant. Each of them perfectly draws from the drama, comedy, and terror and makes that work in every beat of the film.

The film also plays on current tensions in the world between police states and people who attempt to speak out when in need of real help. The rock and a hard place architecture of the film is a perfect contrast.

In fact, once Kaleb and his neighbors decide they are locked inside, the chills and body count begin to rise as the spiders begin to grow and reproduce.

Infested is Arachnophobia meets a Safdie Brothers film such as Uncut Diamonds. Add the Safdie Brothers intense moments filled with characters talking over each other and shouting in fast-talking, anxiety-inducing conversations to a chilling environment filled with deadly spiders crawling all over people and you have Infested.

Infested is unnerving and seethes with second-to-second nail-biting terrors. This is the scariest time you are likely to have in a movie theater for a long time. If you didn’t have arachnophobia before watching Infested, you will after.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Embed Gif with Clickable Title