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Horror Movie Titles That Almost Were
What’s a name anyway? Well for starters, people are going to remember it. The idea behind the title of a movie is to grab people’s attention. Think of some of your favorite horror movies and what the title is. Pretty catchy, right? Some are bold and right to the point, while others are just plain catchy. Titles like Halloween or Friday the 13th stick to the name of the day they are celebrating, since they are well known, giving it a special kind of ring and get you in the mood to view them come the holiday.
But not all titles are, well, very good. Some of the most cherished and beloved horror films out there were originally supposed to be named under a different title, but fortunately due to a last minute decision by a marketing person or producer, the title was changed to what you know and love. Let’s take a look at some of them, shall we?

The Babysitter Murders (Halloween)
It’s hard to imagine a series so iconic as Halloween being called something else. Of course, this was before a franchise was in mind. The first, and originally thought to be a stand alone, film was originally supposed to be called The Babysitter Murders, which to me sounds like a Lifetime movie loosely based on real events. Supposedly the events of the film were to take place over the span of several days, but due to budget reasons, the film ends up taking place over the same evening and what better evening than the scariest night of them all than Halloween? I heard John Carpenter was influenced by Bob Clark’s shocking slasher Black Christmas and wanted to do a sequel based on that wherein the killer would be escaping an asylum and wreaking havoc on Halloween. In any case, I’m sure we are all glad the title was switched, giving us a reason to marathon the series every October.

The Book of the Dead (The Evil Dead)
Producer Irvin Shapiro said it best to director Sam Raimi when he said, “Nobody will want to see a movie if they think they have to read!” Fearing that the younger audience might be turned off at literally interpreting the title, Raimi ended up changing the name to The Evil Dead. Sounds much better, don’t you think? While the title is pretty catchy, it goes without saying that The Evil Dead is by far more eye catching and more alarming. Good Call, Irvin.

A Long Night at Camp Blood (Friday the 13th)
Here’s another that sounds like it would have belonged somewhere else. I’m picturing a drama/comedy centered around camp counselors telling ghost stories while trying to hook up. This was never the shooting title, however, but Victor Miller’s working title for the script (Jason was also called Josh at this point), but his partner in crime, Sean S. Cunningham, believed that a catchier title, say Friday the 13th, was much more interesting and rushed out (he had previously been wanting a movie with this title, but had no idea what it would be until he read Victor’s script) to place an ad in Variety. The rest is history. Can you imagine if the original title stuck? I don’t know about you, but A Long Night at Camp Blood Part VI: Josh Lives doesn’t sound nearly as frightening. Sounds like Josh pulled through that operation who were hoping he would.

Scary Movie (Scream)
Well, isn’t this a coincidence? Although the parody film Scary Movie would later use that same title, riffing Scream, believe it or not, that was its working title. It’s fitting all the same, Scream being a meta-flick on all the scary films of the 80’s, poking at the tropes, but a single word representing what you do when you are most terrified certainly fits the bill much better. Of course now we can’t imagine the original title being nothing more than a series of parody flicks recycling the same jokes.

Star Beast (Alien)
I actually love the original title for this. Star Beast sounds like one of the dozen Star Wars/Alien clones that Roger Corman would later shovel out or perhaps something Troma would distribute alongside Nightbeast. As much as I do love that title, it wasn’t fitting for the realism and world Dan O’Bannon and Ridley Scott created, so to O’Bannon’s distaste for the title, he changed it to Alien after noting how many times the word appeared in the script. It’s the perfect example of how impactful one word can be, as it’s both a noun and an adjective. Also I can’t picture James Cameron’s sequel Star Beasts or the later Star Beast: Resurrection and Star Beast Vs. Predator once the crossover happened.

Batteries Not Included (Child’s Play)
You mean that cute film about apartment tenants seeking the aid of a mechanical alien so their building won’t get destroyed? Nope, I’m talking about the film where a serial killer possesses a doll. Unbeknownst to Tom Holland and crew that Steven Spielberg was already in production with a movie under that same title, it was changed to Blood Buddy, which doesn’t sound that good when you think about girls becoming women… (ok, that’s lude and I apologize), so another change was made to the memorable Child’s Play. Although, the Batteries Not Included title does play a part in the scene where Andy’s mother discovers that her son’s doll was operating the whole time without batteries in a very memorable scene.

Wimpy (Psycho)
Psycho only went under the production title of Wimpy, but was never truly intended to be named that. It was rather a nod to second-unit camera man Rex Wimpy who appeared on clapboards and production sheets, as well as some stills. If they had actually gone with that name, I can’t imagine a film called Wimpy scaring the pants off of people for the past 55 years.

Head Cheese (The Texas Chainsaw Massacre)
That title sounds like it should be a teen sex-romp in the vein of Porky’s or Meatballs, but it’s a reference to a meat jelly (my new band shall be called Meat Jelly) made from the flesh of the head of calf or pig. Mmm, meat jelly sure does sound appetizing. Sure, if you know what head cheese is, it fits the content in the movie, but doesn’t quite have a ring to it. Before Head Cheese, the film was to be named Leatherface, which was used later for a sequel, but the creators landed on The Texas Chainsaw Massacre. Why? Because it puts a picture in your head before you’ve even seen the movie. It’s visceral, it’s mean and it gives the image that the film is much more bloody than it actually is.

Rabbits (Night of the Lepus)
MGM was right in thinking that a movie called Rabbits wouldn’t suit a horror film. Your friends would make fun of you for being scared of a movie called that. Instead, they opted for the latin term lepus, meaning hare, and figured a ‘night of’ would be wildly successful since it worked for Night of the Living Dead. Well, they were halfway right.

Here Comes the Boogeyman (Jeepers Creepers)
Hmm, that title is okay, but it sounds like something from the 80’s that nobody remembers. So let’s change that title to something else, like maybe after the name of a familiar and catchy jingle? I don’t know if that was how the decision actually went down, but for whatever reason, the title was changed to Jeepers Creepers and nobody has made a loveable tune seem so dark and creepy since Halloween II using ‘Mr. Sandman.’
Did I miss one? Let me know in the comments below!
News
‘Behind the Mask 2’ Slays Kickstarter
If you are hardwired into the horror community there is no doubt you heard the gasp around the internet earlier this month when Behind the Mask II: The Return of Leslie Vernon was announced. The announcement of the long anticipated sequel came at a screening of the original at American Cinematheque in Los Angeles.
That same evening we also learned that Behind the Mask’s director Scott Glosserman as well as writer David J. Stieve will be returning to the film. Furthermore, cast members Nathan Baesel, Angela Goethals, and Robert Englund will be reprising their roles from the original.

A Kick into Overdrive
While the sequel is happening one way or another, a Kickstarter campaign was established. The money pledged would allow the filmmakers to create a movie that goes above and beyond their original budget.
As the campaign’s page states;
“The film is happening, that’s no-take-backs. If we hit these goals, it makes it possible to do it bigger, bloodier, and bolder.”
The campaign goes on, saying;
“This is not a “save the movie” campaign. The movie is happening. Kickstarter is how we make it our way. “
Roughly two weeks after the sequel’s announcement, the campaign launched with a modest day one goal of $20,000. To say that fans crushed this number is an understatement. In 9 minutes they reached their goal. In less than 24 hours the amount of backers climbed to over 300, and the pledges donated totaled more than $100,000!
Get to the Good Stuff!
For pledging, the moviemakers have included incentives that are truly in line with what the horror community wants.
The rewards begin at $25 with a digital streaming link of Behind the Mask II: The Return of Leslie Vernon. Tiers continue on as the pledge amounts increase. T-shirts, posters, Blu Rays and scripts are just some of the middle tier goodies. The larger donation amounts are rewarded with on screen “Special Thank You”s and various producer credits.

It is the ‘Exclusive Add Ons’ where things get really interesting. Once a backer has already pledged, they can add on additional perks. These additions include
“accessories, autographs, props, and truly unique, fan forward in-person experiences… all intended to complement your chosen reward tier!”
One of the unique add on perks includes VHS tapes of the original Behind the Mask or the sequel, your choice! Given the fact the first movie was created right on the heels of when VHS was truly dead, older horror fans will especially find this perk an exciting addition to their vintage collection.
The reward add-ons also have the horror prop collectors in mind. You can purchase Leslie Vernon’s weapon of choice, a scythe, as well as his mask. Both of these are signed by actor Nathan Baesel.

For more personal experiences, you can add on a visit to the Behind the Mask II set during filming! You can also choose a cast and crew screening in LA or New York, complete with an after party. Finally, for the crème de la crème; you can be killed onscreen by Leslie Vernon himself!
Powered by the Fans
Behind the Mask II: The Return of Leslie Vernon is the little slasher movie that could!
For two decades the creators tried to find ways to make Leslie’s legacy continue. A failed first Kickstarter, rumors, teases, and false starts all led to the delay of a dream.
For twenty years the movie’s cult gathering slowly formed, cultivated, and grew louder and louder. Too loud to be ignored.

As soon as the campaign went live, horror fans donated their hard earned money. And let’s face it; we are currently living in a time where the dollar doesn’t stretch as far. The fact that the long awaited sequel gained so much traction and backing, so quickly, really demonstrates the community’s love, support, and anticipation for Behind the Mask II: The Return of Leslie Vernon.
It looks like Leslie Vernon will finally be returning!
News
The Best Possible Person Is Directing A24’s Texas Chainsaw Massacre
A24 went into a competitive auction, beat out Blumhouse, acquired one of the most difficult pieces of IP in the genre, and then gave the job to a director with one feature film to his name. That is a wild risk to take on such a young talent. But also, it’s Curry Barker, so we get it.
Curry Barker is writing and directing a reimagining of the 1974 original created by Tobe Hooper and Kim Henkel. As we have talked about before, A24 announced the acquisition back in February with no director attached. At least we have that figured out.
Who Curry Barker Is

Barker got here through Obsession, a film he made for under a million dollars that played TIFF Midnight Madness and sold to Focus Features for north of $14 million. He built the career that got him into that room starting on YouTube, which is the kind of origin story that should not end with A24 handing you a legacy franchise before your first wide release even opens. And yet, here we are.
The Franchise and the People Behind It

The 1974 original has since produced eight sequels and remakes. Some are far better than others. The franchise has been a problem for a long time and everyone who has touched it since the original has found a different way to confirm that.
A24 formally announced the acquisition earlier this year after winning the rights in a competitive bid. The producers are Roy Lee, Steven Schneider of Spooky Pictures, and Kim Henkel through Exurbia Films. Henkel co-created the original with Tobe Hooper.
One More Thing

There is also a separate Texas Chainsaw Massacre TV series in development at A24 from JT Mollner. Different project. The film and the series are happening at the same studio simultaneously, which means A24 now has more Leatherface in development than anyone has since the franchise was actually relevant. Barker’s film has no release date yet. Obsession opens May 15.
News
ITCH Is the Outbreak Film That Actually Gets Under Your Skin
No one would blame you for looking at ITCH and filing it under zombie film. Because it is. The outbreak spreads person to person. People stop being people. The world ends a little bit. You know how it goes.
What Bari Kang actually made is something with a different mechanism at its center. The contagion does not spread through biting. It spreads through scratching. You scratch yourself. This makes you sick while it is happening. You scratch because someone near you scratched and something in your brain said that looks right.
I talked to Kang about it. Turns out it was not a deliberate subversion. “It was never meant to be a zombie film,” he told me. “That happened along the way.” The idea came during COVID. He watched someone scratching in a store and could not stop thinking about it. “What if that’s how something spreads?” He started writing from there and somewhere in the process the zombies arrived. “All of a sudden I had these zombies running around.” He went that route without going that route.
Why the Scratch Works

We all get how zombies work. They bite, someone hides their bite, sometime later everyone is dead. Kang’s instinct was that the scratch would do something different. “It’s really visceral and contagious,” he said. “I figured if I could lean into that, that might work well.” He was right.
There is something about watching someone scratch that is harder to look away from than watching someone get bitten. You feel it on your own skin. The sympathy itch is real and ITCH knows it and uses it without being cute about it. That is craft. For a film Kang wrote, directed, produced, and starred in himself, that is not a small thing.
Who Is Bari Kang

The short version: he decided he wanted to be an actor, spent a year auditioning and booking nothing, and then casting director Judy Henderson, who was in the middle of casting Homeland at the time, told him to go write his own stuff. “I was like, oh, you can do that,” he told me.
He said: “Nobody’s coming to give you a hand. There’s no handouts. It seems like we need permission or something to do it, but you just gotta get out there.” Yeah. That.
The Rule About Lore

There were versions of ITCH that explained what the itch was, where it came from, who started it. Kang cut all of it. The less he showed, the more the film asked audiences to do the work themselves. And audiences who do the work are more scared than audiences who are shown everything.
ITCH does not explain itself and it does not need to. A film about a contagion that spreads through something you cannot stop yourself from doing, made in the aftermath of a pandemic everyone lived through, does not require a mythology breakdown. It requires you to sit with what it is suggesting. Which is worse.
ITCH is available now.
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