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“Ghostbusters: Frozen Empire” Chills the Competition, While “Immaculate” and “Late Night With the Devil” Stir Up the Box Office

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Boxoffice Numbers

It was a great weekend at the box office, with “Ghostbusters: Frozen Empire” leading the pack, amassing an impressive $45.2 million in its debut across North American theaters. Amidst its triumph, the releases of “Immaculate”, starring Sydney Sweeney, and the innovative “Late Night With the Devil” proved a great weekend for horror fans.

“Ghostbusters: Frozen Empire” emerged as the frontrunner, eclipsing its projection with a domestic haul of $45.2 million from 4,345 venues, slightly outperforming its predecessor “Ghostbusters: Afterlife”. Globally, the film garnered $61 million, indicating a strong start, though it faces the challenge of recouping a substantial $100 million production budget. The mixed reception, mirrored by a 43% Rotten Tomatoes score and a “B+” CinemaScore, highlights the film’s broad appeal yet suggests a division among audiences and critics alike.

Critics Consensus via Rotten Tomatoes
Ghostbusters: Frozen Empire offers a certain amount of nostalgia-fueled fun for fans of the original, but a crowded cast and surprisingly serious tone prevent this sequel from truly sparking.” 
immaculate

“Immaculate” marked its entry into the horror genre with an opening of $5.3 million, showcasing the allure of Sydney Sweeney’s burgeoning fame. While the film’s initial box office performance was modest, as indicated by its “C+” CinemaScore, this does not detract from the potential impact of its thematic elements. In the realm of horror, it’s often the uniqueness of the concept that captivates the audience, rather than the prominence of the cast.

Notably, online interest in “Immaculate” has seen a significant uptick, hinting at a growing curiosity that may lead to an upward trend in its box office journey. This increasing digital engagement suggests that despite a lukewarm start, “Immaculate” is beginning to resonate with viewers, potentially broadening its appeal through word-of-mouth and social media discussions.

Conversely, ‘Late Night With the Devil’ proved to be a dark horse, capturing $2.8 million and setting a new benchmark for IFC Films. The success of this low-budget thriller underscores the potential for high-quality, auteur-driven films within the horror genre, even in a competitive market. In a spooky twist, Variety reports, ‘“Late Night With the Devil” took sixth place and summoned $2.8 million from 1,034 venues, including (and you can’t make this up) $666,666 on Sunday.’

Although Variety’s reporting was released on Sunday morning, it’s important to note that weekend box office figures are often based on projections and early data, which can include advanced ticket sales and estimates for Sunday’s performance, explaining how these numbers can be reported early. However, the number seems a little too exact to be just a coincidence, in my opinion. Could this be another marketing idea to drum up buzz?

Meanwhile, “Dune: Part Two” continued to perform strongly, securing the No. 2 position at the box office with earnings of $17.6 million across 3,437 locations, experiencing a modest 37% decline from its previous weekend’s performance. Now in its third week, the sci-fi spectacle has amassed a domestic total of $233 million and a worldwide gross of $574 million.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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