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‘The Empty Man’ is an Insidiously Unnerving Horror Film

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The Empty Man

David Prior’s The Empty Man has slowly taken over internet buzz, not unlike the film’s titular villain. One day, I had no idea what it was. The next, I began to notice mentions here and there. Now? It’s everywhere.

One of final films produced by Fox before it was bought by Disney, The Empty Man is based on the graphic novel by Cullen Bunn and stars James Badge Dale as James Lasombra, a former cop who takes on the search for his neighbor’s missing daughter. His search takes him inside a strange cult intent on summoning a supernatural entity that sounds more like an urban legend somewhat inspired by The Ring and similar films initially.

“The first night you hear him. The second night you see him. The third night he finds you,” they say, setting up a timeline for the film and its protagonist as he gets closer and closer to the truth.

Dale leads a talented cast in The Empty Man, including Marin Ireland (The Umbrella Academy), Sasha Frolova (Red Sparrow), Robert Aramayo (Nocturnal Animals), Ron Canada (The Human Stain), and Stephen Root (Office Space), but the film lives and dies by his performance. Fortunately, the actor has the talent to pull that off.

His Lasombra is the everyman we need to walk into situations far too dangerous and terrifying for us as viewers. He is intelligent, passionate, and fallible in all the right ways. We feel his frustration, his curiosity, and ultimately his anger and fear.

What I loved most about this film is oddly tied exactly to the film’s biggest issue for me. This is a gorgeous slow-burn movie that takes its time building tension and atmosphere. Prior and his cast underscore repeatedly that it is not only what you see, but what you can’t, that can harm you. They carry it out so successfully that even small things can unsettle the viewer, and when larger, more in-your-face scares happen, they’ll set your heart racing.

Moreover, they lean into the scary cult trope in just the right ways. The idea of a group of people carrying out nefarious practices is one that has been used and abused in horror, so it’s nice to see a film take the trope for what it is and execute it with finesse to build paranoia in its protagonist and in its audience.

Who can you really trust in your life? Who do you really know? More importantly, what do you really know about yourself and the people around you with certainty?

James Badge Dale gives an incredible performance in The Empty Man

The Empty Man pokes at these ideas repeatedly, irritating them and underscoring the unease of the film’s audience while expertly exploiting the deconstructionist writings of Jacques Derrida as well as the perspectivist leanings of Nietzsche. We could dig further into these topics–I have a lot to say about the name Pontifex Group and James Lasombra–but in doing so, we’d come very close to falling for the same hazard that threatens to trip up the film.

As a whole, The Empty Man is so dense that it ultimately runs entirely too long. As reviewers we’re often criticized for talking about pacing and editing issues without giving solid examples. Fortunately, that’s not the case here.

There’s an entire section at the beginning of the film that deals with the concept of the Empty Man in another country with another group of people. We get a full story in about 15 to 20 minutes which is only tangentially referenced later in the film. This entire subplot could have been cut, pruning the film’s run time down to under the two hour mark, and making a tighter, more focused story.

Fortunately, even this misstep cannot ruin what is undeniably a great film with legitimate scares and a conclusion that is genuinely uncomfortable in all the best ways. The Empty Man is currently streaming on HBO Max and is available to rent on other digital platforms.

Take a look at the trailer below, and let us know if you’ve seen the film in the comments!

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Movie Reviews

Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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