Movies
‘Late Night With the Devil’ Brings The Fire to Streaming
With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming.
The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.
In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film.
“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”
Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming.
“Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”
Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library.
Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.
Movies
5 Horror & Thriller Films Premiering at Cannes 2026
The Cannes Film Festival is widely considered the most prestigious film festival in the world. Held annually in Cannes since its founding in 1946, the invitation-only event showcases new films from across the globe, spanning every genre from auteur-driven dramas to boundary-pushing horror. Taking place at the Palais des Festivals et des Congrès, Cannes remains one of the “Big Three” European festivals alongside Venice Film Festival and Berlin International Film Festival, as well as part of the global “Big Five,” which also includes Toronto International Film Festival and Sundance Film Festival.
The 79th annual Cannes Film Festival runs from May 12-23, 2026, with Park Chan-wook (director of Oldboy (2003), The Handmaiden (2016), and No Other Choice (2025)) serving as jury president. French-Malian actress Eye Haїdara will host the opening and closing ceremonies. At the same time, honorary Palme d’Or awards will be presented to Peter Jackson (director of the Lord of the Rings trilogy) and Barbra Streisand. The festival opens with The Electric Kiss, directed by Pierre Salvadori.
But now let’s get to the really good stuff.
Among the lineup this year are several genre entries that should have horror and thriller fans paying very close attention for their theater releases which will be later in the year. Here are five films I’m especially excited about, all of which are premiering at Cannes 2026.

Hope (Korean: 호프)
Directed by Na Hong-jin (The Wailing), Hope looks like one of the most intriguing genre entries in competition for the Palme d’Or.
Set in a remote village near the Korean Demilitiarized Zone (DMZ), the film’s premise appears, at first, to be a contained crisis: a tiger sighting that throws the community into worried chaos. But as the situation escalates, something far more sinister begins to emerge, forcing residents to confront a terrifying unknown.
With a stacked international cast including Hwang Jung-min (Veteran, New World, I, the Executioner), Zo In-sung (A Frozen Flower, The King, It’s Okay, That’s Love), Jung Ho-yeon (Squid Game, Disclaimer),Taylor Russell (Bones and All, Waves), Alicia Vikander (Ex Machina, The Danish Girl, The Man from U.N.C.L.E.), and Michael Fassbender (Shame, Prometheus, X-Men: First Class), this one feels like it could be a major crossover hit.

Her Private Hell
From Nicholas Winding Refn (The Neon Demon) comes a surreal, neon-drenched nightmare that feels perfectly at home within his filmography.
A mysterious mist engulfs a futuristic city, unleashing a deadly and elusive force. At the center is a young woman searching for her father, whose path collides with an American soldier on a desperate mission of his own: rescue his daughter from Hell.
Starring Sophie Thatcher (Companion, Heretic, Prospect), Charles Melton (May December, Warfare, Riverdale), Havana Rose Liu (Bottoms, No Exit, Bleu de Chanel), Diego Calva (Babylon, The Night Manager, On Swift Horses — seriously, I’m so excited to see him in new work!) and more, this out-of-competition premiere could end up being one of the most talked about, and hopefully one of my personal favorites.

Karma
Directed by Guillaume Canet (Tell No One), Karma is a French psychological thriller that leans into moral ambiguity.
The story follows Jeanne, a woman attempting to rebuild her life in Spain while hiding a troubled past. When her young godson disappears, suspicion quickly falls on her, forcing her to flee to a religious community she once escaped. As her partner searches for the truth, the narrative spirals into a tense mystery.
Led by Marion Cotillard (La Vie En Rose, Inception, Rust and Bone), who always delivers an outstanding performance, Karma appears to be a slow-burn kind of thriller that will really keep audiences captivated.

Colony (Korean: 군체)
Zombie maestro Yeon Sang-ho (Train to Busan) returns with Colony, a claustrophobic kind of outbreak thriller premiering in the midnight section at Cannes.
Set inside a sealed biotech facility, the film follows survivors trapped during a rapidly mutating viral outbreak. As the infected evolve in unpredictable ways, tensions inside the quarantine zone rise just as quickly as the body count.
This zombie film stars Jun Ji-hyun (Assassination) and Koo Kyo-hwan (Peninsula), and paired Yeon Sang-ho, I’m hoping we get a really great zombie thriller to add to the arsenal.

Teenage Sex and Death at Camp Miasma
Yes, the title alone already earns a spot on this list.
Written and directed by Jane Schoenbrun (I Saw the TV Glow), this meta-slasher follows a queer filmmaker hired to direct a reboot of a long-running horror franchise. Her fixation on the film’s reclusive “final girl” actress leads both women into an increasingly surreal and psychosexual spiral.
Starring Hannah Einbinder (Hacks, Seekers of Infinite Love) and Gillian Anderson (The X-Files, The Fall, Hannibal), this Un Certain Regard entry sounds as though it might be one of the boldest, and strangest, films of the entire festival.
While Cannes isn’t traditionally known for its horror under any circumstances, this year’s lineup continues to show that bold, genre-bending storytelling absolutely has a place on the Croisette.
iHorror will keep you updated on these films’ theatrical and/or streaming releases!
Movies
Which Poster Did It Better?
We have a fun question for you: Who did it better?
Did you ever notice how similar the 1992 poster for Peter Jackson’s Dead Alive is to Wes Craven’s Scream that came out in 1996? They aren’t identical, but they could be considered spiritual sisters.
Not much is known about the Dead Alive poster. It appears to have its lead actress, Diana Peñalver, front and center with eyes wide open and mouth agape. It was a shocking image for a one-sheet at the time, but it was fitting for the film, which used over 300 liters of fake blood in the final scene.
Dead Alive was also controversial. In the UK and Australia, it was shown in its entire 104-minute run. But it had to be cut down to 94 minutes when it hit the German and American markets. Originally titled Braindead, it was renamed Dead Alive in those countries.


As for the Scream poster, we know it’s Drew Barrymore‘s face; she also has her mouth agape and her eyes wide open like Peñalver‘s.
In a classic on-theme misdirect, Barrymore appears to have a major role in Scream, given how prominent she is in the poster. In reality, she is only onscreen for 13 minutes.
Scream’s photo was taken by an unknown photographer. It doesn’t capture Dead Alive’s comedy element, but Scream wasn’t exactly a straight comedy. Its humor was more in the meta references.

Movies
‘Axes and Os’ Is Now Streaming — A Fresh Valentine Slasher With a Savage Creature Feature Twist
It’s happening.
Indie horror fans have a new killer obsession—Axes and Os, the wildly original Valentine-themed slasher that blends classic stalk-and-slash thrills with a monstrous creature-feature surprise. The film is now streaming and delivering blood, laughs, and a brutal new horror icon.

Love Hurts — Literally
Set during a chaotic Galentine’s getaway, Axes and Os follows four young women who escape to a quiet small town for a weekend of romance, friendship, and fun—only to find themselves hunted by the legendary Valentine’s Day Ax Killer, Luther Dremel.
But this isn’t just another masked slasher story. When one of the girls undergoes a shocking transformation, the hunted becomes the hunter, and a brutal showdown erupts that turns the holiday of love into a full-on survival nightmare—a literal fight to the death.

A Cast Packed With Genre Favorites and Rising Stars
Axes and Os features horror icon Jamie Bernadette alongside rising star Cass Huckabay, who won two Best Actress awards during the film’s festival run. Madison M. Bowman and Sara Wimmer round out the ensemble, delivering both laughs and scares designed to appeal to a wide range of genre fans. Brandon Krum brings terrifying intensity as the relentless Axeman, Luther Dremel.

A Fresh Spin on Slasher Tradition
While Axes and Os pays tribute to classic slashers, it flips the formula with a creature-feature twist that sets it apart from typical holiday horror fare. Think traditional masked killer meets monstrous transformation—romance colliding with rage, friendship colliding with fear. The film blends humor, gore, and heart, striking a tone somewhere between Ready or Not, The Final Girls, and classic ’80s slashers—while still delivering modern indie edge.

A Festival Darling With 11 Award Wins
During its festival run, Axes and Os quickly became a standout on the indie horror circuit, bringing home 11 awards, including six Best Feature Film wins, three Best Director awards, and two Best Actress awards for Cass Huckabay. Notable wins include The Freak Show horror film festival, Spooky Empire Horror Film Festival, and the Nashville horror film festival.

The film’s mix of genre-bending horror, strong performances, and crowd-pleasing tone earned praise from festival juries and audiences alike, helping build early buzz ahead of its streaming release.
Why Horror Fans Should Care
Holiday slashers are having a moment again, but Axes and Os brings something rare: a true genre mashup with a female-driven cast, festival pedigree, and a killer premise that doesn’t play it safe.
With festival awards, strong early audience reactions, and a bold creature-driven finale, Axes and Os is poised to become a cult favorite for Valentine’s Day horror marathons.
Now Streaming
Axes and Os is now available to stream on Prime Video and Screamify
Love is in the air. So is the blood.
Four females on a Galentine’s weekend are hunted by legendary ax murderer LutherDremel, until one female turns out to be something otherworldly and battles the iconic axeman.
[This is a sponsored article]
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