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TIFF 2021: ‘You Are Not My Mother’ Feeds Familial Fear

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You Are Not My Mother

Writer/director Kate Dolan’s You Are Not My Mother is a chilling take on the changeling folklore of Ireland, and a very strong first feature. Made on a small budget and set around the festival of Samhain, it’s an impressive debut from Dolan (whose short film Catcalls is available on Shudder, for those interested). 

You Are Not My Mother follows Char (Hazel Doupe), a quiet teenager who lives a lonely life. Her single mother Angela (Carolyn Bracken) suffers through a depression that often keeps her bedridden and unable to perform her duties as a parent. After a rare morning of activity, Angela goes missing, her car suspiciously abandoned in a field. Upon her return, she seems… not quite right. Her behavior, posture, and personality all shift in very noticeable ways. There’s something strange about mum, and Char gradually comes to a frightening conclusion. This is not her mother. 

Doupe and Bracken have a wonderful chemistry that evolves as the film progresses. In early scenes, Char and Angela have a detectable wall between them that communicates a tragic history; Angela is buried behind layers and layers of debris, and Char has long since given up trying to dig her out. 

When Angela reappears after her mysterious absence, Char doesn’t know how to accept her mother’s sudden and unexpected attention. Like any abandoned child, she’s happy that her mum has seemingly returned to her — emotionally present and showering her in the affection she’s so sorely missed. But at the same time, there’s a reluctance to truly believe in it. Doupe is absolutely stunning in her projection of these competing emotions. She carries a vulnerability that turns more fearful as Angela becomes completely unrecognizable in her personality. 

Bracken is incredible, scaling a whole range of emotions with varying intensity. She throws herself into the role — physically and mentally — with a performance that is almost hypnotic in its depth. The cast also features Ingrid Craigie as Rita (Angela’s mother and Char’s grandmother), the secret keeper of the family. Rita holds a capability that’s rusted by years of physical discomfort and emotional burden. Her character does feel a tad underused, but to be fair, it’s not her story we’re focusing on. 

You Are Not My Mother is a female-forward film, with a mainly female cast and very little discussion of male characters; we don’t hear about Char’s father, and there’s no unnecessary romantic side plot, just a focus on female friendships. One of Char’s bullies, Suzanne (Jordanne Jones), slowly bonds with Char over their mutual histories with troubled family life. There’s not a moment that Suzanne doubts or denies Char, she’s just a genuine, sympathetic friend, which Char desperately needs. 

We’ve seen the changeling lore before in horror (such as similarly Irish films The Hallow and The Hole in the Ground), but there’s something about making the suspected villain a mother — rather than a child or other physical entity — that’s extra effective. 

Angela transforms throughout the film, becoming more erratic as time goes on. Char notices these strange behaviors, but it’s hard to accept that something more could be wrong. Despite their troubles, Char loves her mother, and though her actions are concerning and genuinely unnerving, it’s even more difficult to draw the conclusion that there could be something supernatural in the mix, particularly with her mother’s psychological history. 

Like Natalie Erika James’ Relic, You Are Not My Mother grapples with mental health and the responsibility and duty between a parent and a child. Dolan broaches this with care and a great deal of empathy for young Char, who feels isolated and alone despite the supportive presence of her uncle and grandmother and the efforts from her teacher at school. 

From the melancholic score to the open yet intimate cinematography, You Are Not My Mother has an atmospheric tone that dances around tragedy, yet never fully gives in. Dolan’s film has the energy of a Samhain bonfire: it crackles and burns, with a smoky finish that hails the Halloween spirit. 

I love a good “youth in peril” horror, and You Are Not My Mother has an extremely well-crafted and well-weighted use of that trope. It’s a character driven autumnal coming-of-age tale with well-crafted scares that rely on performance, not buckets of blood. 

If you’re looking for a stellar doppelgänger double feature, pair this one with The Hole in the Ground. You’ll never look at your family members the same way again.

 

For more from TIFF 2021, check out our review of Rob Savage’s Dashcam

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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