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This Boulet Brothers’ Dragula: Titans S2 Winner Leads With Kindness (Interview)
While we might be saddened that another season of Boulet Brothers’ Dragula: Titans has come and gone, it isn’t time to move on just yet. I was lucky enough to sit down with this year’s winner, Evah Destruction, to talk about her victory and what it means to her. And what does this year’s Queen of the Underworld want the fans to know? Always lead with kindness.

Q&A With Evah Destruction
Luna Gray: Hi Evah, congratulations on your recent win on The Boulet Brothers’ Dragula: Titans Season 2! Itโs been incredible to watch your journey. I mean, your drag has always been on point, but thereโs been a bit of an issue in the past with confidence and getting caught up in all the drama. How did you avoid that this season? It was like episode one, you were locked in.
Evah Destruction: Thank you! Well, this time around, I came in more selfishly, to be honest. I just remember telling myself, “You are competing for you this time.” There was no worrying about other things, getting caught up in drama, or worrying about anybody else. It was about me. I needed to take everything I’ve unpacked about myself, everything I’ve acknowledged over time with my character and personality โ things like my neurodivergence, my autism โ and harness it to build up my confidence. I knew what package I was coming into this competition with, and I wanted to be confident and show that, and also let the drag speak for itself.
Also, I tried not to go against the grain as far as the production side of things. This is all a collaboration when we step onto that set. I wanted to focus on the prize ahead of me and just zero in. This cast did not make it easy to do that! There were distractions, drama, and chaos. But through it all, I gave at least the bare minimum of what I allowed myself to give, so that way I could still wake up the next day and say, “Okay, there’s another challenge, let’s do this, I’m ready.”

Luna Gray: Absolutely. You would engage in the drama enough to make yourself a good TV personality, while still mainly focusing on your drag. I think thatโs such an amazing thing to doโto compartmentalize. Like, okay, I’m gonna give them a little bit of attention, but mainly focus on me.
Evah Destruction: I think it’s because, too, like, during Season 3, I was completely unmedicated. So my ADHD heavily affected the way that I interacted with everybody. Normally, when I’m around people that I’m not really familiar with, I recluse and I have a hard time connecting with people. Like, if I know somebody in the room, I am literally going to baby duck the hell out of the situation and cling to their side the whole time. I usually stay with what’s comfortable and what feels safe naturally.
Then Titans Season 1, I knew more people. I worked with all these artists, and it was easier to open up, which is why you saw me talk more. But now, this time around, I had an easier time of it, where I could be open enough. I felt safe enough to show more of this personality and more of who I am. I think I was just so focused on, “There will be time for that later, but right now this competition is so much harder than it was on Season 1 of Titans, you need to focus on getting through this first, and then we can enjoy the extras later.”

Luna Gray: Honestly, thatโs fair. You can tell as a viewer, specifically with Titans, that one person is always a head above the rest. I think it was by episode two, my entire watch party was like, “Oh, so Evaโs gonna win.” There was just an air about you. Now, you did stay away from most of the drama, but you couldn’t really stay out of it with Sigourney. I don’t know if that was possible. What does the future hold for you guys?
Evah Destruction: With Sigourney, I always view myself as the person that gives people the benefit of the doubt. I always see the best in people until proven otherwise. And with Sigourney, I think it’s really unique because we acknowledged what it was. We were like, “Okay, so this is how you want to play it.” And I think we stepped in ready to just have fun and poke at each other and stuff like that. It was nice to have somewhat of a rival in some way.
I will say that, at the end of the day, that was not an easy decision to make because I was truly enjoying myself by episode seven. That top six was a strong group that I did not see any issue with. When it came to the personal side, I ended up choosing Sigourney, and it was definitely one of those things where I was like, “Fuck, this is not gonna be great.” But I have to do this, because if I don’t, I will have the regret. That is where I will say to myself, “You should have been more convicted in your decision. You should have really stuck to your guns.” And that’s why I did what I did the way that I did it.
Because Iโm always the person who says something and I’m like, “Oh, sorry, I didn’t mean like, I hope it didn’t come across that way, or that’s not what I meant,” you know? Because this whole brain thing is going on with me and the chemical imbalance that comes with trying not to say the wrong thing, because life has made me feel like you’re bothering people, you’re annoying people, you piss somebody off, you said the wrong thing, oh, you should have said it differently.
So with Sigourney, Iโm always open to a conversation. I’m always open to a day when we can come together and be friends again. But right now, I think the wound of that is still very fresh, and I’m very much in the market of giving herโanyone, anyone in this situationโI’m all about giving space. I think people need the room and time to process their emotions and what they’re feeling and what they want to say when we do have that conversation, and I’m completely fine with that.
I did not go forward from this competition expecting us to never be friends. I meant what I said. We had very genuine, enjoyable moments together, and I wouldn’t be opposed to having more of those. Again, the ball is in her court, at least as far as the permission and the consent to have those conversations.
So I’m always open to a future where Sigourney and I could come together and, I don’t know, have a duet where we’re, you know, Elphaba and Glinda in Wicked, and we’re doing “Loathing” and then going into “For Good,” or I don’t fucking know, just something cheesy and theater kid coded. I just see us making some really cute numbers together, or even having a show together where we just surprise everybody. I don’t know, who knows what the future will hold, but I’m open-minded, and I will continue to be so.

Luna Gray: Thatโs terrific. Based on her social media presence as of late, it seems that she acknowledges that she was acting a bit off there. On that note, with your teammates, were you aware that Jaharia was trying to play everyone on the field at once?
Evah Destruction: I was fully aware. It was funny because, as I said on the show, it was right after Jahariaโs win, and she was like, “I wanted to be in alliance with you.” And I was like, “Okay.” And that’s what I meant when I said, “I had already gotten to Jaharia before she went to JK.” JK was running her mouth to Jaharia, and then Jaharia immediately went to me. I thought it was so funny, so messy. I was like, “Okay, let’s play this little game of pretend where we’re having alliances and rivalries and stuff.”
I was like, “I see you, girl. I see the game you’re playing. You should be on Big Brother. You should be on Traitors. You should be on Survivor.” I would love to see a future where Jaharia takes this and really pushes for something more cutthroat and competitive. She’s very calculated and organized in the way that she does that. Maybe she could play a more underhanded or more secretive game somewhere along the road where she blindsides people, forms an alliance, and then turns on them, or something. I don’t know. I see it for her.

Luna Gray: What are your thoughts on the secret competition taking place with the people who have been knocked out?
Evah Destruction: Oh, I thought that was a stunt! I thought it was so gaggy. I was like, “All right, we’re changing up things. We’re bringing in newer elements to Dragula, to Titans, etc. We’re changing up the competition format.” I thought it was so genius, so gaggy. Plus, it is such a great way to make your elimination not entirely final just yet. That, to me, is how All-Star seasons should go.
“This is the perfect opportunity for you to still showcase what you brought or what you made for the competition. And you get to still plead your case on why you should be in the next episode, or whyโฆโ Like, it takes the cauldron and the fire and the soapboxing, everything, and it takes it and puts it on a stage where you get to show the next episode’s look. You still get to show your artistry, your creativity.
I hope to see more things like that in the future seasons, honestly. To be able to showcase everything and not feel that immediate burn of going home first, second, or third, I think it gives an excellent opportunity for those people to still have a little bit of hope.

Luna Gray: You’ve got the crown. You’ve got all the accolades. Everybody knows you’re top dog, as it should be. So whatโs next for Evah Destruction? Like, girl, what are you doing?
Evah Destruction: Well, as soon as I saw my crowning, I immediately said, โOkay, tour!โ It’s time to focus on tour. So there was something that I remember Bob the Drag Queen saying back in the day. She’s like, “The hardest part isn’t filming the show, it’s what comes afterwards.” And there’s a lot of truth to that. Because immediately, as soon as I saw that crown on my head, I said, “It’s time to get to fucking work. It’s time to carry this crown and represent the brands, but also come up with new shit. Come up with new creative looks, numbers, ways to brand myself, etcetera.”
I want to continue to push myself to just get even more polished and better with the way that I create and the way that I showcase myself. Theater is my safe space. It’s my happy place. And I’m looking forward to building up my resume, auditioning, and putting myself out there as an actor, too, whether that’s the stage or on film. I definitely really enjoy reality TV, but I also would love to try my hand at TV acting, film, or whatever. I’ve definitely got some stuff on my bucket list that I would love to check off. Now is the time to get my list in order and see where this journey takes me, honestly.

Luna Gray: If you didn’t win, who would you have picked out of that top four?
Evah Destruction: Abhora. Hands down. I love Abhora. There was a lot of feedback from the fandom. I’m on social media, and I peer around every episode to see what the response is. On episode seven, a lot of people had things to say about why I chose Sigourney and eliminated her, and everyone was in this survivor mindset where they were like, “You should have taken out Abhora, she was your biggest competitor.”
And I said, โListen, Iโve watched this artist since she was on season two. I knew her before she went on Dragula. We were on cast together in Atlanta. I watched her move from Atlanta to achieve her goals with Dragula and to see her lose twice, and then, to have the opportunity to be in the finale, I was never going to be a part of her missing out on that experience again. I was never going to be a part of the reason why they wouldn’t make it further than where they made it on season two or Titans one, you know?โ
I said this at my viewing party when we watched the crowning last nightโI said, “Abhora is Dragula. Abhora is the most artistically talented person I know.โ They have raised the bar for what I have come to expect from such raw artists like her. The way that they think and the way that they create and the way their mind worksโฆ It’s unlike anything I’ve ever seen in my life. They always keep me guessing.
They’re practically the fucking Dragula mascot at this point. They are the show. They are what it represents. I would have gladly lost the crown to them, honestly, if the roles were reversed. I think I would have been at peace. I’ve had that conversation with myself where I was like, if this happens, if they take it, I will be fine with that for sure, because I love them so deeply and I respect them and I know that I’ll be okay. Abhora was absolutely my second pick.
Luna Gray: It seems like Abhora would be better as a one-person stage act than maybe a competition reality show because their ideas are just so big and amazing.
Evah Destruction: Exactly. They’re kind of like on the, they’re basically in the same realm of how I see Hollow, where they are art installation artists. They can build an entire room that is a sculpture, but it’s all them. People can just marvel at their talent and their shape, the texture, the color, the idea, the message, everything is intentional and referential. Abhora is that, and they are so incredible. It always blows my mind. I’m like, how do you even do this? Get out of my face.

Luna Gray: In my opinion, you are now the most inspirational story coming out of the Dragula fandom. Everything you’ve gone through and watching the growth from the outside looking in, it’s just so amazing, and all the mental health struggles that you’ve overcome to be where you are. With all that said, what are you saying to the new generation of drag stars out there? You now inspire people by the thousands, if not millions. What do you want to say to them?
Evah Destruction: I think I would say always take any bit of advice you’re getting from other entertainers, other friends, etcetera. Always take the advice with a grain of salt, because at the end of the day, you’re going to bed with you. You’re going on stage as you, yourself. You have to wake up the next day as you, so it’s all on you at the end of the day. Do not surround yourself with just yes people. Get surrounded by people that are not afraid to tell you no.
Also, when you have those days where you feel like you are in a creative stunt and you are not feeling inspired, you need to give and allow yourself the room to breathe and the room to have days where you don’t create, but you just unpack those feelings and those emotions, and you give yourself the space to feel. You know, take your time. Ultimately, I do believe in a slow burn. I believe that art should never be rushed. Believe in your drag and your character and stand by that and know that you can walk away proud from your performance or your feature or whatever you’re doing.
As an alternative subculture, like queer community, as much as we want to be rock hard edge goddesses and gods, pushing our message and spreading queerness and art and expression, and not giving a fuck about what anybody says. I think we also need to step forward as a community and as artists, and to anybody out there wanting to do this, to want to continue to do this, lead with fucking kindness, lead with kindness, because I promise you, it will get you so much further in life.
It will leave a better taste in everybody’s mouth. It will inspire others because the world is so cold out there. People want us harmed, silenced, and dead. It’s better to lead with our heads held high and being kind, being kind to the point where it’ll kill them. Kill them with kindness, and being respectful, being professional, being on time, turn your music in on time, bitch. Happy people do not spread the negativity that I’ve seen from the fandom this season. I encourage artists to turn around and be the bigger person and be the nice guy for once. Don’t feed into all the pettiness and the negativity and the quote unquote cringe culture. Bring back weird cringe culture.
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This Week in Horror: CinemaCon Delivered, Nicolas Cage Is Coming Back, and Someone Let Ti West Near a Christmas Story
It was a big week. CinemaCon happened, a Longlegs sequel got announced, and Lee Cronin’s The Mummy opened today, which we already covered but deserves to be in the roundup anyway because it is the biggest horror release of the month, and you should go see it. Here is everything else.
CinemaCon: The Horror Stuff
CinemaCon ran April 13 through 16 in Las Vegas and there was a lot. Here is what matters to us.
Werwulf got a real trailer, and it looks unhinged in the best way.

Robert Eggers’ follow-up to Nosferatu showed up at Universal’s presentation and it sounds like exactly what you want it to be. Aaron Taylor-Johnson transforms into a werewolf. Grimy medieval England. Lily-Rose Depp, Willem Dafoe, and Ralph Ineson are all in this. Variety called the transformation sequence alone worth the price of admission.
Practical Magic 2 happened and it was genuinely emotional.

Sandra Bullock and Nicole Kidman walked out together at Warner Bros.’ presentation and the room apparently lost it. The sequel reunites the Owens sisters, brings back Dianne Wiest and Stockard Channing, and adds Maisie Williams and Xolo Maridueรฑa as the next generation. They rebuilt the original house on the cliff. Sally is single now. If you know the original film you know why.
Ti West and Johnny Depp are making a Christmas horror movie and I have questions.

Paramount showed first footage from Ebenezer: A Christmas Carol, directed by Ti West and starring Depp in prosthetics as Scrooge. Ian McKellen is Jacob Marley. The Ghost of Christmas Present apparently shows up with his ribcage open. It is a Ti West film, so presumably this will be deeply upsetting by the end. Filing this under “extremely interested and also a little scared.”
Scary Movie is coming back June 5.

The original cast is back. Marlon Wayans, Shawn Wayans, Anna Faris, Regina Hall. The footage shown at Paramount’s panel apparently goes after reboots, remakes, elevated horror, and origin stories. That is a lot of ground to cover.
The Longlegs Universe Is Expanding

Osgood Perkins and Nicolas Cage are doing another Longlegs film, this time at Paramount, which picked it up because the scope was apparently bigger than Neon could handle. Not calling it a sequel exactly, more like something set in the same universe.
The Terror Is Back

The Terror: Devil in Silver drops May 7 on AMC+ and Shudder, and it looks like a proper return for the anthology. Dan Stevens stars as Pepper, a man committed to a psychiatric hospital who starts wondering if what he is experiencing is supernatural or if he is actually losing his mind. Based on Victor LaValle’s novel of the same name, who is also the showrunner. Judith Light, CCH Pounder, Stephen Root, and Marin Ireland are in the cast. Ridley Scott remains an executive producer. The first two seasons of The Terror were genuinely excellent, and this one has the cast to back it up.
Also Worth Knowing

Faces of Death is in theaters now and sitting at 69% on Rotten Tomatoes. Directed by Daniel Goldhaber, stars Barbie Ferreira as a content moderator who finds what might be real execution videos on a TikTok-style platform. It is a smart premise and the reviews say it mostly delivers.
Passenger got a trailer this week. Andrรฉ รvredal, who directed The Autopsy of Jane Doe and Scary Stories to Tell in the Dark, is calling it his scariest film yet. A supernatural entity latches onto a couple on a road trip.
The Young People from Osgood Perkins is still coming October 30, which means we are getting two Perkins-adjacent projects in the same year. This one stars Lola Tung, Nico Parker, Tatiana Maslany and Nicole Kidman and follows two school friends whose relationship turns sinister as one starts exhibiting disturbing behavior. Between this, Werwulf, and Other Mommy, fall 2026 is looking very good.
That is the week. Go see The Mummy.
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The Dark Side of Paradise: Why Tropical Horror Hits Different
There is something specifically wrong about horror that happens in bright sunshine on white sand. It shouldn’t work. Scary things are supposed to happen in the dark, not on a sunny beach. Yet, here we are.
The genre has spent decades training audiences to associate danger with darkness. Shadows, fog, rain, winter, the absence of light. Remove all of those cues and drop the horror into a tropical afternoon and trained horror fans no longer know what to look for.
The Cognitive Dissonance

We are conditioned to believe paradise is safe. Blue water, palm trees, sunlight. These are vacation images. Relaxation images. Nothing bad is supposed to happen here.
Daylight horror is one of the hardest subgenres to execute because there is nowhere to hide the ugliness. In darkness, the imagination fills gaps. In sunlight, everything is visible, and the film has to make that visibility the threat.
What results is a specific kind of dread. The feeling that the pleasant surface of things is a lie, and always has been.
Midsommar and What Daylight Does

Midsommar is the most discussed recent example, a film set almost entirely in golden Swedish summer light where the horror is hyper-visible by design. There is no darkness to retreat into. Every ritual, every atrocity, happens in front of everyone, in full color, in the sun.
The film’s director of photography Pawel Pogorzelski described the approach as weaponizing the light. Making the brightness feel oppressive rather than comforting. There is no relief. The beauty of the setting becomes part of the trap.
The setting promises safety and delivers the opposite.
Key West Was Always Haunted

Key West has a specific advantage for horror that most tropical settings don’t, it’s actually dark underneath. The Spanish named it Cayo Hueso, “island of bones,” for the human remains found scattered on its beaches when they arrived. It has been shaped by disease, hurricanes, shipwrecks, piracy, slavery, and execution.
In 1996, David L. Sloan founded what became the first professional ghost tour operation in the United States, right there in Key West. The island’s paranormal history wasn’t invented for tourism. The tourism caught up with what was already there.
The palm trees and turquoise water are real. So are three centuries of unquiet dead.
Tropical Horror in the Genre

The Ruins, Triangle, and the broader tradition of island and beach horror keep returning to paradise as the place where the worst things happen. The genre returns to these settings because they keep working. The contradiction between beauty and violence never gets old.
The tropical setting also erases the usual horror toolkit. No dark forests, no ruined buildings, no convenient fog. The monster has nowhere to hide. Neither does anyone else.
Which Is Exactly Why We Set Our Horror Movie There

iHorror is making a horror-comedy called Key of Bones: Curse of the Ghost Pirate, filmed entirely on location in Key West. Not as a backdrop. In Key West specifically, because Key West is not actually paradise. It just looks like it.
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Thinestra Review: Almost as Sharp as It Thinks It Is
No one would blame you for looking at Thinestra and thinking, “oh, it’s The Substance again.” Both films use an underexplained beauty product as a way to navigate how women are treated in entertainment and the pressure to always be beautiful. While The Substance goes after how women are treated in front of the camera, Thinestra gives us a glimpse behind the scenes.
It has things to say. Whether it says them clearly is a different question.
Meet Penny

Our protagonist is Penny, a young visual editor played by Michelle Macedo. Specifically, she edits the photos of paper thin models. She is surrounded by perfection all day and none of it is hers. After asking one of the models what it feels like to be perfect, she is handed a mystery pill with no explanation.
Something in the Ozempic family, as the film frames it, which is a good choice given that we are living through a cultural moment where weight loss drugs are reshaping beauty standards in real time. After struggling with her size for a bit, Penny pops the thing and waits to see what happens. You know, normal Tuesday activity.
What happens is that the weight she loses comes back. As her. Penelope, played by Michelle’s actual identical twin, Melissa Macedo, shows up as the ravenous doppelganger Penny just shed. The twin casting is not a gimmick. It is the smartest thing the film does. There is something genuinely uncanny about watching two identical people share a frame when one of them is supposed to be the literal embodiment of everything the other one is running from.
All of this plays out against a sweltering Los Angeles Christmas, which is its own kind of horror.
The Good Stuff

The first thing that comes to mind when watching Thinestra is odd. This is not a derogatory remark. Odd is always good in horror. The film features a toilet twin, a donut chamber, and a surprising amount of evil food. All of these things work beautifully for the comedy side of the film. Director Nathan Hertz has a clear vision for the film’s more absurdist moments and those moments land.
Hertz has said in press materials that “Penelope is not the villain. She is the symptom. The real antagonist is the voice in Penny’s head that tells her she is not enough.” That is a genuinely good thesis. The film knows what it is trying to do. Whether it follows through is the issue.
Where It Falls Apart

Thinestra never finds its balance between drama and comedy. Some scenes are over the top silly while others go immediately deadpan. The film is engaged in a kind of tonal whiplash that makes it difficult to stay invested in what is actually happening to Penny on an emotional level. You get pulled out right when you should be pulled in.
The special effects have the same problem. The donut dungeon looks disgusting and wonderfully delicious all at once, and it works. Some of the body horror effects do not hold up as well. It is worth noting that this is an indie production and budget has a lot to do with that. But the inconsistency is still noticeable in a way that undercuts the scarier moments.
The Bigger Picture

Thinestra comes from a long line of feminist body horror, and it genuinely tries to tackle heavy subjects. The Ozempic framing is timely in a way that The Ugly Stepsister and The Substance were not quite working with, and that specificity gives the film a sharp cultural edge when it leans into it. The problem is that it does not always lean into it. It gets distracted by its own weirdness, which is charming, but removes the atmosphere that would make the horror actually hurt.
This is not a bad film. Thinestra is funny, gross, and imaginative in ways most Hollywood films are not. It took home the VORTEX Sci-Fi, Fantasy and Horror Award Grand Prize on the festival circuit and screened at Sitges, Raindance, and Screamfest, among others. There is real craft here and real ambition.
But in a genre that is currently producing work as precise as The Ugly Stepsister and as unrelenting as The Substance, Thinestra does not quite make its impression. It has the right ingredients. It just needed a longer cook time.
Where to Watch
Thinestra is streaming now via Breaking Glass Pictures.
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