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Review: ‘#FromJennifer’ Is a Social Media Horror Movie That Delivers

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As technology advances, and society shifts to accommodate, leave it to the horror genre to come up with stories to make these changes and our anxieties about them tangible and terrifying. Such as ‘Christine’ for cars, ‘Frankenstein’ about the line between life and death, or even ‘Black Christmas’ for phones, horror is always representing the shadow cast by these everyday tools. Social Media is on the forefront now such as with ‘Unfriended’ and ‘Friend Request’, but it’s with #FromJennifer that the mundane yet overbearing fear that such a platform has so much control over us now.

Image: Youtube

Directed by Frank Merle entirely in a 1st Person Camera POV, #FromJennifer follows the titular Jennifer Peterson (Danielle Taddei) who is trying her damndest to make it as an actor in Hollywood with a positive attitude. But don’t call her Jenny, a Jenny is a female donkey. After being fired off a low-budget horror movie, her manager, Chad (Played by ‘Candyman’s Tony Todd) encourages her to try and establish a stronger social media presence in order to find more work, like her bright and shiny best friend Stephanie (Meghan Deanna Smith) who has a million subscribers and does daily sketch videos.

She gets a web presence- thanks to her ex-boyfriend uploading revenge porn of them and essentially sinking her career when Chad drops her as a client. Determined for fame and revenge of her own, Jennifer continues. Recording everything as a part of her plan with a Go-Pro camera Stephanie gifted to her. She recruits Butch (Derek Mears of ‘Friday The 13th’) off of Craigslist as her henchman. A giant, well-meaning, socially anxious man who’s just getting over being broken up by his boyfriend and being laid off from his job at the DVD factory (Topical!) Together, they embark on what will be either a massive viral hit… or a deadly spree.

Image: Youtube

It is a tale that is sadly all too often today. The search for fame at any cost. Even after having her acting career thrown for a loop, she becomes focused on reaching the masses directly through the internet. Recording EVERYTHING. Even the crimes and deaths she and Butch commit in the name of their project. Though distinctly a dark comedy, there are some great scenes of tension as Jennifer’s plot unfolds and her mind unravels, and you just don’t know who will become a casualty along the way. Jennifer and Butch are distinctly sympathetic and complicated characters outside the usual ‘killers’ of horror movies. Having more in relation to the protagonists of a Coen Brothers’ movie, whose ignorance and determination get people killed. There are some really funny characters and jokes that only further juxtapose how dark and brutal things get.

Image: IMDB.com

The characters are an eccentric group. From Jennifer’s well intentioned but violent manservant, Butch, to the sleazy dates she entraps in her internet dating scheme, everybody who appears makes an impression. Unlike a lot of horror movies, and especially with the themes of social media, the plot is a pretty slow build-up through most of the first half, but when things go wild, they go wild! If you’re looking for a pitch black horror comedy of fame in the internet age, you can get it #FromJennifer.

#FromJennifer is now available for VOD and digital download.

Feature Image: Youtube

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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