News
James Wan Confirms Involvement in Next ‘Saw’ With Blumhouse
Blumhouse acquires prospective rights to Saw franchise.
For those of you gasping a big gasp about Blumhouse, relax, this news means James Wan is attached to the next film given his collaboration with Jason Blum. Furthermore, Lionsgate will still be a partner in the deal, retaining its existing ownership and distribution.
“Saw holds a special place in my heart—it’s where Leigh [Whannell] and I began our Hollywood journey,” said Wan in a press release. “Coming back to this world with a fresh perspective is both thrilling and deeply personal. For me, this will mark a significant creative return to the Saw franchise for the first time since the early days, and I’m very much looking forward to embracing the original spirit whilst pushing the legacy forward in bold, unexpected ways.”
Individually, Jason Blum’s Blumhouse and Wan’s Atomic Monster labels are responsible for five of the ten highest-grossing horror franchises of all time. The 10 Saw films have grossed more than a billion dollars at the global box office.
Co-producer Oren Koules is happy about the transition, saying: “With the success of the tenth film, this felt like the right time to pass the baton. I’m incredibly proud of what we’ve built with Lionsgate over the past 20 years and deeply grateful to the fans who’ve been with us since the beginning. It’s especially meaningful to see the franchise return to its original creators, James and Leigh, and I can’t think of a better partner than Jason to lead Saw into its next chapter. On a personal note, I know the late Gregg Hoffman, my original partner on this journey, would be so happy with this ending.”
Burg recalls meeting Wan and writer Leigh Whannell 20 years ago when he financed the first film, “The film was magical, and a hit beyond our wildest dreams, and our fans kept the franchise alive for over 20 years. It’s been an amazing ride and, with the recent passing of our beloved executive producer, Jason Constantine, it’s time for me to move on and tell new stories. Saw will always be a part of my history and Hollywood history, and I hope Jigsaw and the SawUniverse live on for many more movies and years to come. Lastly, I’d like to thank all the amazing actors, crew, and Lionsgate executives who have worked with us on 10 movies over the past 20 years — none of this could have happened without you all. We wish James, Leigh and Jason huge success with the continuation of the franchise.”
Blum seems invested too, especially with its original creators back for the latest chapter.
“The Saw franchise has defined a generation of horror, and its cultural impact continues to grow, making this a strategic investment in one of the most recognizable and successful genre properties of the last two decades, Blum said. “But what really excites me about bringing Saw to Blumhouse is having James and Leigh back in the fold and to see the future of the franchise come to life with their guidance.”
News
‘Behind the Mask 2’ Slays Kickstarter
If you are hardwired into the horror community there is no doubt you heard the gasp around the internet earlier this month when Behind the Mask II: The Return of Leslie Vernon was announced. The announcement of the long anticipated sequel came at a screening of the original at American Cinematheque in Los Angeles.
That same evening we also learned that Behind the Mask’s director Scott Glosserman as well as writer David J. Stieve will be returning to the film. Furthermore, cast members Nathan Baesel, Angela Goethals, and Robert Englund will be reprising their roles from the original.

A Kick into Overdrive
While the sequel is happening one way or another, a Kickstarter campaign was established. The money pledged would allow the filmmakers to create a movie that goes above and beyond their original budget.
As the campaign’s page states;
“The film is happening, that’s no-take-backs. If we hit these goals, it makes it possible to do it bigger, bloodier, and bolder.”
The campaign goes on, saying;
“This is not a “save the movie” campaign. The movie is happening. Kickstarter is how we make it our way. “
Roughly two weeks after the sequel’s announcement, the campaign launched with a modest day one goal of $20,000. To say that fans crushed this number is an understatement. In 9 minutes they reached their goal. In less than 24 hours the amount of backers climbed to over 300, and the pledges donated totaled more than $100,000!
Get to the Good Stuff!
For pledging, the moviemakers have included incentives that are truly in line with what the horror community wants.
The rewards begin at $25 with a digital streaming link of Behind the Mask II: The Return of Leslie Vernon. Tiers continue on as the pledge amounts increase. T-shirts, posters, Blu Rays and scripts are just some of the middle tier goodies. The larger donation amounts are rewarded with on screen “Special Thank You”s and various producer credits.

It is the ‘Exclusive Add Ons’ where things get really interesting. Once a backer has already pledged, they can add on additional perks. These additions include
“accessories, autographs, props, and truly unique, fan forward in-person experiences… all intended to complement your chosen reward tier!”
One of the unique add on perks includes VHS tapes of the original Behind the Mask or the sequel, your choice! Given the fact the first movie was created right on the heels of when VHS was truly dead, older horror fans will especially find this perk an exciting addition to their vintage collection.
The reward add-ons also have the horror prop collectors in mind. You can purchase Leslie Vernon’s weapon of choice, a scythe, as well as his mask. Both of these are signed by actor Nathan Baesel.

For more personal experiences, you can add on a visit to the Behind the Mask II set during filming! You can also choose a cast and crew screening in LA or New York, complete with an after party. Finally, for the crème de la crème; you can be killed onscreen by Leslie Vernon himself!
Powered by the Fans
Behind the Mask II: The Return of Leslie Vernon is the little slasher movie that could!
For two decades the creators tried to find ways to make Leslie’s legacy continue. A failed first Kickstarter, rumors, teases, and false starts all led to the delay of a dream.
For twenty years the movie’s cult gathering slowly formed, cultivated, and grew louder and louder. Too loud to be ignored.

As soon as the campaign went live, horror fans donated their hard earned money. And let’s face it; we are currently living in a time where the dollar doesn’t stretch as far. The fact that the long awaited sequel gained so much traction and backing, so quickly, really demonstrates the community’s love, support, and anticipation for Behind the Mask II: The Return of Leslie Vernon.
It looks like Leslie Vernon will finally be returning!
News
The Best Possible Person Is Directing A24’s Texas Chainsaw Massacre
A24 went into a competitive auction, beat out Blumhouse, acquired one of the most difficult pieces of IP in the genre, and then gave the job to a director with one feature film to his name. That is a wild risk to take on such a young talent. But also, it’s Curry Barker, so we get it.
Curry Barker is writing and directing a reimagining of the 1974 original created by Tobe Hooper and Kim Henkel. As we have talked about before, A24 announced the acquisition back in February with no director attached. At least we have that figured out.
Who Curry Barker Is

Barker got here through Obsession, a film he made for under a million dollars that played TIFF Midnight Madness and sold to Focus Features for north of $14 million. He built the career that got him into that room starting on YouTube, which is the kind of origin story that should not end with A24 handing you a legacy franchise before your first wide release even opens. And yet, here we are.
The Franchise and the People Behind It

The 1974 original has since produced eight sequels and remakes. Some are far better than others. The franchise has been a problem for a long time and everyone who has touched it since the original has found a different way to confirm that.
A24 formally announced the acquisition earlier this year after winning the rights in a competitive bid. The producers are Roy Lee, Steven Schneider of Spooky Pictures, and Kim Henkel through Exurbia Films. Henkel co-created the original with Tobe Hooper.
One More Thing

There is also a separate Texas Chainsaw Massacre TV series in development at A24 from JT Mollner. Different project. The film and the series are happening at the same studio simultaneously, which means A24 now has more Leatherface in development than anyone has since the franchise was actually relevant. Barker’s film has no release date yet. Obsession opens May 15.
News
ITCH Is the Outbreak Film That Actually Gets Under Your Skin
No one would blame you for looking at ITCH and filing it under zombie film. Because it is. The outbreak spreads person to person. People stop being people. The world ends a little bit. You know how it goes.
What Bari Kang actually made is something with a different mechanism at its center. The contagion does not spread through biting. It spreads through scratching. You scratch yourself. This makes you sick while it is happening. You scratch because someone near you scratched and something in your brain said that looks right.
I talked to Kang about it. Turns out it was not a deliberate subversion. “It was never meant to be a zombie film,” he told me. “That happened along the way.” The idea came during COVID. He watched someone scratching in a store and could not stop thinking about it. “What if that’s how something spreads?” He started writing from there and somewhere in the process the zombies arrived. “All of a sudden I had these zombies running around.” He went that route without going that route.
Why the Scratch Works

We all get how zombies work. They bite, someone hides their bite, sometime later everyone is dead. Kang’s instinct was that the scratch would do something different. “It’s really visceral and contagious,” he said. “I figured if I could lean into that, that might work well.” He was right.
There is something about watching someone scratch that is harder to look away from than watching someone get bitten. You feel it on your own skin. The sympathy itch is real and ITCH knows it and uses it without being cute about it. That is craft. For a film Kang wrote, directed, produced, and starred in himself, that is not a small thing.
Who Is Bari Kang

The short version: he decided he wanted to be an actor, spent a year auditioning and booking nothing, and then casting director Judy Henderson, who was in the middle of casting Homeland at the time, told him to go write his own stuff. “I was like, oh, you can do that,” he told me.
He said: “Nobody’s coming to give you a hand. There’s no handouts. It seems like we need permission or something to do it, but you just gotta get out there.” Yeah. That.
The Rule About Lore

There were versions of ITCH that explained what the itch was, where it came from, who started it. Kang cut all of it. The less he showed, the more the film asked audiences to do the work themselves. And audiences who do the work are more scared than audiences who are shown everything.
ITCH does not explain itself and it does not need to. A film about a contagion that spreads through something you cannot stop yourself from doing, made in the aftermath of a pandemic everyone lived through, does not require a mythology breakdown. It requires you to sit with what it is suggesting. Which is worse.
ITCH is available now.
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