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Indie Movie Review: ‘Headless’ (The Spin-Off of ‘Found’)

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2014 finally brought Scott Schirmer’s Found to a wider audience, along with the announcement that its film within a film, Headless, would go into production thanks to a successful Kickstarter campaign. I had the good fortune of attending Found’s premiere in Indiana back in 2012, and as soon it was over, people were already asking if Schirmer and crew would make a standalone feature of Headless. It left that big of an impression (it also led to Found being banned in Australia).

Schirmer actually worked on Headless in the capacities of co-producer and co-editor, and let Arthur Cullipher, who led the gore effects on Found, take over directorial duties. The result is a film that makes use of its micro-budget just as efficiently as Found, while taking on a wildly different feel. It does maintain the feel the original Headless segment set up wonderfully, and takes it to new extremes and into the territory from which the original was truly inspired. That would be the insane and sometimes hard-to-find bloodbath flicks of the seventies and early eighties.

When I interviewed screenwriter Nathan Erdel (Todd Rigney, who wrote Found sat this one out) about the direction he planned to take Headless in back in July, he mentioned films like The Last House on Dead End Street and The Headless Eyes – both somewhat obscure and nutty films from the aforementioned era. Having seen the final product, I can tell you the whole team did a fantastic job of capturing that feel. I’d add that I couldn’t help but think about the original Maniac and Texas Chainsaw Massacre at times as well. To be clear, Headless doesn’t borrow too heavily from any of these films directly. It just has that old, dirty feel.

Yes, like Found, it’s low budget, so if you’re looking for some polished Hollywood fare, you’re looking in the wrong place. Quite frankly, too big a budget would probably only hurt a movie like this anyway. If you’ve seen Found, then you’ve seen what Headless is about, and Headless the feature perfectly extends that universe right into an hour and a half of depravity that never has a dull moment. It even manages to work some genuine creepiness in beyond the obvious slasher and gorefest elements you already know you’ll be consuming. This is helped with the introduction of a new “character” known (though not referred to in the movie by name) as “Skullboy”.

skullboy from headless

Skullboy would be our killer’s subconscious/imaginary friend, who kind of serves as a guide on his path of mayhem. This could be silly if not handled right, but it’s handled so, so right. It gives us another character to watch, and helps illustrate the killer’s extremely fucked state of mind and backstory.

The gore effects are fantastically fun, and are even elevated from what we saw in Found, and that’s a very good thing as Headless is certainly a showcase of practical effects.

Where it differs significantly from its seventies inspirations is that it never drags or feels like it’s going on too long. For a movie with so much severed head intercourse, somehow it never feels overplayed. There are also some moments of humor, which probably help in that department as well.

The score and other music work wonderfully, and help create the perfect complement to the trippy visuals, while the acting is right where it needs to be for this kind of film.

Keep in mind, Headless is literally supposed to be a movie from 1978. That’s the tape Found’s characters watched in that film. The real Headless is meant to be that very movie (though it does play out a bit differently than the original tape did – in a totally good way).

Ultimately, Headless is an entertaining slasher film for those who appreciate horror that takes things further than the norm. I would highly recommend anyone who hasn’t seen Found watch that first, because it gives you the context for what Headless is actually trying to be. Still, I believe it stands just fine on its own.

I’ve been waiting for this movie for nearly three years, and I couldn’t be happier with the result. I don’t have a release date for you yet, but it’s getting its premiere on Saturday at Culture Shock in Indianapolis.

You can read our interviews with Cullipher and Shane Beasley, who plays the Headless killer (in both movies) here, and our interviews with Schirmer and co-producer Kara Erdel here and here respectively.

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‘Talk To Me’ Directors Danny & Michael Philippou Reteam With A24 for ‘Bring Her Back’

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A24 didn’t waste any time snatching up the Philippou brothers (Michael and Danny) for their next feature titled Bring Her Back. The duo have been on a short list of young directors to watch for since the success of their horror film Talk to Me

The South Australian twins surprised many people with their debut feature. They were mostly known for being YouTube pranksters and extreme stuntmen. 

It was announced today that Bring Her Back will star Sally Hawkins (The Shape of Water, Willy Wonka) and begin filming this summer. No word yet on what this film is about. 

Talk To Me Official Trailer

Although its title sounds like it could be connected to the Talk to Me universe this project doesn’t appear to be related to that film.

However, in 2023 the brothers revealed a Talk to Me prequel was already made which they say is a screen life concept. 

“We actually shot an entire Duckett prequel already. It’s told entirely through the perspective of mobile phones and social media, so maybe down the line we can release that,” Danny Philippou told The Hollywood Reporter last year. “But also while writing the first film, you can’t help but write scenes for a second film. So there’s so many scenes. The mythology was so thick, and if A24 gave us the opportunity, we wouldn’t be able to resist. I feel like we’d jump at it.”

In addition, the Philippous are working on a proper sequel to Talk To Me something they say they have already written sequences for. They are also attached to a Street Fighter film.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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