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AMC’s Vampire Epic Has a New Name — And a Bloody Future: SDCC 2025 Recap
Since sinking its teeth into San Diego Comic-Con (SDCC) in 2022, Interview with the Vampire has become the crown jewel of the AMC Anne Rice’s Immortal Universe and an unmissable event for fans. That first panel gave us our unforgettable intro to the cast — namely co-leads Jacob Anderson (Louis) and Sam Reid (Lestat) — and set the tone for the lush, bloody chaos to come. Even in 2023, when the SAG-AFTRA strike dimmed most panels, AMC delivered The Streets of Immortality, a vampire-soaked Gaslamp takeover that fans are still dreaming about. By 2024, Anne Rice’s Immortal Universe ruled Ballroom 20. We got surprise footage, cast reunions (hi Sam, Delainey, and Assad), and the very first teaser for Season 3.
Now, in 2025, Interview with the Vampire returned once again, and not just as a series but as the beating heart of AMC’s ever-expanding world. And this year, it brought more blood, more lore, and more Lestat than ever before.
But if this universe has taught fans anything, it’s how to be patient. With long stretches between seasons and plot details kept under lock and coffin, Interview with the Vampire has become a series that rewards the devoted. Season 2 premiered in May 2024 after a slightly extended hiatus, and even as the blood dried on its finale, viewers were already dissecting every frame for clues. Now, with Season 3 officially in production in Toronto, SDCC 2025 arrived like a lifeline — a rare, blessed glimpse into the decadent unknown. Casting announcements, timeline theories, clues on clues on clues…the fandom frenzy hit a fever pitch. And with its slow-burn storytelling and operatic visuals, the show has only deepened its grip, building a fanbase more than willing to line up for hours just to hear Sam Reid say “Louis” one more time.

When the Anne Rice’s Immortal Universe returned in full force to the comic-con stage this year, one thing was made crystal clear: the vampires’ story is just getting started.
And then came the headline heard ‘round the fandom — AMC confirmed that the series is officially changing its name to The Vampire Lestat. A bold move, to say the least.
For longtime readers of The Vampire Chronicles, the title carries mythic weight. The Vampire Lestat isn’t just the second book; it’s the origin story. Lestat’s rebellion. Lestat’s gospel. Lestat’s legend finally stepping into the spotlight. The title change all but confirms that Season 3 will crack open Lestat’s past, peeling back centuries to expose the man behind the monster…or, perhaps, the monster behind the man.
But while the name may change, Louis’ place at the heart of the narrative remains unshaken. If anything, this shift deepens the show’s duality: Lestat may be the sun around which everything now spins, but Louis is the moon — constant, luminous, and haunting in his perspective. Their story has never just been about blood. It’s about obsession, romance, memory, and ruinous devotion. This rebranding doesn’t overwrite Louis but reframes him. And not as a secondary figure, but as someone seen more clearly than ever, through the eyes of the man who loves him beyond reason.
So what exactly did happen at Comic-Con this year? In a weekend packed with reveals, interviews, fan moments, and one very game-changing panel, Interview with the Vampire The Vampire Lestat made sure no one left San Diego without feeling the heat. From casting bombshells to the blood-dripping teaser we’re desperately waiting on AMC to post, here’s everything that went down for AMC’s crown jewel at SDCC 2025.

New Faces, Old Blood: The Casting Announcements
AMC didn’t just tease the future — they gave it names. This year’s panel confirmed the return of key cast members and introduced several blood-soaked new additions to the Season 3 lineup, sending fans into full meltdown mode. Lestat’s mother, Marius, Magnus…oh my. Whether these characters turn out to be friends, foes, or feral family remains to be seen, but if the cast’s reactions were any hint, we’re in for something wicked.
Returning Favorites:
- Sam Reid as Lestat de Lioncourt – He’s charming, cruel, impossible to forget, and this season we learn his past, his present, and his future. With the title change to The Vampire Lestat, all eyes are on the Brat Prince as he unearths his origins, confronts his demons (both literal and emotional), and maybe learns the cost of being worshiped. If you thought he was dramatic before? Buckle up.
- Jacob Anderson as Louis de Pointe du Lac – Still the soul of the story, but no longer at war with his nature. This season, Louis won’t be running from the blood, the power, or the pain. Season 2 shows us he’s embraced the darkness with elegance, control, and a quiet fury that makes him more dangerous than ever. And Lestat? He’s never stopped loving him — obsessively, ruinously, with the kind of devotion that borders on worship. We’re here for all of it.
- Eric Bogosian as Daniel Molloy – The journalist-turned-fledgling-vampire is back to unleash levels of chaos that we cannot even begin to imagine. But I am imagining it.
- Assad Zaman as Armand – Still reeling from that finale? So is Armand. Armand’s soft face hides centuries of manipulation. Trust nothing. Expect everything.
- Delainey Hayles as Claudia… or?! – The fandom is buzzing. AMC’s cryptic “reintroducing” tag has fans wondering if we’re seeing flashbacks, hallucinations, or something stranger. Claudia may be gone, but her presence — and Hayles’ performance — still haunts the show.

New Additions:
- Jennifer Ehle as Gabriella de Lioncourt – Lestat’s infamous mother, finally stepping onto the stage. Yes, “Gabrielle” is now “Gabriella” for her Italian origin, but the ferocity? Untouched.
- Christopher Heyerdahl as Marius de Romanus – A powerful ancient vampire, a mentor to Lestat — and most importantly, Armand’s maker. The family tree just got more complicated.
- Damien Atkins as Magnus – The vampire who made Lestat in the most horrific way imaginable. Expect trauma, fire, and truly soul-shattering scares.
- Ella Ballentine as Baby Jenks – The young runaway girl from The Queen of the Damned showing up a little earlier than expected. What does that mean? Things may be moving faster than we thought.
- Jeanine Serralles as Christine Claire – Lestat’s modern-day lawyer, and possibly the only mortal on the payroll. Expect her to be very tired, very chic, and very done.
Of course, knowing who’s in Season 3 is only half the thrill. Seeing them in action is another thing entirely. And AMC knew exactly how to feed us: with an exclusive behind-the-scenes video straight from the set in Toronto. Lace up your boots and smudge your eyeliner — it’s time to look at the making of The Vampire Lestat.
Lights, Camera, Immortality: Behind the Scenes of Season 3
At SDCC, AMC dropped an exclusive behind-the-scenes video from Season 3 and within seconds, it was clear: this is not just a continuation. It’s a full transformation.
The footage, later shared across AMC’s socials, gives fans their first electric look at Sam Reid’s Lestat in full rockstar form — commanding the stage with shirtless, velvet-and-venom swagger. But the real magic isn’t just in the visuals. It’s in the work. Reid didn’t just show up in costume — he trained, rehearsed, and became the Vampire Lestat. He learned to sing, to play instruments, and to perform live, not just convincingly, but with the arrogance, charisma, and feral grace that Lestat demands. There’s a raw physicality to the concert scenes: hair wild, body moving like a predator, voice pushing into controlled chaos. It’s theatrical, seductive, and genuinely haunting.
The video shows rehearsal footage, band members, and multiple instruments in Reid’s hands. Every piece is fine-tuned with almost obsessive attention. This isn’t a gimmick. This is a character being reborn in real time, and Reid is clearly giving everything.
But the clip isn’t all thunder and glam. There’s one quiet, perfect moment where Jacob Anderson appears in a certain outfit fans of Season 1 will recognize instantly. Whether it’s a flashback or a Dream Louis, it lands like a gut punch. Anderson, smiling, tells the camera he’s been listening to Reid rehearse through their shared trailer wall “for two years,” and that fans are in for a treat.
He’s right. This isn’t just Lestat putting on a show. This is Sam Reid embodying a legend and making it look effortless. If the behind-the-scenes is any indication, the final product won’t just raise the bar. It’ll stake it right through the heart.
SDCC Gets Its First Bite of Season 3

But if the behind-the-scenes footage got hearts racing, AMC really set the SDCC crowd on fire with an electrifying three-minute montage from Season 3 — a tantalizing teaser they’ve yet to share with the public (come on, AMC, it’s time to post it already). Thanks to fan footage and buzz, we know this rapid-fire preview is packed with everything fans crave: drug-fueled nights, neon-lit strip clubs, splashes of blood, haunting flashes to Lestat’s 1700s origins, wild, reckless concert scenes, the ominous presence of the Talamasca… and, perhaps most electric of all, a modern-day boardroom showdown between Louis and Lestat. Across that table, their verbal sparring crackles with biting comedy, heartbreaking vulnerability, and that undeniable sexual tension that ignites whenever these two are in the same room. It’s a glimpse that promises the season will be as layered and charged as their complicated relationship.
Fandom Frenzy: SDCC Panel Moments That Broke the Internet
After that heart-stopping montage, the SDCC panel kept the momentum soaring with jaw-dropping reveals and unforgettable moments that had fans both in the room and across the world hanging on every word. While Akasha — the Queen Mother of all vampires — remains a tantalizing mystery for now, just the hint of her arrival this season sent ripples of excitement through the crowd.
Music took center stage as composer Daniel Hart showed off the new custom Fender guitar, the LeStrat: Petit Coup, designed specifically to channel Lestat’s wild rockstar energy.
One of the night’s most memorable moments came when Jacob Anderson jokingly exited the stage after the show’s name change was announced — only to be chased back moments later by Sam Reid. The two sprinted back hand-in-hand, much to the delight of fans who live for these candid behind-the-scenes moments.
True to the show’s rock ‘n’ roll heart, influences like Kurt Cobain and Jim Morrison were confirmed as key inspirations behind the music’s vulnerability, weaving a rich tapestry of rebellion, passion, and raw emotion that perfectly fits the season’s mood.
From the packed convention hall to social feeds around the globe, fans were electrified — proof that The Vampire Lestat is poised to deliver everything the fandom has been craving and more.

Prepare for the Bite: What’s Coming
As SDCC 2025 came to a close, one thing was crystal clear: AMC isn’t just teasing a new season. They’re unleashing a darker, more intense, and deeply personal chapter for fans of Anne Rice’s Immortal Universe and it’s happening now. This October, brace yourselves as the world expands with the premiere of Talamasca: The Secret Order on October 26, 2025. The SDCC panel gave fans tantalizing glimpses of eerie secrets and supernatural thrills, with strong hints that The Vampire Lestat’s world will bleed into Talamasca well before its 2026 debut.
For longtime fans, this moment isn’t just about new episodes dropping. It’s the birth of a vast, interconnected universe rich with new characters, dark mysteries, and stories that dig deeper into the mythos Anne Rice built and fans have lived for. The SDCC buzz? It’s just the opening bite.
So here’s what you need to do: watch (and rewatch) Seasons 1 and 2 now to sharpen your fangs, mark your calendars for Talamasca on October 26, and start counting down the days until The Vampire Lestat returns in 2026. And most importantly, stay locked on iHorror for every exclusive breakdown, interview, and fan moment — because we’ll be there for all of it.
This is the new era of Anne Rice’s universe. Don’t blink, or you’ll miss it.
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This Week in Horror: CinemaCon Delivered, Nicolas Cage Is Coming Back, and Someone Let Ti West Near a Christmas Story
It was a big week. CinemaCon happened, a Longlegs sequel got announced, and Lee Cronin’s The Mummy opened today, which we already covered but deserves to be in the roundup anyway because it is the biggest horror release of the month, and you should go see it. Here is everything else.
CinemaCon: The Horror Stuff
CinemaCon ran April 13 through 16 in Las Vegas and there was a lot. Here is what matters to us.
Werwulf got a real trailer, and it looks unhinged in the best way.

Robert Eggers’ follow-up to Nosferatu showed up at Universal’s presentation and it sounds like exactly what you want it to be. Aaron Taylor-Johnson transforms into a werewolf. Grimy medieval England. Lily-Rose Depp, Willem Dafoe, and Ralph Ineson are all in this. Variety called the transformation sequence alone worth the price of admission.
Practical Magic 2 happened and it was genuinely emotional.

Sandra Bullock and Nicole Kidman walked out together at Warner Bros.’ presentation and the room apparently lost it. The sequel reunites the Owens sisters, brings back Dianne Wiest and Stockard Channing, and adds Maisie Williams and Xolo Maridueña as the next generation. They rebuilt the original house on the cliff. Sally is single now. If you know the original film you know why.
Ti West and Johnny Depp are making a Christmas horror movie and I have questions.

Paramount showed first footage from Ebenezer: A Christmas Carol, directed by Ti West and starring Depp in prosthetics as Scrooge. Ian McKellen is Jacob Marley. The Ghost of Christmas Present apparently shows up with his ribcage open. It is a Ti West film, so presumably this will be deeply upsetting by the end. Filing this under “extremely interested and also a little scared.”
Scary Movie is coming back June 5.

The original cast is back. Marlon Wayans, Shawn Wayans, Anna Faris, Regina Hall. The footage shown at Paramount’s panel apparently goes after reboots, remakes, elevated horror, and origin stories. That is a lot of ground to cover.
The Longlegs Universe Is Expanding

Osgood Perkins and Nicolas Cage are doing another Longlegs film, this time at Paramount, which picked it up because the scope was apparently bigger than Neon could handle. Not calling it a sequel exactly, more like something set in the same universe.
The Terror Is Back

The Terror: Devil in Silver drops May 7 on AMC+ and Shudder, and it looks like a proper return for the anthology. Dan Stevens stars as Pepper, a man committed to a psychiatric hospital who starts wondering if what he is experiencing is supernatural or if he is actually losing his mind. Based on Victor LaValle’s novel of the same name, who is also the showrunner. Judith Light, CCH Pounder, Stephen Root, and Marin Ireland are in the cast. Ridley Scott remains an executive producer. The first two seasons of The Terror were genuinely excellent, and this one has the cast to back it up.
Also Worth Knowing

Faces of Death is in theaters now and sitting at 69% on Rotten Tomatoes. Directed by Daniel Goldhaber, stars Barbie Ferreira as a content moderator who finds what might be real execution videos on a TikTok-style platform. It is a smart premise and the reviews say it mostly delivers.
Passenger got a trailer this week. André Øvredal, who directed The Autopsy of Jane Doe and Scary Stories to Tell in the Dark, is calling it his scariest film yet. A supernatural entity latches onto a couple on a road trip.
The Young People from Osgood Perkins is still coming October 30, which means we are getting two Perkins-adjacent projects in the same year. This one stars Lola Tung, Nico Parker, Tatiana Maslany and Nicole Kidman and follows two school friends whose relationship turns sinister as one starts exhibiting disturbing behavior. Between this, Werwulf, and Other Mommy, fall 2026 is looking very good.
That is the week. Go see The Mummy.
News
The Dark Side of Paradise: Why Tropical Horror Hits Different
There is something specifically wrong about horror that happens in bright sunshine on white sand. It shouldn’t work. Scary things are supposed to happen in the dark, not on a sunny beach. Yet, here we are.
The genre has spent decades training audiences to associate danger with darkness. Shadows, fog, rain, winter, the absence of light. Remove all of those cues and drop the horror into a tropical afternoon and trained horror fans no longer know what to look for.
The Cognitive Dissonance

We are conditioned to believe paradise is safe. Blue water, palm trees, sunlight. These are vacation images. Relaxation images. Nothing bad is supposed to happen here.
Daylight horror is one of the hardest subgenres to execute because there is nowhere to hide the ugliness. In darkness, the imagination fills gaps. In sunlight, everything is visible, and the film has to make that visibility the threat.
What results is a specific kind of dread. The feeling that the pleasant surface of things is a lie, and always has been.
Midsommar and What Daylight Does

Midsommar is the most discussed recent example, a film set almost entirely in golden Swedish summer light where the horror is hyper-visible by design. There is no darkness to retreat into. Every ritual, every atrocity, happens in front of everyone, in full color, in the sun.
The film’s director of photography Pawel Pogorzelski described the approach as weaponizing the light. Making the brightness feel oppressive rather than comforting. There is no relief. The beauty of the setting becomes part of the trap.
The setting promises safety and delivers the opposite.
Key West Was Always Haunted

Key West has a specific advantage for horror that most tropical settings don’t, it’s actually dark underneath. The Spanish named it Cayo Hueso, “island of bones,” for the human remains found scattered on its beaches when they arrived. It has been shaped by disease, hurricanes, shipwrecks, piracy, slavery, and execution.
In 1996, David L. Sloan founded what became the first professional ghost tour operation in the United States, right there in Key West. The island’s paranormal history wasn’t invented for tourism. The tourism caught up with what was already there.
The palm trees and turquoise water are real. So are three centuries of unquiet dead.
Tropical Horror in the Genre

The Ruins, Triangle, and the broader tradition of island and beach horror keep returning to paradise as the place where the worst things happen. The genre returns to these settings because they keep working. The contradiction between beauty and violence never gets old.
The tropical setting also erases the usual horror toolkit. No dark forests, no ruined buildings, no convenient fog. The monster has nowhere to hide. Neither does anyone else.
Which Is Exactly Why We Set Our Horror Movie There

iHorror is making a horror-comedy called Key of Bones: Curse of the Ghost Pirate, filmed entirely on location in Key West. Not as a backdrop. In Key West specifically, because Key West is not actually paradise. It just looks like it.
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Thinestra Review: Almost as Sharp as It Thinks It Is
No one would blame you for looking at Thinestra and thinking, “oh, it’s The Substance again.” Both films use an underexplained beauty product as a way to navigate how women are treated in entertainment and the pressure to always be beautiful. While The Substance goes after how women are treated in front of the camera, Thinestra gives us a glimpse behind the scenes.
It has things to say. Whether it says them clearly is a different question.
Meet Penny

Our protagonist is Penny, a young visual editor played by Michelle Macedo. Specifically, she edits the photos of paper thin models. She is surrounded by perfection all day and none of it is hers. After asking one of the models what it feels like to be perfect, she is handed a mystery pill with no explanation.
Something in the Ozempic family, as the film frames it, which is a good choice given that we are living through a cultural moment where weight loss drugs are reshaping beauty standards in real time. After struggling with her size for a bit, Penny pops the thing and waits to see what happens. You know, normal Tuesday activity.
What happens is that the weight she loses comes back. As her. Penelope, played by Michelle’s actual identical twin, Melissa Macedo, shows up as the ravenous doppelganger Penny just shed. The twin casting is not a gimmick. It is the smartest thing the film does. There is something genuinely uncanny about watching two identical people share a frame when one of them is supposed to be the literal embodiment of everything the other one is running from.
All of this plays out against a sweltering Los Angeles Christmas, which is its own kind of horror.
The Good Stuff

The first thing that comes to mind when watching Thinestra is odd. This is not a derogatory remark. Odd is always good in horror. The film features a toilet twin, a donut chamber, and a surprising amount of evil food. All of these things work beautifully for the comedy side of the film. Director Nathan Hertz has a clear vision for the film’s more absurdist moments and those moments land.
Hertz has said in press materials that “Penelope is not the villain. She is the symptom. The real antagonist is the voice in Penny’s head that tells her she is not enough.” That is a genuinely good thesis. The film knows what it is trying to do. Whether it follows through is the issue.
Where It Falls Apart

Thinestra never finds its balance between drama and comedy. Some scenes are over the top silly while others go immediately deadpan. The film is engaged in a kind of tonal whiplash that makes it difficult to stay invested in what is actually happening to Penny on an emotional level. You get pulled out right when you should be pulled in.
The special effects have the same problem. The donut dungeon looks disgusting and wonderfully delicious all at once, and it works. Some of the body horror effects do not hold up as well. It is worth noting that this is an indie production and budget has a lot to do with that. But the inconsistency is still noticeable in a way that undercuts the scarier moments.
The Bigger Picture

Thinestra comes from a long line of feminist body horror, and it genuinely tries to tackle heavy subjects. The Ozempic framing is timely in a way that The Ugly Stepsister and The Substance were not quite working with, and that specificity gives the film a sharp cultural edge when it leans into it. The problem is that it does not always lean into it. It gets distracted by its own weirdness, which is charming, but removes the atmosphere that would make the horror actually hurt.
This is not a bad film. Thinestra is funny, gross, and imaginative in ways most Hollywood films are not. It took home the VORTEX Sci-Fi, Fantasy and Horror Award Grand Prize on the festival circuit and screened at Sitges, Raindance, and Screamfest, among others. There is real craft here and real ambition.
But in a genre that is currently producing work as precise as The Ugly Stepsister and as unrelenting as The Substance, Thinestra does not quite make its impression. It has the right ingredients. It just needed a longer cook time.
Where to Watch
Thinestra is streaming now via Breaking Glass Pictures.
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