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Late to the Party: Pet Sematary

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Scene from Pet Sematary

I’m a little embarrassed to admit how little exposure I have had to Stephen King. I wasn’t sheltered and my family even collected his books but for some reason his stories always escaped me. I haven’t seen Christine or Cujo and I didn’t even see The Shining until I had reached adulthood…I told you it was shameful. I truly am late to the party in so many ways especially when it comes to Pet Sematary.

I have never read a single Stephen King book. Before you sharpen your pitchforks, let me tell you, I’ve tried. For some reason I can never get past the first few chapters. I love all of the stories that pump out of his nightmare factory of a brain but the writing can be just dry enough to keep my mind from connecting.

But I’m doing it, I’m stepping out of my comfort zone and delving into Pet Sematary. My first thought…”Jesus how long is this intro?” My second thought…”Yeah let’s leave the diapered child ALONE near the road with the speeding semis.” Thank god for Fred Gwynne. I can already tell I’m not going to like this.

I have always had an aversion to movies where something happens to children and with the opening scene and the parents’ obvious “let the child parent himself” attitude, that kid won’t make it through the whole movie.

Who moves to a house where speeding semis are going by constantly? It happens day and night. Unless they didn’t go look at the house before they bought it, there’s no reason a family with a child that small and who let their kids just wander should be living that close to a major road, but I digress.

I immediately didn’t like the characters of Louis and Rachel. They seemed stubborn and irresponsible. They move to this big house in Maine with their two children, Ellie and Gage and their cat, Church. Their neighbor Jud (Fred Gwynne) is tall and intimidating but is the voice of reason. They live near a cemetery with the bad grammar for animals but behind it lies another cemetery that used to be an Indian burial ground (of course it was). Anything buried there comes back but not like they were before.

While his family is away, Louis finds Church dead in the yard after getting hit by one of the (surprise) speeding trucks that frequent the road. He buries Church in the “real cemetery” behind the pet sematary and behaves as surprised as his acting allows. If you can’t tell, I find the adult acting in this movie to be akin to a shot of botox in the face, Fred Gwynne being the exception. The kids on the other hand, especially Gage, outshines the adults.

While we all know a toddler isn’t going to be the most amazing actor in the world, Miko Hughes was a bad ass in Pet Sematary. That little voice simultaneously terrified me and made me sad. Having a child his age, this movie bothered me. The supernatural aspect of this movie did little to chill my bones, but the knowledge that something that devastating can happen in the blink of an eye ran a cold chill up my back.

As you’d expect, one of those damn trucks got little Gage and Louis couldn’t take it, even though he knew the consequences. In exhuming his son’s body and burying it in the OTHER cemetery, he insured the death of his neighbor and his wife. Gage comes back just as cute but considerably more murderous than he was before. Louis has to take out his zombie cat and zombie kid with shots of morphine.

Gage’s second death was worse than the first one. It was truly hard to watch. Louis then decides, like the goddamn idiot he is, that his mistake was waiting for too long to bury the dead in that special cemetery. Since Rachel just died, she’s sure to come back normal right? Dumbass.

Rachel comes back alright and the screen cuts to black as Louis screams. Serves him right. The best part of this movie is the end credits. The Ramones provided the song “Pet Sematary” for the credits and it was my favorite part. Let’s just loop that song for an hour and a half and I would have felt better about it.

Out of the few other Stephen King movies I’ve seen, I could have happily done without this one. Maybe if I was childless or less critical I would have enjoyed it more. But since neither is the case, I could honestly give or take this movie. One thing seems to be a noticeable trend with King movies though…Stephen King hates kids. I just saw the new IT this past weekend and that just solidified my suspicions. Okay, I’m pretty sure he doesn’t really hate kids but he has no problems effing them up in his books.

Maybe next time I’ll watch something that doesn’t focus on kids getting the fuzzy end of the lollipop, like Misery. Like “Late to the Party?” Check out some of our most recent ones like Alien or The Shining.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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Live Action Scooby-Doo Reboot Series In Works at Netflix

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Scooby Doo Live Action Netflix

The ghosthunting Great Dane with an anxiety problem, Scooby-Doo, is getting a reboot and Netflix is picking up the tab. Variety is reporting that the iconic show is becoming an hour-long series for the streamer although no details have been confirmed. In fact, Netflix execs declined to comment.

Scooby-Doo, Where Are You!

If the project is a go, this would be the first live-action movie based on the Hanna-Barbera cartoon since 2018’s Daphne & Velma. Before that, there were two theatrical live-action movies, Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), then two sequels that premiered on The Cartoon Network.

Currently, the adult-oriented Velma is streaming on Max.

Scooby-Doo originated in 1969 under the creative team Hanna-Barbera. The cartoon follows a group of teenagers who investigate supernatural happenings. Known as Mystery Inc., the crew consists of Fred Jones, Daphne Blake, Velma Dinkley, and Shaggy Rogers, and his best friend, a talking dog named Scooby-Doo.

Scooby-Doo

Normally the episodes revealed the hauntings they encountered were hoaxes developed by land-owners or other nefarious characters hoping to scare people away from their properties. The original TV series named Scooby-Doo, Where Are You! ran from 1969 to 1986. It was so successful that movie stars and pop culture icons would make guest appearances as themselves in the series.

Celebrities such as Sonny & Cher, KISS, Don Knotts, and The Harlem Globetrotters made cameos as did Vincent Price who portrayed Vincent Van Ghoul in a few episodes.

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BET Releasing New Original Thriller: The Deadly Getaway

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The Deadly Getaway

BET will soon be offering horror fans a rare treat. The studio has announced the official release date for their new original thriller, The Deadly Getaway. Directed by Charles Long (The Trophy Wife), this thriller sets up a heart racing game of cat and mouse for audiences to sink their teeth into.

Wanting to break up the monotony of their routine, Hope and Jacob set off to spend their vacation at a simple cabin in the woods. However, things go sideways when Hope’s ex-boyfriend shows up with a new girl at the same campsite. Things soon spiral out of control. Hope and Jacob must now work together to escape the woods with their lives.

The Deadly Getaway
The Deadly Getaway

The Deadly Getaway is written by Eric Dickens (Makeup X Breakup) and Chad Quinn (Reflections of US). The Film stars, Yandy Smith-Harris (Two Days in Harlem), Jason Weaver (The Jacksons: An American Dream), and Jeff Logan (My Valentine Wedding).

Showrunner Tressa Azarel Smallwood had the following to say about the project. “The Deadly Getaway is the perfect reintroduction to classic thrillers, which encompass dramatic twists, and spine-chilling moments. It showcases the range and diversity of emerging Black writers across genres of film and television.”

The Deadly Getaway will premiere on 5.9.2024, exclusively ion BET+.

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