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Fantasia 2021 Preview: Five Films I’m Stoked to See

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Fantasia 2021 The Sadness

Gearing up for Fantasia Fest 2021, there are a ton of fantastic film offerings for any film lover’s palette. I’ll be covering this year’s fest, and — while we’ve outlined the three full waves of films — I thought I’d do a quick lil breakdown of the 5 films I’m super excited for. With reasons why!


The Sadness

Fantasia 2021

via Fantasia Fest

Description: In an alternate version of Taiwan, a rapidly spreading pandemic suddenly mutates into a rabies-like affliction, and the infected find themselves unable to control their id. A nightmare vision steeped in unspeakably upsetting moments of violence, Rob Jabbaz’s The Sadness plays like a return to the no-holds-barred shock sensibilities of ’90s Hong Kong Category III films. Electrified with an existential fear that punches spikes of panic energy straight into your nervous system, and told with incredible style, The Sadness is a force to be reckoned with. Fantasia is proud to be bringing this extreme horror rollercoaster to North American shores, hot off its bow at Locarno.

Why I’m excited: It’s no secret that I love extreme horror, so this film has certainly piqued my interest. So is it a zombie film? Not exactly. It’s a rage virus film, where every infected individual goes on the attack. Their id goes into overdrive, and every brutal impulse is met with enthusiasm. These folks are fast, focused, and full of violence. As someone who is always looking for the next film to really test my reactionary reflexes, this kind of horror really appeals to me! 

 

The Deep House

via Fantasia Fest

Description: Two daredevil Youtubers with a passion for abandoned urban edifices film themselves as they take a deep dive into the bottom of a lake where there lies a mysterious house with a sinister past. Award-winning French genre maestros Alexandre Bustillo and Julien Maury (Inside, Kandisha) display numerous filmic skills with this intelligent found footage style feature. The immersive darkness, the floating strangeness, The Deep House takes us down and further down, from mere unfamiliar discomfort to absolute and unfathomable terror.

Why I’m excited: A few reasons. 1) This is coming from the directors of Inside, an incredible New French Extremity film that I absolutely love. 2) It’s found footage, which is something I’m always genuinely excited to see (when done well) as it can really enhance the realism of the storytelling. 3) Deep underwater anything scares the bejesus out of me. There’s something so unpredictable and — ultimately — extremely dangerous about submerging yourself into an unknown underwater realm. 4) It’s a haunted house film… underwater. The novelty of that alone is enough to have me hooked!

 

Midnight

via Fantasia Fest

Description: A wave of murders hits the city and, lurking in the shadows, a killer has just identified his new prey – a deaf woman. South Korea has become the go-to source for fans of dark, intense, unpredictable thrillers that deliver cutthroat tension, and Kwon Oh-seung’s debut feature Midnight follows in this tradition. A breathless tale boasting hallucinatory sound design that relishes in testing the nerves of even the most seasoned viewers. 

Why I’m excited: First off, this comes from the producers of I Saw the Devil, aka my favorite movie of all time. Additionally, I love Korean horror, and 2019’s Door Lock was a personal standout from Fantasia’s lineup. The sound design of Midnight promises to be excellent, which is always something I appreciate (Sound of Metal, by the way… wow). Furthermore, serial killer-based horror-thrillers are one of my go-to subgenres, so… bring it on. 

 

The Night House

via Fantasia Fest

Description: From director David Bruckner (The Ritual, The Signal) comes The Night House. Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together – but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure. Against the advice of her friends, she begins digging into her husband’s belongings, yearning for answers. What she finds are secrets both strange and disturbing – a mystery she’s determined to unravel. The Night House stars Rebecca Hall (Godzilla vs. Kong), Sarah Goldberg (Barry, Elementary), Vondie Curtis Hall (Die Hard 2, Eve’s Bayou), Evan Jonigkeit (Togetherish, Sweetbitter), and Stacy Martin (Vox Lux, Nymphomaniac).

Why I’m excited: I’m a fan of both The Ritual and The Signal, and Bruckner’s Amateur Night segment in V/H/S is by far the strongest. According to Fantasia, “you won’t find a stronger performance – or a scarier movie – at Fantasia this year!”, which is a big claim, and a challenge I gladly accept. Apparently the film sold to distributor Searchlight Pictures for “an astonishing $12 million” after its successful run at Sundance. 

 

We’re All Going to the World’s Fair

via Fantasia Fest

Description: “Casey here. Today I’m going to take the World’s Fair Challenge.” A lonely teen (Anna Cobb) stares at her computer screen, partaking in a viral game that soon takes hold of her increasingly dissociating mind. A disquieting take on the coming-of-age film, Jane Schoenbrun’s breakout Sundance hit We’re All Going to the World’s Fair harnesses the potent aesthetics of found-footage horror and YouTube culture to craft a quietly devastating look at loneliness and despondency in the Internet age.

Why I’m excited: A found-footage Creepypasta coming-of-age film sounds intriguing as hell, and I’ve heard nothing but good buzz about this film. This is the narrative feature film debut for non-binary director Jane Schoenbrun, and given the to-the-point description of their first film, a documentary called A Self-Induced Hallucination (“It’s about the internet, and it’s quite strange.”), I’m pretty curious to see what they’ve come up with.

 

Stay tuned for more Fantasia Festival coverage!

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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