Connect with us

Movies

5 (More) Deeply Disturbing Modern Foreign Horror Films

Published

on

extreme horror

One of the reasons that extreme horror is so effective is that it can add a cultural context to the terror. Historical trauma runs through the roots of horror, and directors will use this to color their films with a layer of harsh reality. They can be a direct response to the tragedies a country has experienced, and in some cases they’ll take a very literal approach in depicting these dark corners of their history. 

Back in 2017, I wrote a quick little list of 5 dark and disturbing modern foreign horror films, for those who like a bit of a challenge. I’ve been thinking on the topic of extreme horror quite a bit, particularly with the recent boost in visibility for A Serbian Film thanks to its recent 4K Uncut Release (as a side note, I had the honor of going on the Spinsters of Horror’s premiere episode of Shock Talk to discuss the film, which you can listen to here). 

So, with my mind set on finding some of the most messed-up films modern horror has to offer, I did some screenings and came back with a few I think you’ll like. You know. If you’re into that sort of thing. 

(Ok but seriously, be warned, I’m not playing around. These films are not for everyone. You’ve really gotta set yourself up for a rough and often terrible experience. But if you’re into extreme horror, and you’re not dissuaded by my descriptions/warnings, then have at it. I salute you.) 

Trauma (Chile, 2017)

“Inspired by true events”, Trauma opens with a flashback to 1978 (during Chile’s authoritarian military dictatorship). We see a woman tied to a chair with her feet in stirrups, beaten and covered in blood (mostly surrounding her pelvic region, which does not inspire confidence). The officers bring her teenage son, Juanito, into the room and it gets… incredibly disturbing. And this is just in the first 5 minutes.

So on that happy note, we launch into 2011, and the movie chugs along. Juanito’s all grown up, full of the titular trauma, and now a — pardon me — absolute fucking monster. A group of four women tragically fall into this maniac’s path, and, well, you can imagine. Violent rape, vicious torture, the whole nine yards. Honestly, Trauma is a really tough watch — it gives A Serbian Film a run for its damned money, and I think it actually wins the race. 

As with A Serbian Film, Trauma is a direct response to the cultural trauma that came from the aforementioned 17-year dictatorship, and Chile’s history with societal aggression and sexual abuse towards women. It’s puts the “extreme” in extreme horror — it’s deeply disturbing — but it’s pretty easy to recognize why. If you’re interested, this interview with the director is rather enlightening, and I definitely recommend reading it if you’re curious about the film. 

Where to watch: Tubi

 

Grotesque (Japan, 2009)

extreme horror

A young couple (though barely even a couple, the relationship is brand new) are kidnapped by a maniacal doctor and humiliated, tortured, healed, and then tortured again, all in search of the doctor’s ultimate sexual thrill. 

The doctor promises that if the couple can help him reach that state of arousal, he’ll let them go. But his sexual proclivities are… grotesquely violent, and the poor young couple are forced to either endure terrible pain or shift it to be inflicted on the other. It‘s a really awkward spot to put a pair of young lovers in. 

Grotesque is aptly named. The practical effects are quite good, and the sound effects really seal the realism. It’s a dark film that starts on a very uncomfortable note and amps up to high levels of cruelty, all the while teasing the couple with a small chance at freedom. With all the graphic surgical activity in this one, it’s definitely not for those with a weak stomach. 

Where to watch: Tubi

 

Brutal (Japan, 2017)

In Brutal, a serial killer targets women in a supposed attempt to find someone he’s compatible with, to engage in his fantasies of torture and murder. He’s searching for the meaning of life by actively engaging in death. How poetic. One day, he finds his match in another serial killer — a woman who targets men — and they find they have more in common than just their murderous interests. 

Brutal is the second Japanese entry on this list, and similar to Grotesque it is not-so-subtly focused on repressed sexuality. It’s oddly comical at times, with a talking severed head and young couples that conversationally riff on gender roles. Weirdly, you could probably qualify this one as a romantic horror — and, oddly, you’d be right to do so — though that label is mostly hidden under the buckets of blood and copious violence. 

Edited with grindhouse grit, Brutal is a stylized ragefest. I watched this one at approximately 9:30am on a Sunday, and it was, admittedly, a weird way to start the day. 

Where to watch: Tubi

 

Atrocious (aka Atroz: Mexico, 2015)

extreme horror

The opening sequence of Atroz shows a bustling, crumbling city, awash with garbage and poverty, as a script states that “98% of 27,000 murders in Mexico are unsolved”. After setting this dark scene, we come to a stop on two men being shoved in the back of a police car after they hit a woman with their vehicle. One of the officers searches their car and finds a camcorder, and it’s what he sees on this tape that the audience must then witness. 

The two men capture, torture, and kill a sex worker — in gruesome, gory detail. They smear her own feces over her face and body, cut open her breast and shove a fist inside, all sorts of horrific stuff. 

The officers find more tapes, and it’s more of the awful, violent same. It’s a dirty, mean, gritty film, shot with a harsh realism (we witness their brutality all via found footage) that is extremely upsetting. Be warned, these guys do not have a good attitude towards women. And the reason why — as we find out — is even more disturbing. 

This one’s rough, but again, there’s a fair amount of cultural context that weighs on the film. If you’d like to read an informative interview with the director, Lex Ortega (who also stars in Atroz), you can do so here

Where to watch: Tubi

 

The Golden Glove (Germany, 2019)

The only non-one-word-adjective film title on this list, The Golden Glove is a nasty, dark, grimy film based on Heinz Struk’s novel about German serial killer Fritz Honka. A habitual alcoholic with a squint and a speech impediment, Honka killed (at least) four women between the years of 1970 and 1975. He strangled his victims and cut them into pieces, hiding their body parts in his apartment. 

Written and directed by Fatih Akin, The Golden Glove is crude, bleak film that presents its sex and violence in an honest and very cruel way. It’s presented with layers of filth and grease. This movie just looks dirty. It feels dirty. It’s deeply disturbing because of how well it blends the reality of the truth with the grungy, stylized presentation. 

One of the truly shocking things about The Golden Glove — aside from the fact that the story is absolutely true — is how much the film’s lead actor, Jonas Dassler, transformed for the role. Seriously, look him up. The man is… not at all what you’ll expect. Everything about the characterization of Fritz Honka builds the character perfectly; the way he talks, walks, moves, every facial expression and physical tick paints a complete picture. Charlize Theron in Monster has got nothin on Dassler.

Where to watch: Shudder

 

You can check out the first list for more extreme horror, and let me know your favorites in the comments!

'Civil War' Review: Is It Worth Watching?

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Movies

‘Evil Dead’ Film Franchise Getting TWO New Installments

Published

on

It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

Fede Alvarez Teases ‘Alien: Romulus’ With RC Facehugger

Published

on

Alien Romulus

Happy Alien Day! To celebrate director Fede Alvarez who is helming the latest sequel in the Alien franchise Alien: Romulus, got out his toy Facehugger in the SFX workshop. He posted his antics on Instagram with the following message:

“Playing with my favorite toy on set of #AlienRomulus last summer. RC Facehugger created by the amazing team from @wetaworkshop Happy #AlienDay everybody!”

To commemorate the 45th anniversary of Ridley Scott’s original Alien movie, April 26 2024 has been designated as Alien Day, with a re-release of the film hitting theaters for a limited time.

Alien: Romulus is the seventh film in the franchise and is currently in post-production with a scheduled theatrical release date of August 16, 2024.

In other news from the Alien universe, James Cameron has been pitching fans the boxed set of Aliens: Expanded a new documentary film, and a collection of merch associated with the movie with pre-sales ending on May 5.

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

Published

on

Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

'Civil War' Review: Is It Worth Watching?

Continue Reading