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TIFF Review: ‘Saint Maud’ is an Enthralling Slide into Obsession

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Saint Maud

For her feature film debut, writer/director Rose Glass comes out swinging with Saint Maud. The stage is set for a tense tête-à-tête between the film’s two lead actresses, each bringing their A-game to the battlefield. This psychological horror has an intense slow burn that explodes with one of the best final shots I’ve seen on film. 

Saint Maud follows a troubled young nurse who takes a position as the at-home care for Amanda (Jennifer Ehle, Zero Dark Thirty), a former dancer and choreographer. Maud (Morfydd Clark, Pride and Prejudice and Zombies) is devout in her religious beliefs and believes that — with Amanda’s cooperation — she can save her soul. A toxic obsession develops and threatens to consume them both.

Maud is coming fresh off the heels of a traumatic experience at her last job posting, leaving her ostracized and disgraced. To move past her tarnished name, Maud has reinvented herself, and when she meets Amanda, she sees a second chance.

Amanda is fascinated by Maud and begins a delicate dance of friendship. When Maud upsets their collaborative balance, Amanda is quick to knock her back into place. Thus, Maud’s world shifts and their fates are forever entwined.

The two leads are captivating as they weave through complex emotions and subtext. Clark delivers a compelling performance, leading the audience on an intensifying journey. Ehle oozes confidence and sexuality; even in her declining state, she’s the cat that caught the canary. 

Maud’s relationship with sexuality is left open and exposed. It’s a cold, raw look at desire and lust in women, and the socially imposed feelings of shame that come when we indulge in those fantasies. She views her needs as indiscretions that must be punished; her piety is held above all else. 

Scenes of a sexual nature are shot in a way that feels very intrusive, emphasizing Maud’s feelings of shame with isolated sound and an unflinching focus. Each moment is dripping with that awkward feeling that comes from a regrettable one-night stand. It’s extremely effective. 

This effect is heightened by the harsh realism with which these scenes are shot, contrasted with other scenes that hold an almost dreamlike quality. It creates an imbalance that reflects Maud’s mental state, highlighting her isolation.

The use of sound and lighting is exquisite. The lack of sound echoes through tense moments, while visceral sound effects are used as punctuation for intensity. Some scenes are basked in shadow and others flooded with light, perfectly reflecting Maud’s perception of events. It draws you into the action and emotion of the film, creating a naturalistic experience right to the shocking conclusion.

Saint Maud is a study of fanaticism told from the perspective of someone who is deeply lost in their own madness. The audience is left to question what is real right up to the final, explosive moments of the film. 

Glass has crafted a tight and powerful film that will stick with you long after the credits roll. Each moment we spend with Maud is an unravelling of her character — a discovery of her deepest, darkest nature. Saint Maud is a slow burn in the best possible way, raising the tension and stirring a sense of unease until it boils over. It’s an enthralling and fascinating film, and it’s an experience you won’t soon forget. 

 

For more from TIFF, check out our reviews of The Lighthouse and Blood Quantum.

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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News

Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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