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Review: ‘Godzilla: King Of The Monsters’ Is A Battle Of Titanic Proportions

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We are truly living in a time of gods and monsters, or in this case, monster gods. It’s been five years since the first Legendary made Godzilla film and two years since their ‘Monsterverse’ was further established with Kong: Skull Island. All building up to to what will stand as perhaps one of the biggest Kaiju movies ever made: Godzilla King Of The Monsters.

Image via IMDB

The story takes place five years after Godzilla’s destructive battle in San Francisco. The world is in a panic as more “Titans” begin to awaken from their primordial slumber. The no-longer covert organization MONARCH attempts to shield the public from these ancient beasts and keep them contained, but Alan Jonah (Charles Dance) and his eco-terrorist group are hellbent on unleashing them on the world and returning things to a ‘natural order.’ He kidnaps MONARCH scientist Dr. Emma Russell (Vera Farmiga) and her daughter Madison Russell (Millie Bobby Brown) to further his goals, leading to the freeing of King Ghidorah, an ancient beast of apocalyptic power. Now, Madison’s father and Emma’s ex-husband Dr. Mark Russell (Kyle Chandler) must team-up with MONARCH and Godzilla to put a stop to a war of colossal beasts that could destroy the world.

Image via IMDB

The set-up is pretty evocative of of the more classical Godzilla movies of the 1960’s and 70’s, most prominently Destroy All Monsters, featuring a united group of humans, in this case MONARCH, trying to stop the evil monsters and giving our hero, Godzilla a helping hand. The ensemble cast for MONARCH is impressive and engaging, with returning characters/actors such as Ken Watanabe as Dr. Serizawa and Bradley Whitford as Dr. Rick Stanton. There’s a lot of fun banter between characters, cheesy sometimes, but it gives the film some dialogue and humans to root for.

Godzilla: King Of The Monsters delivers in what any kaiju fan wants: lots and lots of monster fighting action. Particularly, Godzilla and King Ghidorah throw down a few times over the course of the film along with volcano bird Rodan and ‘Queen Of The Monsters’ Mothra. Considering the kind of budget this movie has, they look spectacular and inspire awe at seeing god-like monstrosities throw down in mortal combat. Of course, they’re all-but entirely CG as opposed to the classical ‘man-in-suit’ style of the Toho films, which does make it feel different. There is some clunkiness in pacing and dialogue between these epic battles and some deaths happen a bit too fast to digest (even when characters get eaten), but per the franchise, it’s par for course and in many ways the cheeziness adds to the charm.

Image via IMDB

Michael Dougherty really outdid himself as a director/co-writer on the movie and it shows he has a lot of heart for Godzilla. Having helmed such genre favorites like Trick r Treat and Krampus it should come as no surprise there are plenty of horror references and homages hidden about. For example, pay attention to the number of the Antarctica MONARCH Outpost. As well, there is some pretty good build-up to next year’s Kong VS Godzilla coming to us from Adam Wingard.

I was fortunate enough to have seen Godzilla: King Of The Monsters in two different formats: Imax and 4DX. Of course, if you want as epic a screening as possible, Imax will be the way to go. When Godzilla gives his signature roar, it will blow you to the back of the auditorium. If you want a full-on immersion experience, 4DX is loads of fun and adds to the action. When Rodan did a barrel roll, it felt like I was spinning with that fire demon. The water, smoke, and air effects also adding details that put you into the heat of the action, especially as these monster gods duke it out.

So, if you’re a fan of Godzilla, giant monsters, and the like, Godzilla: King Of The Monsters is one kaiju movie you’ll want to see in theaters with the biggest screen and the loudest sound possible.

Image via IMDB

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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