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10 Horror Movies Trending on Netflix Right Now

Published

4 years ago

August 6, 2022

Bloody faced vampire woman hunched over victim

Ever wonder what’s trending on Netflix; what people are watching that sets their algorithm on fire? It’s probably not what you would expect. With nearly 4K movies currently in their catalog, it’s surprising what rises to the top, especially on the horror tab.

These trending movies are aggregated by a lot of precise criteria that range from the time of day to the time of week. It also takes into account the real-time interest of subscribers. That means if there is an award show happening or a special event or holiday, members are more likely to search for a specific movie trending in that timeframe. One wonders if the Monkeypox outbreak has anything to do with why It Follows is getting so many views.

Add in a pinch of data processing, or how many times a movie was viewed, and voila you have a trending title. The science is probably more complicated than that, but you get the idea. Since Netflix is a data-driven platform these titles aren’t just randomly selected.

We pulled 10 movies that Netflix has marked as “trending” for our FOMO readers and those who just want in on the “secret.” Below are 10 horror movies in no particular order that are being watched the most on Netflix.

It Follows (2014)

This is a modern masterpiece of storytelling. Even though it was released seven years ago it’s even more timely today. Director David Robert Mitchell tells the tale of a supernatural STD that can only be cured one way. When it was released this was critically praised. In fact, it still holds a 98% fresh rating on Rotten Tomatoes.

With its cautionary tale about casual sex and the consequences that can happen if you decide to indulge, It Follows is terrifying in an original way.

Blood Red Sky (2021)

What will a mother do if her child is in danger? Anything. Blood Red Sky is an action-packed thrill ride at 30,000 feet with plenty of gore to appease genre fans. It’s nice to see the vampire trend making a comeback in such an original way.

Synopsis: A woman with a mysterious illness is forced into action when a group of terrorists attempts to hijack a transatlantic overnight flight.

Fear Street Part I & II (2021)

You may have questions about this title. Not about the plot, but why only parts one and two are trending; there are three. Depending on who you ask, the third part isn’t as good as the second which only makes sense if you watch the first.

Still, this is a great series that should be enjoyed in all three chapters. It’s a great homage to the slasher genre with just enough supernatural surprises to make it an interesting crossover. It said they are working on more chapters to the R.L. Stein adapted work, and we can’t wait to return to Shadyside.

Texas Chainsaw Massacre (2022)

One of the most polarizing films of the year, Texas Chainsaw Massacre (’22) spiked in genre conversation all over social media back in February. Some loved its brazen attempt at a requel, while others deemed it a hubristic punchdown to the classic Tobe Hooper original.

Nevertheless, it’s trending now which means it still holds interest in the community, and it left enough room for a sequel.

Apostle (2018)

This slow descent into madness has a two-hour runtime, but it’s filled with enough tension and dread to make you squirm throughout. As cult/folk horror goes this is a good one to watch if you’re thinking of joining an organized religion or know someone who has.

Synopsis: In 1905, a drifter on a dangerous mission to rescue his kidnapped sister tangles with a sinister religious cult on an isolated island.

The Old Ways (2020)

Does being a journalist mean selling yourself to the devil? No, not at first. But in The Old Ways a young journalist is accused of harboring Satan inside her which leads to a spiritual battle with a witch doctor in the middle of the Veracruz jungle.

A Nightmare on Elm Street (1984)

This classic slasher will probably never stop trending on Netflix. Wes Craven’s masterwork still holds up even beyond the insipid remake released in 2010. The original is a powerhouse of 80’s practical effects, memorable monster-making, and teen angst.

For those who don’t know about the plot, A Nightmare on Elm Street follows teenager Nancy Thompson who is having bad dreams about a scar-faced man with knives for fingers. Turns out her friends are having the same dreams which are incredibly lucid. The dream world crosses into reality as those who die in their dreams are killed in real life. But why? Who is this fedora crowned phantom? Perhaps their parents know.

Eli (2019)

This is a surprisingly effective film. My first thought is that nobody has ever heard of it, but Netflix seems to think otherwise. It might be because the film stars Sadie Sink, the Kate Bush-loving teen of Stranger Things fame. She plays Max in that series.

In this movie, a young boy is undergoing treatment for a deadly disease, but nothing seems to be working. His parents move into an old mansion that now serves as a medical facility. Visions of ghosts and phantom writings lead Eli to certain truths for which there is no cure.

If you like supernatural mysteries with twists and turns then Eli should be on your watchlist.

No One Gets Out Alive (2021)

This one has been getting great word of mouth. Director Santiago Menghini takes us on a creepy journey following a female immigrant forced to live in a boardinghouse while she pursues her American dream. Her new dwellings are dark and she is often visited by spirits.

Even though the material is derivative, there’s enough here to satiate the genre fans looking for a supernatural mystery.

Bhool Bhulaiyaa 2 (2022)

This comedy from India has everything you need for a good time: ghosts, creepy mansions, and vibrant dance numbers. This is Bollywood after all. This is a stand-alone sequel to the 2007 original which has become a cult favorite.

Synopsis: When strangers Reet and Ruhan cross paths, their journey leads to an abandoned mansion and a dreaded spirit who has been trapped for 18 years.

There you have it; 10 horror movies trending on Netflix right now. Have you seen any of these recently and what do you think of the trending titles? Let us know.

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Related Topics:Bhool Bhulaiyaa 2 it follows Kate Bush No One Gets Out Alive Sadie Sink

News

Astrolatry Built a Ten-Foot Practical Penis Scorpion

Published

3 hours ago

April 24, 2026

Luna Gray

A sentient severed penis grows into a ten-foot creature with spiky teeth. Genre cinema is doing fine.

Astrolatry follows Elliot, played by Ethan Daniel Corbett, who is every ingredient for quiet catastrophe assembled in one man. Socially isolated. Physically isolated. Craving dopamine and finding it in the wrong places. The romance guru pipeline, followed to its logical conclusion. Elliot does not just spiral. He loses a piece of himself, literally, and that piece does not cooperate.

Corbett described it as “a horror satire, a trippy mind-fuck roller coaster” and “a modern retelling of Maniac,” both of which are accurate and neither of which adequately prepares you. Director David Gordon is making his feature debut after shooting 14 films as a cinematographer and he is swinging for the fences.

The Creature

The effects company behind the creature has festival circuit work Corbett had already seen before signing on. He knew what they could do but he was not ready. “When I saw it in person it was kind of mind-blowing,” he said. “Everything that you see in this movie is practical. Very, very little else. It was genuinely terrifying to have a ten-foot creature coming at you with a big mouth and spiky teeth.”

A CG creature asks an actor to imagine something. A ten-foot physical creature on a set asks nothing. It just arrives. The fear on Corbett’s face in those scenes is not a performance. It is the normal reaction to a scorpion dick with sharp teeth.

Elliot

Corbett went into the character through the body. “I mainly focus on the physicality of it. Who this character is and who he is wholly. I strive in those kinds of moments as an actor.”

Gordon was explicit about the concept, the “nice guy” archetype and the overtly toxic one are the same problem, both aimed at the same object. That reading lands because Corbett does not play it as a reading. Elliot is not a symbol. He is a person.

Where It Is Going

Astrolatry is heading to the Frontières Buyers Showcase at Cannes on May 16-17. “To be able to get into that kind of room on David’s first feature is incredible,” Corbett said. “To be in front of buyers and to showcase the film and potentially get distribution through that.” Frontières is the correct room. It is full of people who understand that the most extreme premise, executed with precision, is not a punchline. It is an argument.

News

ShoStak Opens the Door for Filmmakers to Build and Own Their Stories

Published

24 hours ago

April 23, 2026

Anthony Pernicka

A new player is stepping into the space, but ShoStak is making one thing clear right away.

It is not trying to be the next Netflix. It is not chasing TikTok.

“Cinema does not need another platform. It needs a new model.”

That idea sits at the core of what ShoStak is building. Not just a place to watch content, but a system where creators and audiences connect in a way that feels very different from what we are used to.

The First 150 Competition Is Already Underway

ShoStak is kicking things off with its First 150 Competition, giving filmmakers a chance to present their story worlds and compete for the opportunity to move into production.

Projects are introduced as series concepts or pilots, then advance through multiple stages. Audience voting plays a role, but it is only part of the process.

Selections are ultimately shaped by a mix of audience engagement, creative execution, and overall project readiness. It is not just about popularity. It is about building something that can actually move forward.

For creators, it is a rare chance to get in front of both an audience and a structured development path at the same time.

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One Platform, Built Around a New Model

Everything now lives under ShoStak.tv, where both creators and audiences come together.

Creators can sign up, develop their projects, and begin building their audience. Viewers can discover new series, follow story worlds, and engage with projects as they evolve.

ShoStak describes this as a cinematic ecosystem. Stories are not treated as disposable content designed to spike and disappear. They are built to grow over time.

And that growth happens in public.

Ownership Without Losing Structure

One of ShoStak’s core ideas is giving creators more control over what they build.

Filmmakers are positioned to:

Retain ownership of their intellectual property
Build direct relationships with their audience
Grow projects based on real engagement

At the same time, this is not a free-for-all.

There is still structure. Projects are evaluated, developed, and refined through a process that blends audience input with creative and strategic decision-making.

Instead of removing the system entirely, ShoStak is reshaping how creators move through it.

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Development Happens in Public

This is where things start to separate from the traditional model.

Instead of developing behind closed doors, ShoStak allows projects to evolve in front of an audience.

Creators introduce their ideas, build a following, and expand their worlds over time. As engagement grows, so does the project.

It is less about waiting for approval and more about proving momentum.

Over time, that turns the platform into something larger than a development program. It becomes an open ecosystem where creators and audiences push stories forward together.

More Than Just Testing Ideas

Micro-series are a big part of ShoStak’s approach, but they are not just a testing ground.

They can be the final product.

The format allows creators to:

Tell complete stories in shorter form
Build long-term story worlds
Expand into larger projects when it makes sense

It is not about proving an idea and moving on. It is about giving that idea room to grow in whatever direction fits.

Why This Matters for Horror

Horror has always thrived outside the system.

Some of the most memorable films in the genre came from creators taking risks, working with limited resources, and finding their audience without waiting for permission.

ShoStak’s model fits naturally into that mindset.

It gives horror creators a space to:

Build original story worlds
Connect directly with fans
Grow projects without losing control

And with early content like Civilian and Liminal already rolling out, it is clear the platform is aiming for more than just quick-hit content.

A Different Path Forward

ShoStak is not trying to compete by doing the same thing better.

It is trying to change how stories are created, developed, and sustained.

By combining creator ownership, audience engagement, and a structured development path, it offers something that feels closer to a creative ecosystem than a traditional platform.

Whether it works long-term is still unknown.

But for filmmakers looking for a new way in, it is opening a door that has been closed for a long time.

News

The Clayface Teaser Just Made October Feel Very Far Away

Published

1 day ago

April 23, 2026

Luna Gray

Clayface is a character whose face changes. Or rather, he is a man whose body can transform into whatever is required in the moment. He primarily uses this skill to land acting jobs and murder people. Fun Guy.

Tom Rhys Harries plays Matt Hagen, an actor whose face gets destroyed in a gangster attack. Naomi Ackie is the scientist who hands him something that fixes the problem by making it considerably worse. Bandages. Blood. Then a face that begins to melt. You know where this ends.

Who Made This

The director is James Watkins, who made Speak No Evil in 2024 and before that Eden Lake, which is one of the more quietly devastating horror films of the last twenty years. Watkins does not make comfortable films. He makes films that stay in the room with you after you leave the theater and this one is about a DC villain whose body does not hold its shape anymore.

The script is from Mike Flanagan and Hossein Amini. Flanagan built the language of prestige horror television with The Haunting of Hill House and Midnight Mass before moving back into features with The Life of Chuck. He writes characters who are being destroyed from the inside and the outside simultaneously.

The October Play

Clayface opens October 23, which puts it squarely in Halloween season and makes it the first DC film that actually belongs there. The project is likely rated R. The trailer confirms why.

There is a face melting off.

Watch the teaser. Then clear your calendar for October 23.