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‘Needful Things’ Film Celebrates Its Twenty-Fourth Anniversary
The unrivaled maestro of all things macabre, Stephen King, brought about a modern tale of darkly familiar world-ideas pertaining to the beautifully insidious aspect of human desire. It could have happened anywhere, and that’s part of the charm as well as fear. Needful Things, the sign read above the soon-to-be-opened antique shop.
A NEW KIND OF STORE, it boasted to all who paused to ponder at what may lay in wait behind its locked threshold.
“You won’t believe your eyes!” they were all told, and oh what dark delicacies were hidden away in secret places of that quaint little storefront.
With his signature impeccable flare, Stephen King rewrote the Faustian classic and warned a brand new generation – “be careful what you wish for.” But I digress, reader; this isn’t a morality epic of wishful desires, but as the title indicates – needful things. Those particulars no one can live without.
That insanely rare baseball card just beyond your reach, the very one that keeps your collection infuriatingly incomplete.
Or how about the obscene phallic sculpture of pure sex that you hope the church-people don’t catch you eyeing? So you must hide it away in the privacy of your own home.
A knick-knack here, a do-hicky there; for me no doubt it would have something to do with a handsome collection of horror literature or comics.
Whatever you need, you’ll find it. All right here, my friends – things you never knew you couldn’t live without. Mr. Gaunt, the tall and kindly store owner, will be sure you find such things, then work out a special deal you simply won’t be able to refuse.
Already proven to be a masterpiece upon its initial publication, the movie adaptation by the same name captured the somber essence of King’s powerful novel.
Taking on the devilish role of Leland Gaunt would be a devil of a burden. The role of Castle Rock’s very own Tempter would require some massive talent from a seasoned actor with interchangeable grace and malice. Not to mention a flare for old-fashioned charm.
Well speak of the Devil, Max von Sydow (The Exorcist, Solomon Kane, Greatest Story Ever Told, Star Wars: The Force Awakens) took on the role and gives a captivating performance. It is nothing short of perfect casting.
Audiences were already very familiar with Max von Sydow’s impeccable talent on screen. He had proven himself to be an established actor among the brightest stars, and rightly earned praise for his haunting portrayal of the Messiah in the biblical epic Greatest Story Ever Told.
Some years later he would once more battle the forces of darkness, not as the Savior, but as The Exorcist determined to save the demon-imprisoned soul of Regan MacNeil (Linda Blair).
From Jesus of Nazareth to Father Merrin, von Sydow was not unfamiliar with the ways of the supernatural. However, he had always played on the side of the Light, and in the end – through personal sacrifice – his characters won out against Darkness.
Now it was his turn to give the Devil his due as he took on the manipulative role of the Prince of Darkness and silently worked the certain doom of Castle Rock. His performance is spot on, and feels so deadly natural. It’s spell-binding. If for nothing else the movie is worth watching to see Max von Sydow shine with dark glamour.
The only person able to withstand the diabolical wiles of Mr. Gaunt is town sheriff, Alan Pangborn (Ed Harris). This was not the first Stephen King adaptation in Harris’s career, having already appeared in the Father’s Day segment of cult-classic Creepshow.
Ed Harris did not fair too well against the tricky zombie of Father’s Day, but is given another chance to battle the dark forces of Stephen King’s wicked imagination. And comes out the hero. Upon meeting with Gaunt in Needful Things, Gaunt asks him what he asks everyone, “What is it you need?”
Pangborn answered with an honest smile, “Nothing. I have everything I need.”
With that simplicity of contentment the Devil is already outwitted and undone. It’s that level of child-like purity that unbinds the cords of greed, lust, and perverse needs. Covetousness bears no weight against a heart that is truly content.
Pangborn is not a priest or anointed to ward off paranormal enormities. He’s not a renowned warrior nor does he walk in the light of God’s hallowed touch upon him. He’s simply a good man. A man who realizes things don’t complete his life. It’s the people in it that have completed him, and they are the ones he fights the beguilement of Leland Gaunt for.
It is a profound simplicity and one I hope our society can someday realize.
The film turns twenty-four today and hasn’t lost one moment of its original charm or character.
“When the smoke cleared, Leland Gaunt and his hellwagon were gone.” Stephen King, Needful Things
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‘Evil Dead’ Film Franchise Getting TWO New Installments
It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.
We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.
“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”
That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”
Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:
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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening
Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.
Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.
Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.
Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.
Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.
The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.
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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date
Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.
Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.
These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:
According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”
Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.
Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.
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