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TIFF Review: ‘Halloween’ is a Brutal, Beautiful 40th Anniversary Gift

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Halloween

There’s something magical about sitting in a packed theatre with hundreds of die-hard fans, about to watch the movie they’ve been waiting to see for over a year. As the lights dimmed on TIFF’s Midnight Madness premiere of Halloween, the crowd held an elated tension. Would this be worth the wait?

Hell yeah.

via TIFF

David Gordon Green and Danny McBride’s reimagining of the classic slasher does retcon every film after the 1978 original. What this creates is a Laurie Strode who is so traumatized by the events of that Halloween night 40 years ago that it has consumed her entire life.

Along with that trauma and paranoia is the doubt she faces because of her obsession. Laurie’s family members constantly plead for her to just “get over it” and “move on” with her life. But Laurie knows that she will never be truly safe until Michael is dead.

The legendary Jamie Lee Curtis plays this trauma beautifully – and it’s delicately balanced. Her extreme preparedness can feel intensely impressive in one scene and comically nutty the next. But under it all, you can see how Laurie has been – and is still – shaken to her core by Michael Myers.

via Universal Pictures

The reimagined timeline is such a perfect fit that you really don’t even miss the other films. But, rather than completely discard the whole franchise, Green and McBride show their respect with several little Easter eggs and hat-tips to the original Halloween and its other chapters.

They’re extraordinarily satisfying bits of fan service.

And speaking of extraordinarily satisfying, the film’s R-rating is used to its full advantage. Scenes of violence are viciously, deliciously gruesome, and sprinkles of comedic levity make the horror that much more effective – it’s a skilled dance of building and releasing tension.

Even after 40 years, Michael Myers is still a terrifying, brutal (and highly productive) killing machine. He has aged well.

via Universal Pictures

Admittedly, because this Halloween follows more characters on separate plotlines, the rhythm of the story is a bit spread out. The first two acts have some push and pull with the pacing and tend to favor jump scares. The third act, however, is a master class in tension. You’re right there with Laurie and – as Sarah Connor-level prepared as she is – you can feel her anxious terror.

Putting the focus on three generations of Strode women is a powerful way to both demonstrate how Michael has had a lasting effect on the family and explore the challenging mother-daughter dynamic that developed as a result.

Even if Laurie was not the warm, loving mother that Karen Strode (Judy Greer, Jurassic World) so desperately wanted, Laurie put Karen’s safety above everything. Her maternal instincts told her to protect and prepare instead.

Again, the film encompasses the post-traumatic stress that would surely follow after surviving such a brutal massacre. Even though Laurie has had time to bandage the wounds of that trauma, they’ve never really healed because of her conviction that Michael will one day return.

We can see an attempt at normalcy through Laurie’s relationship with her granddaughter, Allyson (Andi Matichak, Orange is the New Black). Laurie feels incredible guilt for how she raised her own daughter and frustration because of how her paranoia is outwardly perceived.

It’s a powerful reflection on the isolation of trauma.

via TIFF

Overall, when you get down to brass tacks, Halloween is a deeply satisfying return to Haddonfield. The return of John Carpenter to revitalize the iconic main theme speaks to how Green and McBride wanted to do Halloween right, and with Carpenter’s blessing (the theme will give you goosebumps, by the way).

Co-written by Danny McBride and director David Gordon Green, and produced by Jason Blum and Malek Akkad (son of Moustapha Akkad, executive producer of every other film in the Halloween franchise), Halloween was given the love and care of a team that has such respect for the original film and the horror genre as a whole.

For Halloween’s 40thanniversary, this was the best possible gift.

 

Halloween will hit theatres on October 19, 2018. Check out the trailer here!

via Blumhouse

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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