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Streaming Services Are The Unsung Heroes During COVID-19

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Nurses, firefighters, and other essential crisis team members were the heroes during 9/11, and they still are today in this time of the great COVID-19 global lockdown, but there are other people who deserve a little credit and those are the ones behind streaming services.

Nearly 19 years ago America woke up to the news that large commercial aircrafts had flown into the World Trade Center in an act of terrorism. It was a shocking sight and nobody alive or near a television will ever forget it.

People reacted to the attacks by spending time with their friends and families. The public wasn’t going to let the terrorists win by staying at home in fear.

America went out into the world, it was a time of mass solidarity.

COVID-19 is not having it.

For the first time in modern history the United States is on lockdown. “Shelter in place” orders, quarantine directives, and other guidance are taking us out of the public and keeping us at home. It’s apparently saving lives, but it also cultivates the doldrums.

Thankfully there is something that can ameliorate the boredom: Binge-watch television on a streaming service. But for Netflix, the world’s most successful company in that arena, such a product almost didn’t happen.

In 2001, Netflix was near failure after the terrorist attacks. At the time, their business model was to have members receive DVDs and send them back via the postal service. September 11 had taken a toll on the company and they laid off one-third of their employees.

That would all change in 2007 when the company unveiled its then very limited streaming service. It was risky, but for a fee, customers could subscribe to a new video-on-demand feature. The movies weren’t that great, but as is usually the case, significant icons of pop culture have modest beginnings.

At last count, Netflix has over 160 million subscribers which is a far cry from the 300,000 viewers it had at the turn of the century.

Today the market is saturated with online media service providers and on-demand video rental companies. Entertainment choices are endless which until recently has become a criticism among the paying public.

Yet as America battles the coronavirus by flattening its curve, keeping people away from the things that entertain them collectively in public, our knights in streaming armor are contained in massive libraries of movies, television shows, and even video games.

The very things our parents said would rot our brains are actually saving lives.

Capitalism would suggest this is a perfect time to gouge the customer for money but just the opposite is happening. Many services are offering free subscriptions for 30 days to help holed-up families get through it.

Showtime, Acorn TV, Sundance, Starz, and one of our favorites, Shudder, are making available their content without a fee for a limited time, and it’s helping.

That’s not to say big subscription companies aren’t doing their part. The coronavirus is giving filmmakers a chance to turn a tiny profit by releasing first-run movies through their rental platforms.

The Hunt, The Invisible Man, Trolls World Tour, Onward and other big-budget films will have e-venues in which to give the public a chance to rent them without the risk of getting sick.

The Centers for Disease Control (CDC) have said, “Put distance between yourself and other people if COVID-19 is spreading in your community. This is especially important for people who are at higher risk of getting very sick.”

Essentially, don’t go out into the public unless absolutely necessary.

The heroes in this pandemic are still the ones who are working overtime in hospitals, and the scientists who are racing for a cure and a vaccine. The heroes are also the truck drivers and grocery store workers who are essential to keeping people in food and supplies.

These people are not sitting at home binge-watching every episode of Schitt’s Creek, but I can guarantee they are happy that you are.

So thank you streaming services such as Netflix, Hulu, Prime and other entertainment options that provide us with content while we endure this confinement.

The economic fallout once this is all over is uncertain. Hopefully, America will bounce back vigorously with as little casualties as possible.

We have compiled some horror titles that are now streaming we think you might enjoy:

Shudder

Hulu

Prime

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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