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Squid Game Season 2 Details
Article May Contain Spoilers:
Netflix recently announced to CNN that Squid Game is its “biggest-ever series at launch”. The break-out hit has been viewed by more than 111 million accounts since debuting on Netflix on September 17th. Squid Game has taken the top spot on Netflix in over 94 countries! So, the chances of a season 2 are highly likely.

Behind the scenes on Netflix’s ‘Squid Game’ with creator/director Hwang Dong-hyuk.
Squid Game Season 2
Writer-director Hwang Dong-hyuk has given us some insight into what we can expect from a Squid Game season 2. In an interview with The Hollywood Reporter Hwang Dong-hyuk stated that he “wanted the viewers who watch Squid Game to start questioning themselves. How am I living my life? Who am I among these characters, and what kind of world am I living in? I wanted these questions to be asked.” In Season 2 these themes would continue but would dive even deeper into the backstory of some of his characters.
Hwang Dong-hyuk stated that there is definitely a deeper story that can be told about the police officer and the story of his brother, the Front Man.

Dong-hyuk continues by stating in an interview with The Hollywood Reporter, “So if I end up creating season two, I’d like to explore that storyline — what is going on between those two brothers? And then I could also go into the story of that recruiter in the suit who plays the game of ddakji with Gi-hun and gives him the card in the first episode. And, of course, we could go with Gi-hun’s story as he turns back, and explore more about how he’s going to navigate through his reckoning with the people who are designing the games. So, I don’t know yet, but I’ll just say there are a lot of possibilities out there for season two storylines.”

We’ve seen a lot of speculation online about if Police officer Hwang Jun-ho (Wi Ha-joon) actually dies at the end. There seems to be a little room left for him to possibly join a Season 2. “Considering the framework for his death and what very big role he could play in the future, I have little room to doubt this is the last we’ve seen of detective Jun-ho.” – Collider.com
Even though writer-director Hwang Dong-hyuk seems to be on board for a season 2, already coming up with ideas, we have yet to hear officially from Netflix if the Squid Games will continue. At least now we have a peek into Hwang Dong-hyuk’s mind as to what may be headed our way.
Read about the Squid Game Prank here.
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[Exclusive Clip] ‘From the Beyond: High Strangeness in the Bennington Triangle’
Audiences are invited to explore one of Vermont’s most mysterious regions in From the Beyond: High Strangeness in the Bennington Triangle, arriving later this month on streaming platforms and DVD.

The documentary will debut on April 28, 2026, on platforms including Apple TV, Prime Video, and Google Play. DVD editions will be available exclusively through the Small Town Monsters online shop.

Directed by Seth Breedlove, the film continues the company’s exploration of folklore, cryptids, and unexplained phenomena. Breedlove’s previous work includes The Mothman of Point Pleasant, On the Trail of Bigfoot, American Werewolves, and more than two dozen feature-length productions. In total, Small Town Monsters has released more than thirty films, along with investigative programs, web series, books, podcasts, and exclusive membership content.

From the Beyond: High Strangeness in the Bennington Triangle was made possible through the support of backers from the company’s 2025 Kickstarter campaign.
Set in rural Vermont, the documentary examines the legend of the Bennington Triangle, an area associated with reports of UFOs, ghosts, phantom lights, mysterious creatures, and a series of unexplained disappearances. At the center of the mystery is Glastenbury Mountain, where decades of unanswered questions continue to inspire speculation.

Going beyond folklore and campfire tales, the film asks a chilling question: Why is Glastenbury Mountain so inexplicable, and what happened to those who went missing?

Check out our exclusive clip below.
News
This Week in Horror: DC Goes Full Body Horror, A24 Has Its Chainsaw Man, and The Bone Temple Is Finally Yours
Good week. The Clayface trailer dropped and made DC relevant to this website for the first time in a while, A24 put a director on the Texas Chainsaw Massacre reimagining, and we got some interviews worth reading. Here is all of it.
Clayface Has a Trailer, and It Is Exactly What You Want

The Clayface trailer landed Wednesday, and it is DC’s first real horror film. Not horror adjacent. Not dark. Horror. Tom Rhys Harries plays Matt Hagen, an actor whose face gets disfigured by a gangster. He turns to a scientist, played by Naomi Ackie, who transforms his body into clay. Then the body horror starts.
James Watkins directed, which is the right choice. He made Speak No Evil and before that The Woman in Black, and he understands how to make dread feel physical. The screenplay is by Mike Flanagan and Hossein Amini. That combination should tell you everything about the tone they are going for.
A24 Has a Director for Texas Chainsaw Massacre and His Last Film Cost Under a Million Dollars

Deadline confirmed that Curry Barker is writing and directing A24’s reimagining of the 1974 original. Barker made Obsession for under a million dollars. Focus Features paid north of fifteen million to distribute it. It sits at 96% on Rotten Tomatoes. A24 hired him before it even opens, which opens May 15.
Kim Henkel, who co-created the original with Tobe Hooper, is executive producing his own creation’s reimagining. That is either a blessing or a haunting. Probably both.
Astrolatry Is Going to Cannes and We Talked to the Actor Who Faced the Creature

Astrolatry is heading to the Frontières Buyers Showcase on May 16-17. The film has a sentient severed penis that grows into a ten-foot practical creature with spiky teeth. We interviewed star Ethan Daniel Corbett about what it was actually like to act against it. Short answer: genuinely terrifying. Long answer is on the site.
The Bone Temple Is Home

28 Years Later: The Bone Temple hit 4K UHD, Blu-ray, and DVD on Tuesday. If you held out from the digital release in February, now is the time. The 4K presentation is supposed to be great. Extras include audio commentary and a deleted scene. If your gonna watch The Bone Temple, why not watch it where the snacks are better.
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Astrolatry Built a Ten-Foot Practical Penis Scorpion
A sentient severed penis grows into a ten-foot creature with spiky teeth. Genre cinema is doing fine.
Astrolatry follows Elliot, played by Ethan Daniel Corbett, who is every ingredient for quiet catastrophe assembled in one man. Socially isolated. Physically isolated. Craving dopamine and finding it in the wrong places. The romance guru pipeline, followed to its logical conclusion. Elliot does not just spiral. He loses a piece of himself, literally, and that piece does not cooperate.
Corbett described it as “a horror satire, a trippy mind-fuck roller coaster” and “a modern retelling of Maniac,” both of which are accurate and neither of which adequately prepares you. Director David Gordon is making his feature debut after shooting 14 films as a cinematographer and he is swinging for the fences.
The Creature

The effects company behind the creature has festival circuit work Corbett had already seen before signing on. He knew what they could do but he was not ready. “When I saw it in person it was kind of mind-blowing,” he said. “Everything that you see in this movie is practical. Very, very little else. It was genuinely terrifying to have a ten-foot creature coming at you with a big mouth and spiky teeth.”
A CG creature asks an actor to imagine something. A ten-foot physical creature on a set asks nothing. It just arrives. The fear on Corbett’s face in those scenes is not a performance. It is the normal reaction to a scorpion dick with sharp teeth.
Elliot

Corbett went into the character through the body. “I mainly focus on the physicality of it. Who this character is and who he is wholly. I strive in those kinds of moments as an actor.”
Gordon was explicit about the concept, the “nice guy” archetype and the overtly toxic one are the same problem, both aimed at the same object. That reading lands because Corbett does not play it as a reading. Elliot is not a symbol. He is a person.
Where It Is Going

Astrolatry is heading to the Frontières Buyers Showcase at Cannes on May 16-17. “To be able to get into that kind of room on David’s first feature is incredible,” Corbett said. “To be in front of buyers and to showcase the film and potentially get distribution through that.” Frontières is the correct room. It is full of people who understand that the most extreme premise, executed with precision, is not a punchline. It is an argument.
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