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Spoiler Free Review: ‘Scream’ (2022)

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Between remakes, reboots, requels, and so on ‘re’s of every genre franchise under the sun such as HalloweenSAW, and even Star Wars, the phrase that comes to mind is “Everything old is new again.” Movies, and horror in particular, have a considerable hook for nostalgia and the frights most familiar to us. Hence why there’s an innumerable amount of Children Of The Corn movies. So it should come as little surprise that one of the biggest horror movies with one of the biggest and most recognizable icons of slashers is making a comeback twenty five years strong to stalk audiences again and slash through modern day horror trends. Which brings us to Scream (2022)! This review is spoiler free, so I’ll try and delve in without divulging too many deadly details…

Ghostface and Jenna Ortega in Paramount Pictures and Spyglass Media Group’s “Scream.”

Woodsboro, California. Who could imagine a small, quiet town was ground zero for a series of slashings and slayings that rocked the country and popular culture (both in the context of the movies and in real life) for decades to come. And like the leaves turning brown and falling, birds flying south for the winter, or the moon turning full, another cycle comes to pass. Yet another Ghostface has appeared and is bringing another rampage of slasher bloodshed- “elevated horror” be damned! This terror brings young Sam Carpenter (Melissa Barrera, In The Heights) from Modesto to Woodsboro in order to confront the ghosts from her past in order to fight the one currently haunting her, the town, and some familiar faces from the history of Stab

 

Considering the circumstances,  a new Scream would be a daunting challenge  for any genre filmmakers. Particularly having to follow and fill the shoes of the late, great Wes Craven and the writing of Kevin Williamson. But I am happy to report that Radio Silence, the team behind horror movies such as Southbound and Ready or Not have proven themselves more than capable of taking the reins, especially for a new audience and decade. The keyword of course being “Requel” a trend that should be all too familiar for fans of particular franchises. A direct continuation of the original, usually sidestepping the weirder or more convoluted sequels while giving us a new cast of potential victims and/or suspects while bringing back some familiar legacy characters to guide the ship.

L-r, Dylan Minnette (“Wes”), Jack Quaid (“Richie”), Melissa Barrera (“Sam”) and David Arquette (“Dewey Riley”) star in Paramount Pictures and Spyglass Media Group’s “Scream.”

First it was about slasher movies and tropes, then sequels, then the Hollywood system, then reboots, so it’s only a logical extension. And it works. Said new cast of potential victims and/or suspects being well casted, as well. Melissa Barerra’s Sam makes for an intriguing protagonist especially as revelations about her add layers to the mystery of this new Ghostface. Though a particular highlight for me was Jasmin Savoy Brown as Mindy Meeks-Martin, the niece to the original Scream meta character Randy Meeks (May he rest in peace. He even gets a memorial home movie theater in his honor at the Meeks house.) who establishes herself quickly and succinctly as the new meta horror expert.

 

Complete with new rules for a new decade and a focus on elevated horror vs Stab style slashing and bashing. With regards to legacy characters, we not only get the holy trinity of the franchise with the triumphant returns of David Arquette, Courtney Cox, and Neve Campbell as Dewey Riley, Gale Weathers, and Sydney Prescott but Marley Shelton as Judy Hicks from Scream 4. This makes for some interesting comparisons and contrasts that wouldn’t feel too out of place with older horror fans hanging out with the next generation of fear fans. Dewey in particular making some jokes about how old and how many times he’s been stabbed going through this over and over and how fed up he’s become.

Neve Campbell (“Sidney Prescott”) stars in Paramount Pictures and Spyglass Media Group’s “Scream.”

As for Ghostface, it’s the same old bag and mask with a whole heap of new gear for a new year. It is funny looking back how every Ghostface before has had to be rather tech savvy in order to operate how they have, and this new one isn’t any different. Armed with some high tech gadgets and with the know-how of how to operate them simultaneously, this psycho can get you on your landline and your smartphone. Mess with your GPS. And even hack into your smart house security systems. Adding a layer of technological horror on top of the most basic fear of all: some freak in a Halloween costume bleeding you out with a hunting knife. And in terms of scares, there are some scenes and sequences with excellent build-ups and pay-offs. One bit in particular went on so long I couldn’t help but laugh as the sheer expectation kept on building and building further and further. Highlighting that while the times have changed, Scream is still just as funny as it can be scary and meta.

Ghostface in Paramount Pictures and Spyglass Media Group’s “Scream.”

At its core, Scream (2022) is… a Scream movie. it hits all the familiar beats without retreading old ground. Too hard, that is. It does literally revisit some familiar spots around Woodsboro, but the plot is a pretty fun series of twists and turns. Though the focus of which is rather singular and could have been interesitng to see more of the widespread and ripple effects of yet another series of Ghostface killings. Definitely serving in both scale and scope as a bookend or mirror image to the original and how far it and horror have come in 25 years. In as much as it deconstructs slashers and the tropes surrounding them, it also gives new life and honor to them simultaneously. Taking it apart and putting it back together to make something new. Who knows? This could be the spark that re-re-resurrects slashers for the big screen or at least shines a spotlight from elevated horror to just horror. At the very least, we should all be able to agree that this is better than Scream 3. And Ghostface is always ready to come back when the winds and trends of horror are turning…

Scream will be released in theaters on January 14th, 2022.

4.5 out of 5 eyes.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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