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So What Really Happened at the End of ‘Christmas Evil’?

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As far as Christmas horror movies are concerned, I think the best and most frightening is 1980’s Christmas Evil. It’s been compared to as the Taxi Driver at Christmas and I pretty much agree with that comparison. It’s much more of a character piece than a body count movie as you watch a man slip into insanity after becoming sick of it all and it’s really lead actor Brandon Maggart’s performance that brings it to life. He’s really intense while being both sympathetic and terrifying. But there’s something about it fans can’t seem to agree on; the ending. A friend and I were discussing it recently and we just couldn’t come to an agreement (rather than how awesome the film is) and it got me thinking and I’d love to hear what you all think, but first, let’s talk a little about the movie. Now, obviously there is going to be spoilers as we discuss this nearly 40 year old movie, but being the internet and all, I have to give a SPOILER WARNING. There. You have been warned.

To sum it up briefly, it’s about a man named Harry who was traumatized as a child and by that I mean that he saw Santa going down on his mommy, so he grows up and has become completely obsessed with Santa and idolizes the jolly ol’ elf. So much to the point where it’s rather unhealthy. Harry now works at a toy factory that’s more interested in profits than donating toys to a children’s home. All of his peers and bosses think of him as a schmuck and take advantage of his kindness. Harry also keeps tabs on the neighborhood kids, watching them and judging who’s being naughty and who’s being nice which he keeps track of in separate naughty or nice books. As the movie progresses, Harry becomes more mentally unstable, even making himself a Santa suit that he wears when he delivers the toys he stole from work in a van with a sleigh painted on it (this is actually important to remember) to a children’s home and all of the good boys and girls in his neighborhood. And then there is the part of Christmas Evil that sort of takes a turn into slasher territory as Harry gets revenge on those that have been naughty to him until he’s eventually chased down by a mob carrying torches (apparently, this town believes in hunting down criminals like they would Frankenstein’s monster) and drives off a bridge to his death.

Or was it?

Believe it or not, some say that Harry didn’t die at the end of Christmas Evil, but rather actually flew off into the night sky as Santa Claus, because the crazy ol’ cook believed so much! This is something that has divided fans of the movie for a long time. Personally, I’m on the side that believes Harry died. After you see the van begin to go off the bridge, it cuts to Harry’s brother (Jeffrey DeMunn for you Walking Dead fans) rolling down a hill and you can hear the van crashing. Now, those that believe Harry lived and became Santa will say that’s the sound of the garbage Harry’s brother is crashing into and they also will point out that as the scene carries on, you will see him look up into the sky, almost in disbelief. However, I could argue that he’s looking at the crash site, but I suppose there’s not that much Christmas whimsy in that. Take a look at the ending in the video below…

So what do you think? Do you think Harry was driven off the side of the bridge, and his sanity, to his own death or flew off that Christmas night, becoming Santa Claus? Both sides have a pretty good argument, so it really comes down to if you want a dark, but realistic ending or something a little magical, yet fits in tone with the film. I think both outcomes could work, but I guess it matters if you’re a glass is half full or empty kind of person.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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