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New ‘Spiral: From the Book of Saw’ Photo Gets Bloody

Published

5 years ago

March 8, 2021

We are still a year and some change away from Spiral: From the Book of Saw. Originally slated for much earlier, the Darren Bousman film was pushed way down the slate due to COVID concerns. Although, the film is still a long ways off Lionsgate decided to drop a photo that revealed our soon to be star of the film Detective Ezekiel Banks (Chris Rock), covered in blood and giving a very Clint Eastwood looking glare.

We have some high hopes that this means the studio might bump the film up a bit. Quite Place Part II was recently bumped up, so we are hoping that Spiral might get the same treatment.

Everything is in flux, so who knows. Dates have been changing as much as the weather and with a vaccine out at the moment, its possible that we might receive Spiral a bit sooner than later, but again that’s just hopeful speculation. At the moment Spiral: From the Book of Saw is still due out on May 21.

The synopsis for Spiral goes like this:

A sadistic mastermind unleashes a twisted form of justice in SPIRAL, the terrifying new chapter from the book of SAW. Working in the shadow of an esteemed police veteran (Samuel L. Jackson), brash Detective Ezekiel “Zeke” Banks (Chris Rock) and his rookie partner William Schenk (Max Minghella) take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past.

Are you guys looking forward to Spiral: From the Book of Saw? Let us know in the comments section.

Spiral

Bruce Campbell spilled the beans on where The Evil Dead Rise will take place. Read more here.

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Related Topics:Chris Rock From the Book of Saw Saw Spiral

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[Exclusive Clip] ‘From the Beyond: High Strangeness in the Bennington Triangle’

Published

20 hours ago

April 26, 2026

Ryan T. Cusick

Audiences are invited to explore one of Vermont’s most mysterious regions in From the Beyond: High Strangeness in the Bennington Triangle, arriving later this month on streaming platforms and DVD.

The documentary will debut on April 28, 2026, on platforms including Apple TV, Prime Video, and Google Play. DVD editions will be available exclusively through the Small Town Monsters online shop.

Directed by Seth Breedlove, the film continues the company’s exploration of folklore, cryptids, and unexplained phenomena. Breedlove’s previous work includes The Mothman of Point Pleasant, On the Trail of Bigfoot, American Werewolves, and more than two dozen feature-length productions. In total, Small Town Monsters has released more than thirty films, along with investigative programs, web series, books, podcasts, and exclusive membership content.

From the Beyond: High Strangeness in the Bennington Triangle was made possible through the support of backers from the company’s 2025 Kickstarter campaign.

Set in rural Vermont, the documentary examines the legend of the Bennington Triangle, an area associated with reports of UFOs, ghosts, phantom lights, mysterious creatures, and a series of unexplained disappearances. At the center of the mystery is Glastenbury Mountain, where decades of unanswered questions continue to inspire speculation.

Going beyond folklore and campfire tales, the film asks a chilling question: Why is Glastenbury Mountain so inexplicable, and what happened to those who went missing?

Check out our exclusive clip below.

News

This Week in Horror: DC Goes Full Body Horror, A24 Has Its Chainsaw Man, and The Bone Temple Is Finally Yours

Published

2 days ago

April 24, 2026

Luna Gray

Good week. The Clayface trailer dropped and made DC relevant to this website for the first time in a while, A24 put a director on the Texas Chainsaw Massacre reimagining, and we got some interviews worth reading. Here is all of it.

Clayface Has a Trailer, and It Is Exactly What You Want

The Clayface trailer landed Wednesday, and it is DC’s first real horror film. Not horror adjacent. Not dark. Horror. Tom Rhys Harries plays Matt Hagen, an actor whose face gets disfigured by a gangster. He turns to a scientist, played by Naomi Ackie, who transforms his body into clay. Then the body horror starts.

James Watkins directed, which is the right choice. He made Speak No Evil and before that The Woman in Black, and he understands how to make dread feel physical. The screenplay is by Mike Flanagan and Hossein Amini. That combination should tell you everything about the tone they are going for.

A24 Has a Director for Texas Chainsaw Massacre and His Last Film Cost Under a Million Dollars

Deadline confirmed that Curry Barker is writing and directing A24’s reimagining of the 1974 original. Barker made Obsession for under a million dollars. Focus Features paid north of fifteen million to distribute it. It sits at 96% on Rotten Tomatoes. A24 hired him before it even opens, which opens May 15.

Kim Henkel, who co-created the original with Tobe Hooper, is executive producing his own creation’s reimagining. That is either a blessing or a haunting. Probably both.

Astrolatry Is Going to Cannes and We Talked to the Actor Who Faced the Creature

Astrolatry is heading to the Frontières Buyers Showcase on May 16-17. The film has a sentient severed penis that grows into a ten-foot practical creature with spiky teeth. We interviewed star Ethan Daniel Corbett about what it was actually like to act against it. Short answer: genuinely terrifying. Long answer is on the site.

The Bone Temple Is Home

28 Years Later: The Bone Temple hit 4K UHD, Blu-ray, and DVD on Tuesday. If you held out from the digital release in February, now is the time. The 4K presentation is supposed to be great. Extras include audio commentary and a deleted scene. If your gonna watch The Bone Temple, why not watch it where the snacks are better.

News

Astrolatry Built a Ten-Foot Practical Penis Scorpion

Published

2 days ago

April 24, 2026

Luna Gray

A sentient severed penis grows into a ten-foot creature with spiky teeth. Genre cinema is doing fine.

Astrolatry follows Elliot, played by Ethan Daniel Corbett, who is every ingredient for quiet catastrophe assembled in one man. Socially isolated. Physically isolated. Craving dopamine and finding it in the wrong places. The romance guru pipeline, followed to its logical conclusion. Elliot does not just spiral. He loses a piece of himself, literally, and that piece does not cooperate.

Corbett described it as “a horror satire, a trippy mind-fuck roller coaster” and “a modern retelling of Maniac,” both of which are accurate and neither of which adequately prepares you. Director David Gordon is making his feature debut after shooting 14 films as a cinematographer and he is swinging for the fences.

The Creature

The effects company behind the creature has festival circuit work Corbett had already seen before signing on. He knew what they could do but he was not ready. “When I saw it in person it was kind of mind-blowing,” he said. “Everything that you see in this movie is practical. Very, very little else. It was genuinely terrifying to have a ten-foot creature coming at you with a big mouth and spiky teeth.”

A CG creature asks an actor to imagine something. A ten-foot physical creature on a set asks nothing. It just arrives. The fear on Corbett’s face in those scenes is not a performance. It is the normal reaction to a scorpion dick with sharp teeth.

Elliot

Corbett went into the character through the body. “I mainly focus on the physicality of it. Who this character is and who he is wholly. I strive in those kinds of moments as an actor.”

Gordon was explicit about the concept, the “nice guy” archetype and the overtly toxic one are the same problem, both aimed at the same object. That reading lands because Corbett does not play it as a reading. Elliot is not a symbol. He is a person.

Where It Is Going

Astrolatry is heading to the Frontières Buyers Showcase at Cannes on May 16-17. “To be able to get into that kind of room on David’s first feature is incredible,” Corbett said. “To be in front of buyers and to showcase the film and potentially get distribution through that.” Frontières is the correct room. It is full of people who understand that the most extreme premise, executed with precision, is not a punchline. It is an argument.