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Netflix Canceled ‘Mindhunter’ After Two Seasons, Here’s Why

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Showrunner and director, David Fincher (Se7en, Panic Room), of Netflix’s crime procedural Mindhunter explains why he thinks the popular series was canceled by Netflix.

According to a post on X from FincherAnalyst (translated from Première magazine) Fincher says unlike his other series, House of Cards, Mindhunter wasn’t derivative of other shows of its type, and for the mega-streamer, continuing with it was a crapshoot.

Mindhunter

“Maybe House of Cards wasn’t a huge risk, but Mindhunter was,” the post says. “A procedural on behavioral sciences that would be neither X-Files, nor CSI, nor Criminal Minds, but would function as the portrait of a guy who loses his virginity in the world of psychosexual sadists? We couldn’t complete the trajectory, but it was a gamble. An expensive series, too. Very expensive. We went as far as we could until someone finally said to us, ‘It makes no sense to produce this series like this, unless you can reduce the budget, or make it more pop, so that more people will watch it.’”

Mindhunter starred Jonathan Groff, Holt McCallany and Anna Torv. Their characters worked as agents at the FBI’s Behavioral Science Unit in the organization’s training division. Because of the nature of the show, Netflix wanted to change some aspects of it. But Fincher refused therefore leaving Netflix with no other option but to cancel it.

“I always take a slight step aside from what is expected of me. Otherwise, I’m not interested,” Fincher shared. “At a test screening of Seven, in the second of silence just before the lights came back on, while everyone was gasping for air, I caught the producer cursing at me, ‘This guy has taken a great thriller and made it into a foreign film!’”

Mindhunter’s cancellation was confirmed almost a year ago to the day even after reports it might get a third chapter. Nevertheless, Fincher isn’t sweating it.

“I’m very proud of the first two seasons. But it’s a very expensive show and, in the eyes of Netflix, we didn’t attract enough of an audience to justify such an investment [for Season 3],” he said according to Hypebeast.

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‘Tales from the Crypt’ Publisher, EC Comics is Being Brought Back to Life at Oni Comics

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Tales From

After seventy years of being shut down, the iconic EC Comics is coming back by way of Oni Comics. Originally founded as an educational comics brand, it would later become a publisher known for its horror comics and tales to keep you up late at night. William Gaines lead the way and during his time we were gifted with a run of comics such as Tales From the Crypt, The Haunt of Fear, The Vault of Horror, and of course Weird Science among others. Founded in 1944 and running to 1956 it was eventually shut down due to claims that comic books were affecting the minds of our adolescents. After reaching Congress the issue was large enough to take down the small comics publisher.

Crypt
Original Cover art for EC Comics Tales From the Crypt.

Of course, later on, HBO would take Tales From the Crypt and reboot it for television with a whole new generation. However, for comic collectors, it was up to either visiting select digital archives online or purchasing old issues by way of auction. It is exciting to hear that Oni Comics is going to bring EC Comics back to life.

“EC Comics is one of the most artistically important and culturally significant publishers of all time. In ways both artful and shocking, EC confronted the darkness lurking behind the thin facade of American society — a throughline of radically confrontational storytelling that we intend to both uphold and escalate with the first new EC tales in decades. We’re challenging ourselves to evolve EC’s relentless energy and fearless sensibilities in ways never before attempted. These are intense comics for our intense times.“ Oni Comics Publisher, Hunter Gorinson said.

Tales
Cover art from EC Comics Tales From the Crypt.

The first two comics under the new partnership are two new anthology titles that both lend themselves to the flair of their classics. First up Epitaphs from the Abyss followed by Cruel Universe. You can check out the cover for Cruel Universe at the bottom of the page.

Although the partnership is said to not be about nostalgia, we are still hoping that following some of these new titles we do get a special revisit for Tales from the Crypt or one of the other classics.

Epitaphs From the Abyss is due out in stores beginning this July. Cruel Universe is set to arrive in August.

What do you think about the Oni Comics bringing back EC Comics? Let us know in the comments section.

EC
Cover for EC Comics upcoming title.

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Images and a Poster Have Arrived For Eli Roth’s ‘Borderlands’

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Borderlands

Eli Roth’s Borderlands is well on its way to a theater near you. The Gearbox Software game adaptation looks to take its characters, costumes, and the world of Pandora right from the game. So, that is a good sign. However, we are still on the fence with this one. We will have a better idea of what to expect when a trailer drops tomorrow. Today we have our first look at some images from the film along with a hyper-neon fun poster.

Borderlands
Photo: Cate Blanchett as Lilith in Borderlands. Photo Credit: Courtesy of Lionsgate.

The synopsis for Borderlands goes like this:

Lilith (Blanchett), an infamous outlaw with a mysterious past, reluctantly returns to her home planet of Pandora to find the missing daughter of the universe’s most powerful S.O.B., Atlas (Ramirez). Lilith forms an alliance with an unexpected team – Roland (Hart), a former elite mercenary, now desperate for redemption; Tiny Tina (Greenblatt), a feral pre-teen demolitionist; Krieg (Munteanu), Tina’s musclebound, rhetorically challenged protector; Tannis (Curtis), the scientist with a tenuous grip on sanity; and Claptrap (Black), a persistently wiseass robot. These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands – but they’ll be fighting for something more: each other.

Borderlands stars Cate Blanchett, Kevin Hart, Edgar Ramirez, Jamie Lee Curtis, Ariana Greenblatt, Florian Munteanu, Haley Bennett, Olivier Richters, Gina Gershon, Cheyenne Jackson, Charles Babalola, Benjamin Byron Davis, Steven Boyer, Bobby Lee, Ryann Redmond, Penn Jillette, and Janina Gavankar, and Jack Black.

Borderlands

Borderlands arrives in theaters beginning August 9. Are you excited about this one? Let us know in the comments section.

Borderlands

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Micheal Keaton Says ‘Beetlejuice Beetlejuice’ Feels Like Original Including Practical Effects

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Beetlejuice

It feels like a ‘Beetlejuice’ sequel has been in the works for over 100 years. However, the timeline for an official production is much shorter and not as cluttered with faux fan posters. We’ve gotten spoilery glimpses of outdoor sets thanks to paparazzi and even seen some characters in costume. Everything so far boasts a handcrafted look. Additionally, it’s a bonus that Michael Keaton himself has said the sequel feels like the original and that it will be practical. Color us intrigued, Michael!

“It’s the most fun I’ve had on set in a long time…On one hand, you’d go, ‘Well, of course it’s the most fun. It looks like fun.’ As you know, it doesn’t always work like that.” Keaton told People.

Beetlejuice

It is a well-known factoid that Keaton had more fun on the first Beetlejuice than any other film that he had made. It still stands up as one of his all-time favorites.

“The one thing that (director Tim Burton) and I decided on early, early, early on from the beginning, if we ever did it again, I was totally not interested in doing something where there was too much technology…It had to feel handmade…What made it fun was watching somebody in the corner actually holding something up for you, to watch everybody in the shrunken head room and say, ‘Those are people under there, operating these things, trying to get it right.’”

That sounds like a whole lot of practical magic to us. Plus, I’m sure that Burton himself has become a bit tired of turning to computer-rendered graphics for his films. They have become more and more filled to the brim with nothing but computer-designed worlds.

One of the most incredible achievements I’ve seen lately in terms of returning to practical effects has to be Netflix’s return to The Dark Crystal. If you watch the making of that film, it is incredible to see that even the backdrops were meticulously handpainted. Everything right down to the toenails was crafted. You should certainly give that a watch if you haven’t already. It is incredible and somehow was released at a time in which nobody watched it.

Well, we are pretty excited about what Keaton said concerning Beetlejuice Beetlejuice. Let’s just hope that it is not hype. What do you think about his statement? Let us know in the comments.

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