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Movie Review: Karen Lam’s: ‘Evangeline’ (2013)

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Evangeline Title
Whether or not you’re a hardcore horror fan, Karen Lam’s latest film, the revenge thriller Evangeline, is a stupefying experience. After making its debut back in November at The Blood in the Snow Canadian Film Festival in Toronto, Canada, Evangeline will be creeping its way on VOD May 8, 2015 and on DVD / Blu-Ray June 9, 2015.

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Evangeline Pullman (Kat de Lieva) has been living the sheltered life with a father who is an overly committed preacher. Evangeline has been given the opportunity to start over in college as a freshman. Her new roommate Shannon (Mayumi Yoshida) is very excited to take her new shy friend Evangeline out for a good time at an “off the hook” frat party. Evangeline catches the eye of many; however, the very sought-after Michael Konner (Richard Harmon) and his two friends are very much interested in this young gem. Evangeline living a real nightmare finds herself being hunted and chased through the menacing forest by Michael and his henchmen, where she’s severely beaten and left for dead. Evangeline’s precious body is taken over by a spirit giving her the opportunity to seek revenge on those who took part in destroying her innocence.

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Writer-director Karen Lam did a spectacular job creating the character Evangeline. For me, Kat de Lieva nailed it! De Lieva carried the character Evangeline to the limits. De Lieva had the daunting task of making Evangeline the “good girl” and then becoming the sexy chick that was far from innocent, and then had to reverse the entire process. Lam took a lot of time to develop the innocence of the character, and it was abruptly obliterated. The visual effects in this film were exceptional along with a fitting score. At times, Evangeline gave me that Last House on the Left feel, which I was most definitely good with. I will be the first to criticize a movie for not developing their characters, but this film did not require it. The character Evangeline was developed quickly, and I was able to vest myself into this character. At times, this film felt brutal but it challenges the question of whether a person should turn away or risk losing one’s soul to abomination. Evangeline exposes the vulnerability that young women deal with everywhere. Evangeline demonstrates that women can take control and seek a type of vengeance, and punish those that have taken advantage of those vulnerable attributes, with a twist!

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Karen Lam has worked full-time in the film and television industry for the past fifteen years. As a producer and entertainment lawyer, Karen began her career. Since then Lam has produced four feature films, eight short films, and three television series. The Cabinet was her first short film, and she was the writer/director for that picture. The Cabinet won the NSI Drama Prize in 2006. Since that time she has written seven feature film screenplays, directed half a dozen short films, a music video, and two feature films, Stained (2010) and Evangeline (2013).

Lam’s extreme impressive vision and enthusiasm for the horror genre and being a woman working in film, specifically horror, has unlatched my mind about gender role in film. For so long women have been associated with particular roles, but Lam is one who stands out to set presentment to a new way of thinking. Lam took time out of her busy schedule to speak to me about her role in film and about Evangeline. Enjoy!

Karen Lam

Karen Lam

iHorror: Can you explain your inspiration for the creation of your film Evangeline?

Karen Lam: The original idea came from my short film, “Doll Parts”, which is where Evangeline first appeared. I came up with the idea of this killer doll woman in Hong Kong when I was spending time with my grandma–who was dying. She was hallucinating through the night, and I started creating the purgatory room. (Check Out Doll Parts).

iH: How long was the shooting schedule for Evangeline? What were some of the locations filming took place?

KL: The film was shot over 18 days in February of 2013. Different Vancouver locations were used, including University of British Columbia.

iH: What are your thoughts about sequels? Any thoughts of a direct sequel to Evangeline?

KL: I have a min-series in very early stages of development, and my story editor Gavin Bennett is also a graphic novel writer–we have a universe of stories for her.

iH: How did your short films that you created prepare you for a full feature film?

KL: I love going between shorts, features, television and recently a web series. Each medium has its unique quirks and lets me do something different. The shorts give me a chance to be really experimental with technique, and the features allow for a bigger story.

iH: What challenges and rewards have you experienced because of gender role in society?

KL: The biggest challenges are in finance, but I think that’s everyone’s issue. The investors and distributors tend to read scripts in a certain way, and I don’t think they’re aware that it comes with strong stereotypes. The inequality tends to be more systemic than outright discrimination. It’s hard to tackle because it’s not obvious.

iH: On the set of Evangeline what was the biggest challenge you faced?

KL: Back to budget, but I think. We always have grander aspirations than what the budget or schedule will allow, but I did a fairly significant rewrite on the script before we even went to camera so a lot of problem solving was done on paper. It helps that I’ve had over fifteen years as a producer.

iH: Any memorable experiences on set that you would like to share?

KL: I think the funniest scene to shoot was the gym scene with my actor David Lewis. He sent me an email that he wanted to do the scene naked and I misread it as “the shower scene.” I said yes, and everyone kept asking me if I was really okay with it. When I reread the email, I realized he wanted to do the whole scene naked, but I already said yes. Anyway, the sock kept falling off so it became a really awkward day…

 iH: Any future projects you are able to discuss?

KL: I’m just in the process of finishing up rewrites on two new feature scripts, and I;m shooting my first feature length documentary. It’s about a band, but don’t worry: there will be blood.

 

Karen Lam on Twitter!

Evangeline on Facebook

Evangeline Official Web Site 

 

Check Out The Jaw-Dropping Trailer Below!

 

[youtube id=”SoAAEIILtrU”]

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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