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Millie Bobby Brown Says She’s Ready To Bid ‘Stranger Things’ Farewell

Published

3 years ago

October 16, 2023

Actress Millie Bobby Brown, renowned for her role as Eleven in the hit Netflix series Stranger Things, recently opened up about her experiences on the show and her aspirations for the future. In a candid interview with Glamour magazine, Brown shared her thoughts on the impending conclusion of Stranger Things and the impact it has had on her budding career.

Brown expressed her readiness for the series to conclude, stating, “When you’re ready, you’re like, ‘All right, let’s do this. Let’s tackle this last senior year. Let’s get out of here.’” She further elaborated on the constraints the show has placed on her, saying, “’Stranger Things’ takes up a lot of time to film and it’s preventing me from creating stories that I’m passionate about. So I’m ready to say, ‘Thank you, and goodbye.’”

Despite the challenges, Brown is grateful for the opportunities and growth the show has afforded her. She acknowledged, “Stranger Things has given me the tools and the resources to be a better actor.” Drawing a parallel to a significant life milestone, she remarked, “It’s been such a huge factor in part of my life, but it’s like graduating high school, it’s like senior year. You’re ready to go and blossom and flourish and you’re grateful for the time you’ve had, but it’s time to create your own message and live your own life.”

As she looks to the future, Brown is enthusiastic about her upcoming projects, notably The Electric State, where she will be sharing the screen with Chris Pratt. She expressed her excitement, saying, “To be able to go toe-to-toe with Chris Pratt! It’s a very exciting opportunity that I never thought I’d be able to have, to be able to be treated the same as him and to be looked at and respected the same as him on the set by the production, by the studio.”

Millie Bobby Brown as Eleven in **Stranger Things**

However, her journey hasn’t been without its challenges. Brown recalled the undue criticism she faced during Stranger Things press tours when she was just 13. She remembered, “We’re kids — we talk over each other. I was just penalized for over-talking and oversharing and being too loud.” The backlash was severe, with adults labeling her as “an idiot,” “stupid,” and “a brat.” Reflecting on the impact of such comments, she said, “It’s hard to hear that at 13. You’re like, ‘I don’t want to ever talk again. I don’t want to be the loud person…In interviews I couldn’t help but think of all the comments. So I just remembered to stay silent and speak when I was spoken to, even though I was dying to join in. I just felt it wasn’t my turn.”

Brown’s experiences have instilled in her a desire to advocate for the protection of underage actors. She passionately stated, “You cannot speak on children that are underage. I mean, our brains physically have not grown yet. To diminish and practically stunt someone’s growth mentally, strip them down, tell them, ‘Hey, listen, you don’t look that great. Why are you wearing that? How dare you think you can wear that? How dare you say that?’”

On a brighter note, Brown’s creative journey continues to evolve. She has recently penned her debut novel, Nineteen Steps, marking yet another milestone in her multifaceted career. Recently, we shared updates on the much-anticipated Stranger Things Season 5. If the buzz is accurate, the finale with Eleven and her crew promises to be a spectacular send-off.

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[Exclusive Clip] ‘From the Beyond: High Strangeness in the Bennington Triangle’

Published

23 hours ago

April 26, 2026

Ryan T. Cusick

Audiences are invited to explore one of Vermont’s most mysterious regions in From the Beyond: High Strangeness in the Bennington Triangle, arriving later this month on streaming platforms and DVD.

The documentary will debut on April 28, 2026, on platforms including Apple TV, Prime Video, and Google Play. DVD editions will be available exclusively through the Small Town Monsters online shop.

Directed by Seth Breedlove, the film continues the company’s exploration of folklore, cryptids, and unexplained phenomena. Breedlove’s previous work includes The Mothman of Point Pleasant, On the Trail of Bigfoot, American Werewolves, and more than two dozen feature-length productions. In total, Small Town Monsters has released more than thirty films, along with investigative programs, web series, books, podcasts, and exclusive membership content.

From the Beyond: High Strangeness in the Bennington Triangle was made possible through the support of backers from the company’s 2025 Kickstarter campaign.

Set in rural Vermont, the documentary examines the legend of the Bennington Triangle, an area associated with reports of UFOs, ghosts, phantom lights, mysterious creatures, and a series of unexplained disappearances. At the center of the mystery is Glastenbury Mountain, where decades of unanswered questions continue to inspire speculation.

Going beyond folklore and campfire tales, the film asks a chilling question: Why is Glastenbury Mountain so inexplicable, and what happened to those who went missing?

Check out our exclusive clip below.

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This Week in Horror: DC Goes Full Body Horror, A24 Has Its Chainsaw Man, and The Bone Temple Is Finally Yours

Published

2 days ago

April 24, 2026

Luna Gray

Good week. The Clayface trailer dropped and made DC relevant to this website for the first time in a while, A24 put a director on the Texas Chainsaw Massacre reimagining, and we got some interviews worth reading. Here is all of it.

Clayface Has a Trailer, and It Is Exactly What You Want

The Clayface trailer landed Wednesday, and it is DC’s first real horror film. Not horror adjacent. Not dark. Horror. Tom Rhys Harries plays Matt Hagen, an actor whose face gets disfigured by a gangster. He turns to a scientist, played by Naomi Ackie, who transforms his body into clay. Then the body horror starts.

James Watkins directed, which is the right choice. He made Speak No Evil and before that The Woman in Black, and he understands how to make dread feel physical. The screenplay is by Mike Flanagan and Hossein Amini. That combination should tell you everything about the tone they are going for.

A24 Has a Director for Texas Chainsaw Massacre and His Last Film Cost Under a Million Dollars

Deadline confirmed that Curry Barker is writing and directing A24’s reimagining of the 1974 original. Barker made Obsession for under a million dollars. Focus Features paid north of fifteen million to distribute it. It sits at 96% on Rotten Tomatoes. A24 hired him before it even opens, which opens May 15.

Kim Henkel, who co-created the original with Tobe Hooper, is executive producing his own creation’s reimagining. That is either a blessing or a haunting. Probably both.

Astrolatry Is Going to Cannes and We Talked to the Actor Who Faced the Creature

Astrolatry is heading to the Frontières Buyers Showcase on May 16-17. The film has a sentient severed penis that grows into a ten-foot practical creature with spiky teeth. We interviewed star Ethan Daniel Corbett about what it was actually like to act against it. Short answer: genuinely terrifying. Long answer is on the site.

The Bone Temple Is Home

28 Years Later: The Bone Temple hit 4K UHD, Blu-ray, and DVD on Tuesday. If you held out from the digital release in February, now is the time. The 4K presentation is supposed to be great. Extras include audio commentary and a deleted scene. If your gonna watch The Bone Temple, why not watch it where the snacks are better.

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Astrolatry Built a Ten-Foot Practical Penis Scorpion

Published

3 days ago

April 24, 2026

Luna Gray

A sentient severed penis grows into a ten-foot creature with spiky teeth. Genre cinema is doing fine.

Astrolatry follows Elliot, played by Ethan Daniel Corbett, who is every ingredient for quiet catastrophe assembled in one man. Socially isolated. Physically isolated. Craving dopamine and finding it in the wrong places. The romance guru pipeline, followed to its logical conclusion. Elliot does not just spiral. He loses a piece of himself, literally, and that piece does not cooperate.

Corbett described it as “a horror satire, a trippy mind-fuck roller coaster” and “a modern retelling of Maniac,” both of which are accurate and neither of which adequately prepares you. Director David Gordon is making his feature debut after shooting 14 films as a cinematographer and he is swinging for the fences.

The Creature

The effects company behind the creature has festival circuit work Corbett had already seen before signing on. He knew what they could do but he was not ready. “When I saw it in person it was kind of mind-blowing,” he said. “Everything that you see in this movie is practical. Very, very little else. It was genuinely terrifying to have a ten-foot creature coming at you with a big mouth and spiky teeth.”

A CG creature asks an actor to imagine something. A ten-foot physical creature on a set asks nothing. It just arrives. The fear on Corbett’s face in those scenes is not a performance. It is the normal reaction to a scorpion dick with sharp teeth.

Elliot

Corbett went into the character through the body. “I mainly focus on the physicality of it. Who this character is and who he is wholly. I strive in those kinds of moments as an actor.”

Gordon was explicit about the concept, the “nice guy” archetype and the overtly toxic one are the same problem, both aimed at the same object. That reading lands because Corbett does not play it as a reading. Elliot is not a symbol. He is a person.

Where It Is Going

Astrolatry is heading to the Frontières Buyers Showcase at Cannes on May 16-17. “To be able to get into that kind of room on David’s first feature is incredible,” Corbett said. “To be in front of buyers and to showcase the film and potentially get distribution through that.” Frontières is the correct room. It is full of people who understand that the most extreme premise, executed with precision, is not a punchline. It is an argument.