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Horror Fans, Stop Fighting and Band Together

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It may come as a surprise, perhaps even a shock that there are folks walking around who actually love Halloween 5. I’ve encountered more than one individual who were of the opinion that Jason Takes Manhattan were their favorite Friday the 13th. And it goes both ways. We live in a world where some feel that Stanley Kubrick’s The Shining is not a good piece of cinema and even pockets of people who believe Rob Zombie’s Halloweens are superior to John Carpenter’s.

A single paragraph in, I’m sure there are some of you shaking your head and maybe even a few who are fuming, but that’s what I wanted to talk about.

When it comes to the entertainment industry, particularly film and television, horror remains a genre that is by and large looked down upon. Sure it’s been mainstreamed thanks in no small measure by “The Walking Dead” and even “American Horror Story,” but for the most part, horror is still perceived as second-rate. There is a belief among those who do not appreciate horror that it lacks artistry and that those involved are bereft of the talent necessary to cut it in drama or comedy.

Of course, we know better, don’t we? Though we are legion, you won’t find the same kind of viewership for “Ash vs Evil Dead” as you would for “The Big Bang Theory.” In the grand scheme of things, we are a small school of fish in a very large pond.

All the more reason to stick together.

And yet, we don’t. And I can’t help but wonder why?

We are all nauseated by the division of the current presidential campaign. The mudslinging and finger-pointing and name-calling has virtually everyone on the verge of slamming down the mute button if they haven’t already. There is no discourse, no exchange of ideas followed by intellectual conversation or debate. It’s just a constant churning of “I’m right, you’re wrong” while neither side actually hears or processes a word the other has to say.

Have you noticed the same scenario among horror fans on social media? Not everyone partakes in online arguments, but odds are good that everyone has at least seen it. This isn’t intended to be an indictment on anyone, just an opportunity to stop and think for a moment.

jack-wendyDiffering opinions pit people against one another. It has been that way since the beginning of time, and will never change. However, rather than asking why someone likes or dislikes something, it becomes a pissing match. “How can you possibly?” followed by a snide remark or out and out insult, which opens the floodgates to bickering banter.

Being opinionated is a good thing. It means you have a take. However, that does not mean that you are completely right or completely wrong. Rather than disregarding someone based on their perspectives, perhaps ask them a question. Instead of saying that “Anyone who hates Halloween III is in idiot,” inquire as to what they don’t like about it. Believe it or not, some may just not care for it and it could have absolutely nothing to do with the absence of Michael Myers. There’s a least a glimmer of possibility that what they have to say in response makes sense, or that you offer a point they hadn’t thought about and one or the other of you, or maybe even both, reconsider their stance. If nothing else, both parties have a better understanding of why the other feels as they do.

Horror is supposed to be fun. And small group that we are, we should be in it together. Enjoy those like-minded individuals, sure, but also respect those who loved It Follows or The Evil Dead remake or 31, even if you didn’t.

It doesn’t take long for a thread on Facebook or Twitter to morph into hate-filled spewing, so why engage in it? Offer your thoughts, but leave out judgment of what someone else has said. You can state your case without openly challenging other people. Should someone cross that line, however, just let it go. Ignore it, move on and shut them down before it grows into something bigger. We all know there are trolls out there who are Ledger’s Joker, they just want to watch the world burn.

The genre offers so much to enjoy. Just this year alone we’ve had The Witch, Don’t Breathe, The Conjuring 2, Lights Out, six new episodes of “The X -Files,” the return of “Ash vs Evil Dead,” the emergence of “Stranger Things” and the announcement that Carpenter would be teaming up with Blumhouse to bring the Halloween franchise back to its original roots.

To say nothing of the resurrection of “Twin Peaks” or It just around the corner or the old school glory of the Universal monsters and eighties slasher flicks and the list goes on and on.

You may not enjoy all of it, but then again, you don’t have to. Everyone has an opinion, and those opinions are okay. You can have a take, but it doesn’t mean others should be berated for theirs. Criticism is a good thing. What’s better than constructive criticism? It is not just a statement of distaste, but rather one that offers specific reasons as to why, and gives others the opportunity to consider what you’ve said and respond in kind. Perhaps you can come to an agreement, even if it’s simply to disagree, but ideas were exchanged, points made and it would be a far more positive experience than simply hurling insults from behind a keyboard or smart phone.

Hell, I’m as guilty as anyone. I have to catch myself from over-extending how I feel personally about a film or director or actor because my perception does not mean I’m correct and others not. I think Silver Bullet is better than An American Werewolf in London. Many would disagree, but we should revel in those differing opinions and engage in conversation rather that going after one another’s throats.

We are a small school of fish in a very large pond, but when Jaws wades its way into our neck of the woods, we’d do well to remember that we are all that we have. Each other. Let’s be good to one another.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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Live Action Scooby-Doo Reboot Series In Works at Netflix

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Scooby Doo Live Action Netflix

The ghosthunting Great Dane with an anxiety problem, Scooby-Doo, is getting a reboot and Netflix is picking up the tab. Variety is reporting that the iconic show is becoming an hour-long series for the streamer although no details have been confirmed. In fact, Netflix execs declined to comment.

Scooby-Doo, Where Are You!

If the project is a go, this would be the first live-action movie based on the Hanna-Barbera cartoon since 2018’s Daphne & Velma. Before that, there were two theatrical live-action movies, Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), then two sequels that premiered on The Cartoon Network.

Currently, the adult-oriented Velma is streaming on Max.

Scooby-Doo originated in 1969 under the creative team Hanna-Barbera. The cartoon follows a group of teenagers who investigate supernatural happenings. Known as Mystery Inc., the crew consists of Fred Jones, Daphne Blake, Velma Dinkley, and Shaggy Rogers, and his best friend, a talking dog named Scooby-Doo.

Scooby-Doo

Normally the episodes revealed the hauntings they encountered were hoaxes developed by land-owners or other nefarious characters hoping to scare people away from their properties. The original TV series named Scooby-Doo, Where Are You! ran from 1969 to 1986. It was so successful that movie stars and pop culture icons would make guest appearances as themselves in the series.

Celebrities such as Sonny & Cher, KISS, Don Knotts, and The Harlem Globetrotters made cameos as did Vincent Price who portrayed Vincent Van Ghoul in a few episodes.

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BET Releasing New Original Thriller: The Deadly Getaway

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The Deadly Getaway

BET will soon be offering horror fans a rare treat. The studio has announced the official release date for their new original thriller, The Deadly Getaway. Directed by Charles Long (The Trophy Wife), this thriller sets up a heart racing game of cat and mouse for audiences to sink their teeth into.

Wanting to break up the monotony of their routine, Hope and Jacob set off to spend their vacation at a simple cabin in the woods. However, things go sideways when Hope’s ex-boyfriend shows up with a new girl at the same campsite. Things soon spiral out of control. Hope and Jacob must now work together to escape the woods with their lives.

The Deadly Getaway
The Deadly Getaway

The Deadly Getaway is written by Eric Dickens (Makeup X Breakup) and Chad Quinn (Reflections of US). The Film stars, Yandy Smith-Harris (Two Days in Harlem), Jason Weaver (The Jacksons: An American Dream), and Jeff Logan (My Valentine Wedding).

Showrunner Tressa Azarel Smallwood had the following to say about the project. “The Deadly Getaway is the perfect reintroduction to classic thrillers, which encompass dramatic twists, and spine-chilling moments. It showcases the range and diversity of emerging Black writers across genres of film and television.”

The Deadly Getaway will premiere on 5.9.2024, exclusively ion BET+.

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