News

Fantastic Fest Second Wave Brings ‘Halloween’ with Jamie Lee Curtis in Attendance

Published

6 years ago

August 22, 2018

Fantastic Fest’s first wave announcement was stellar with awesome titles like J.J. Abram’s Overlord and Gareth Evans’ Apostle. Our minds were already about to implode from innate excitement. The second wave announcement pretty much solidifies the suspicion that Fantastic Fest programmers are trying to destroy us through pure joy.

For starters, Halloween is set for opening night with none other than Jamie Lee Curtis in attendance to talk all things Shape. Added to that, Jeremy Saulnier’s Hold the Dark is looking to blow our fandom fuses out, considering his last film Green Room rocked audiences at FF a couple of years back and remains one of my all time fave genre films.

High on my list of anticipation is Deadly games with director René Manzor in attendance. This French gem is intense. This is Home Alone meets Saw in a bloody home invasion thriller that has a little kid setting up traps to try to thwart a demented Santa Clause’s plans of slaughtering the poor lad on X-mas. It’s amazing, and seriously shouldn’t be missed.

“2018 is proving to be a remarkable year for genre cinema. It is a constant delight to be able to discover both seasoned directors and newcomers pushing the boundaries of what genre can mean, using cinematic language to bring incisive, intelligent commentary on the current state of the world and still find enough ingenious methods to terrify, thrill and twist! This second wave represents the best genre filmmaking talent on the planet, and it is all crashing into Austin next month!” said Festival Creative Director, Evrim Ersoy.

Tons here to be excited about folks! Check out the full second wave list below and head over to fantasticfest.com to attend Fantastic Fest 2018.

THE ANGEL

Argentina, Spain, 2018

US Premiere, 120 min

Director – Luis Ortega

In 1971 Argentina, Carlitos is a baby-faced youth whose good looks match his confident swagger. Carlitos’ passion is stealing; the things he covets, he takes. But when he meets Ramon at his school, he embarks on his true calling: armed robberies and violent crimes.

THE BASTARDS’ FIG TREE

Spain, 2017

Texas Premiere, 103 min

Director – Ana Murugarren

In Attendance – Director Ana Murugarren and Producer Joaquin Trincado

In Ana Murugarren’s whimsical THE BASTARDS’ FIG TREE, a fascist soldier in the Spanish Civil War becomes a fig-tree obsessed hermit after looking into the vengeful eyes of a young boy whose father and brother he had violently executed.

BLOODLINE

USA, 2018

World Premiere, 95 min

Director – Henry Jacobson

In Attendance – Director Henry Jacobson, Actor Seann William Scott, Producer Adam Hendricks, and Writer Avra Fox-Lerne

Evan (Seann William Scott) values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.

THE BOAT

Malta, United Kingdom, 2018

World Premiere, 89 min

Director – Winston Azzopardi

In Attendance – Director/Co-Writer Winston Azzopardi and Actor/Co-Writer Joe Azzopardi

A lone fisherman on his daily run finds himself lost in a thick fog which proves impossible to navigate. The worst is yet to come when his encounter with a seemingly abandoned sailboat becomes a fight for survival against an enemy unknown.

BORDER

Sweden, Denmark, 2018

Texas Premiere, 108 min

Director – Ali Abbasi

When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

CHAINED FOR LIFE

USA, 2018

Regional Premiere, 91 min

Director – Aaron Schimberg

In Attendance – Director Aaron Schimberg and Producer Vanessa McDonnell

Mabel (Jess Weixler, TEETH) and Rosenthal (Adam Pearson, UNDER THE SKIN) – both hired for their looks – meet on the set of a horror movie in this surreal examination of how those with physical differences are portrayed on film.

CLIMAX

France, 2018

US Premiere, 96 min

Director – Gaspar Noé

Consistent provocateur Gaspar Noé outdoes himself with his latest feature CLIMAX, a trippy horror-musical featuring twenty sensuous dancers partying hard and living their best lives, until a bad batch of sangria plunges them into insanity.

DEADLY GAMES

France, 1990

North American Premiere, 90 min

Director – René Manzor

In Attendance – René Manzor

DEADLY GAMES (3615 CODE PÈRE NOËL) is the terror version of HOME ALONE. A 9-year old kid in his house, tormented by a demented Santa Claus, fights for his survival by setting traps. Christmas will never be the same again.

DOGMAN

Italy, France, 2018

Texas Premiere, 102 min

Director – Matteo Garrone

Marcello is a gentle dog groomer whose tumultuous friendship with violent neighbourhood thug Simone engulfs him in a violent series of events that will leave him forever scarred.

DONNYBROOK

USA, 2018

US Premiere, 101 min

Director – Tim Sutton

In Attendance – Tim Sutton

Frank Grillo and Jamie Bell are just two of the desperate men and women headed for “The Donnybrook” – a no-holds-barred bare-knuckle fight contest with a $100,000 prize – in this midwestern gothic journey into a heartland of darkness.

DRUG STORIES! NARCOTIC NIGHTMARES AND HALLUCINOGENIC HELLRIDES, FEATURING THE TRIP BACK – PRESENTED BY AGFA AND SOMETHING WEIRD

USA, 2018

World Premiere, 80 min

In Attendance – Something Weird Video’s Lisa Petrucci

AGFA and Something Weird present a compilation of classroom scare films about boozers, users and losers, all in brand new 2K preservations and featuring the legendary anti-drug diatribe known as THE TRIP BACK.

FERAL

Mexico, 2018

World Premiere, 97 min

Director – Andrés Kaiser

In Attendance – Andrés Kaiser

The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.

FP2: BEATS OF RAGE

USA, 2018

World Premiere, 89 min

Director – Jason Trost

In Attendance – Jason Trost

JTRO gave Frazier Park everything he had, but his challenges aren’t over. Now he must journey into the destruction of The Waste to rekindle the passion he needs to win the ultimate Beat-Beat Revelation tournament and fulfill his destiny.

GIRLS WITH BALLS

France, Belgium, Luxembourg, Spain, 2018

World Premiere, 77 min

Director – Olivier Afonso

After winning a competition, a women’s volleyball team heads home aboard their minibus. Forced to take a shortcut, they end up at a tavern where they upset the local degenerate rednecks… and then the hunt begins.

HALLOWEEN

USA, 2018

US Premiere, 105 min

Director – David Gordon Green

In Attendance – Jamie Lee Curtis and Producers Malek Akkad, Jason Blum and Bill Block

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

HOLD THE DARK

USA, 2018

US Premiere, 125 min

Director – Jeremy Saulnier

In- Attendance – Director Jeremy Saulnier and Co-Writer/Actor Macon Blair

A gripping psychological thriller unfolds in the treacherous Alaskan wilderness when a retired wolf expert is summoned to investigate a child’s disappearance.

IN FABRIC

United Kingdom, 2018

US Premiere, 118 min

Director – Peter Strickland

Peter Strickland (THE DUKE OF BURGUNDY; BERBERIAN SOUND STUDIO) returns to Fantastic Fest in full, flourishing style with IN FABRIC, a film that’s part surreal thriller, part giallo love letter, part fashion collage, and all hypnotic originality.

THE INNOCENT

Switzerland, Germany, 2018

US Premiere, 113 min

Director – Simon Jaquemet

In this dark and fantastical tale about religion versus science and good versus evil, a woman’s faith is being tested as her ex-lover reappears in her life after twenty years in jail.

KNIFE + HEART

France, 2018

North American Premiere, 102 min

Director – Yann Gonzalez

In Attendance – Director Yann Gonzalez

In Yann Gonzalez’s second feature, a masked serial killer stalks a producer and her film company in this love letter to European giallo, American grindhouse cinema, and ’70s gay porn.

MAY THE DEVIL TAKE YOU

Indonesia, 2018

North American Premiere, 110 min

Director – Timo Tjahjanto

At her father’s deathbed, Alfie learns that she and her family must give the Devil his due when he comes to collect on the pact made years before in this electrifying horror film from Indonesian master storyteller Timo Tjahjanto.

SAVAGE

France, 2018

World Premiere, 83 min

Director – Vincent Mariette

In Attendance – Director Vincent Mariette

Summer is in full swing and men are going missing. People are talking about a leopard on the loose in the area. A mysterious horror writer is in the bungalow next door. And Laura’s most disturbing summer has only just begun.

THE STANDOFF AT SPARROW CREEK

USA, 2018

US Premiere, 88 min

Director – Henry Dunham

Over the course of one grueling night, a militia tears itself apart as it searches for the perpetrator of a mass shooting among its own.

STARFISH

United Kingdom, USA, 2018

World Premiere, 99 min

Director – A.T. White

A girl. A mixtape. And Armageddon. A uniquely honest portrayal of loss as a young woman struggles with the death of her best friend while dealing with the horrific Lovecraftian end of the world, driven by a beautiful indie music soundtrack.

SUDDEN FURY

Canada, 1975

World Premiere of New Restoration, 91 min

Director – Brian Damude

When a well-intentioned bystander rushes to the scene of a violent car wreck, he finds himself embroiled in a hot mess of desperate homicide in this wickedly taut and unpredictable thriller, recently rescued from Canadian obscurity and restored by exploitation video label Vinegar Syndrome.

TUMBBAD

India, 2018

US Premiere, 108 min

Directors – Rahi Anil Barve & Adesh Prasad

In Attendance – Co-Director/Writer Adesh Prasad

In the rural village of Tumbbad, a decaying castle hides an immeasurable ancestral fortune guarded by something ancient, sinister, and monstrous. Vinayak thinks he can control it, but how long will it be until his own greed destroys everything he’s built?

Listen to the 'Eye On Horror Podcast'

Click to comment

You must be logged in to post a comment Login

You must be logged in to post a comment.

Movie Reviews

Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

Published

3 hours ago

May 1, 2024

Jacob Davison

People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

Listen to the 'Eye On Horror Podcast'

News

“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

Published

7 hours ago

May 1, 2024

Anthony Pernicka

iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

Listen to the 'Eye On Horror Podcast'

Movies

Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

Published

10 hours ago

May 1, 2024

Timothy Rawles

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production.

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end.

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

Listen to the 'Eye On Horror Podcast'