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Exclusive: Friday the 13th Lawsuit Turns Bloody

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The lawsuit over the franchise rights to Friday the 13th entered a new phase last Friday, when Sean S. Cunningham was formally deposed under oath. Cunningham, the director and producer of the 1980 film Friday the 13th, was questioned during the deposition by Marc Toberoff, the attorney for writer Victor Miller. Miller, Friday the 13th’s lone credited screenwriter, has also been deposed.

In June 2016, Miller sent a notice of termination to producers, identified as Horror Inc. and The Manny Company, for the purpose of reclaiming the rights to the Friday the 13th property. While there are several issues related to copyright law at play in Miller’s filing, the key question at this juncture in the proceedings is whether Miller was an “employee” or an “independent contractor” when the 1980 film was developed and then went into production in 1979.

This was reflected in the questioning Cunningham received during this deposition, which took place inside a law office. During his deposition testimony, Cunningham reiterated his claim that his agreement with Miller, which was signed on June 4, 1979, was a “work-for-hire” arrangement. Cunningham also testified that Miller hadn’t completed a screenplay or even a treatment at this point, approximately three months before Friday the 13th started filming.

Cunningham also testified that he didn’t believe Miller was responsible for the creation of the iconic character Jason Voorhees, beyond the name itself. In my book, On Location in Blairstown: The Making of Friday the 13th, Miller stated that “Jason” was an amalgam of the names of his sons, Ian and Josh.  Miller said that the Voorhees surname was inspired by Van Voorhees, a girl he’d known in high school.

Regarding Friday the 13th’s screenplay, Cunningham testified that his June 4, 1979, agreement with Miller covered the writing of a treatment and then a screenplay. Cunningham testified that he paid Miller “out of his own money” for the screenplay and the treatment. Cunningham testified that by July 4, 1979, when Cunningham placed the now infamous Friday the 13th advertisement in the trade paper Variety, all he’d seen from Miller was a treatment, not a screenplay. Miller’s name doesn’t appear in the Variety advertisement.

Cunningham has always maintained that the Variety advertisement was entirely a ploy to raise financing for the project, and Cunningham has long claimed that no completed screenplay existed at this point, approximately two months before Friday the 13th started filming.

To bolster his argument, Cunningham pointed that the first draft of Miller’s screenplay was titled A Long Night at Camp Blood, not Friday the 13th. Miller has countered that the Friday the 13th shooting script, which was dated August 21, 1979, was titled Friday 13, not Friday the 13th.

Regarding the creation of Jason, Cunningham argued that Miller isn’t entitled to be credited as the creator of the Jason Voorhees character, because Jason “was dead” in all of Miller’s screenplay drafts.

Now Miller’s trying to prove that Cunningham perjured himself during his deposition testimony. Miller’s attorney, Marc Toberoff, is presently searching for a former secretary of Cunningham’s who might corroborate Miller’s recounting of events. My book, On Location in Blairstown: The Making of Friday the 13th, was also extensively quoted by Toberoff during the deposition.

Toberoff is also searching for a specific filming draft of the Friday the 13th screenplay, which he hopes will prove the extent of Miller’s contribution, especially as it relates to the character of Jason, which is under copyright. Cunningham and Miller are the only witnesses who have been deposed so far.

Another challenge facing Miller is that he must be successful in gaining rights to both the North American and foreign rights, since the property would have little or no value to film studios without both. “Victor doesn’t want to control the entire Friday the 13th franchise, and that’s not what this is about,” says a source close to Miller. “If the lawsuit is successful, it would mean that Victor, as a writer, as a creator, would simply be able to negotiate a new deal, new terms, and to gain some leverage as an author over the existing franchise.”

On June 9, Miller intends to make a motion for summary judgment in court. If this fails, the court would likely assign a trial start date.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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