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Editorial: Passive Resistance is Not an Option in the Wake of Cinestate

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Cinestate

The horror community has had a rough few weeks since the arrest of Dallas-based Cinestate producer Adam Donaghey on April 27, 2020.

Since then, it seems that one allegation after another against the producer and against the production company, itself, has come to light leaving many filmmakers and horror fans in shock. You see, Cinestate not only makes films, but they also happen to be the company that revived Fangoria a couple of years back, and they own popular horror site Birth. Death. Movies.

I’m not going to recount everything that has been brought to light, but if you want to read up on the case, Marlow Stern, Senior Entertainment Editor at The Daily Beast, wrote and excellent, in-depth expose which you can find by clicking here.

What I do want to talk about is the response we’ve seen in the wake of the news.

In just the last few days, multiple podcasts, filmmakers, and collaborators have severed ties with Cinestate and late yesterday afternoon both Fangoria and Birth. Movies. Death. announced that they were looking for new owners–they had previously released a statement demanding that the company publicly address what had happened, including what appears to be a cover-up of the facts, as well as asking them to make donations to organizations who help victims of sexual assault.

Many on social media have spoken up, commending certain creatives who left the company, wishing them the best of luck in finding new work. This is all very well and good, but those folks aren’t the ones we should be worried about. They will be all right.

Those podcasters will continue to put out excellent content. The writers and directors and actors will find new work. The executives have long CVs of successful projects behind them, and despite the fact that some of them at least had to have known something about what was going on behind closed doors, they’ll find new outlets.

Here’s what I don’t know:

I don’t know if the young woman who was allegedly raped by Donaghey will be okay.

I don’t know if Cristen Leah Haynes, who actually captured voice recordings of Donaghey sexually harassing her which she tried to put in front of Cinestate’s founder Dallas Sonnier on multiple occasions, will be okay.

I don’t know if the unnamed assistant costume director working on Cinestate’s film VFW who alleges she was repeatedly sexually harassed by the film’s star Fred Williamson will be okay.

I don’t know if the other women who allegedly reported similar behavior from Williamson throughout the shoot so that they were finally, allegedly, instructed to use the “buddy system” if they had to be around him will be okay.

You see, so often in these cases, the victims are left behind in the narrative. In a day and age where publications will actually write about damaging reputations of the accused rather than the damage done to those who were assaulted, the focus can be quickly lost.

Many will choose to latch onto the conservative political leanings of Cinestate and its executives, but we cannot allow the narrative to stray in that direction either. Sexual harassment and sexual assault happens on both sides of the political aisle. This is not a right or left-wing issue. This a human issue, and one that affects men and women from every walk of life.

What the horror community must do–what it is imperative that all humans do–is put our combined strength behind the women who have come forward.

I love the horror community. I love the creatives and the fans. We have spent our spare time and our entertainment hours learning to identify monsters, and we know that those monsters must be stopped.

I won’t pretend that good always triumphs over evil. I am not that naive. I do believe, however, that we have a far greater chance of enacting change when we stand united against evil when it rears its head.

The time for “whisper campaigns” about problem creatives is over. The time for warning women to not allow themselves to be alone in a room with certain executives is over. The time for passive resistance is over.

It’s time to speak up, and if someone chooses to speak up, it’s time to believe them whether the charge is sexual assault, harassment, racism, homophobia, or any other behavior that damages another human being.

What are your thoughts on what has gone down at Cinestate? Let us know what you think in the comments below.

 Featured ImageCredit: stock photo via Pikist

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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