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Did Unfriended Blatantly Steal Concept from The Upper Footage?

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This past weekend marked the theatrical release of Blumhouse’s Unfriended, which was cleverly set on the computer screen of its main character. And though no one’s claiming it’s the first of its kind, with films like Open Windows and The Den employing similar tactics, someone is now claiming the idea was entirely stolen.

Over the weekend, director Justin Cole took to social media in an effort to spread the word about the perceived thievery, asserting that the similarities between Unfriended and his film The Upper Footage are simply too obvious to ignore. The Upper Footage was widely released on VOD outlets in 2013, and Cole began teasing the film way back in 2010.

Below you’ll find Cole’s full statement, posted to his personal Facebook page, where he makes some pretty compelling points.

“Was going to keep this to myself but it actually seems to be haunting me at this point (no pun intended). I am sure, like myself, you have all been bombarded with marketing for “Unfriended” coming out on Friday. Since the trailer has come out I have been getting a lot of messages here and on Twitter that the backstory seems like a direct knock off of my feature. At first I brushed it off as the bulk of the film is shot on Skype, which is nothing like my film, but as I looked into it the similarities were pretty much spot on.

The backstory that leads up to the meat of the film along with their marketing campaign is pretty much exactly what we did with “The Upper Footage”, just not executed nearly as well: Post a video on Youtube of a girl getting bullied after consuming drugs/alcohol, post a video of her death, get pulled from Youtube, post video on other sites, set up social media pages for the victim, and then market the film as being able to Google the fictional character as if she was real. (they even used the same pixillation but on the girl’s crotch, a nice little fuck you homage for good measure).

The production essentially did everything we did, but struck out. They didn’t actually get pulled from Youtube, no one believed that the footage was real, the only articles that show up about the character on Google are things the production released, no independent sites ran the videos or story as factual whatsoever.

At this point you might be saying “Maybe it’s a coincidence. How do you know they even saw your film?” Same thing I thought at first, so I looked into who was behind it, and yes it was one of the producers that tried to screw me over on Upper, Jason Blum.

A few years back when the questions were still lingering if my film was real or not I met with this producer, he invited me over to his house to watch the film. When I arrived he acted as if he was unaware of how to connect my computer/hard drive to his TV. When I informed him that I knew how, he quickly hurried away and said that it would be better for us to watch in his bedroom because it was a darker in there. I declined.

After watching the film he walked out of his room, called me sick, and said he loved the film. I replied great, I will put you and my lawyer in touch. He then told me he didn’t deal with lawyers only sales agents and gave me the one sales agent he would deal with. I took the name, did some research, and noticed that they had been friends and worked together for quite sometime. Noticing the conflict of interest, I informed the producer of this and he never responded. A few days later a sound guy on his film started posting the ending of my film on social media, a level of pettiness you wouldn’t expect from a successful grown man. This was my last foray into dealing with studios or any well know producers and was the main catalyst for me distributing the film myself. After this I remember one of my buddies telling me “you know it’s only a matter of time before this guy just takes your idea and turns it into something.” Few years later that time has come.

Every time I see advertisements for this film now it’s like a punch in the stomach. If it were another artist evolving the premise I would have actually thought it was awesome, but it’s not. It’s some vulture with no creativity bludgeoning a great idea, turning it into shit, but it doesn’t matter because he will be laughing all the way to the bank as people walk out of the theater pissed off that they were just duped into watching another crappy movie.

My last straw was this weekend. I was over a buddy’s house and he asked to see my old trailer, he opened the YouTube App on his TV, and lo and behold an “Unfriended” ad was playing before my trailer. If it were my TV I probably would have kicked it. They are marketing their film over the trailer of a film they took the concept from.

To add to the fuckery, the main critique he had of the film was that the ending was very dark and the bad kids didn’t get their comeuppance. Which is ironic being that this whole film is about the people that bullied her getting their comeuppance courtesy of the dead girl that was bullied.

A funny side note. I was back in NYC months ago and bumped into this guy on the street (this was before I heard about this film.) We made eye contact, he nervously said hi, legit looked like he saw a ghost, and before I could say a word his normal walking speed turned into a goofy looking speed walk and he rushed away from me. I was walking with my brother and he looked at me, not knowing who the guy was, laughed and asked “does that guy owe you money or something?”

Anyway rant over. I don’t know if there is any moral or lesson to this story. Perhaps it’s to take your fucking the first time because if you don’t they will just keep coming.”

Coincidence or is Cole onto something here? Check out the trailer for The Upper Footage below, and head over to Vimeo to watch the entire film. Afterwards, we invite you to form your own answer to that question, and drop it down in the comments section below.

[youtube id=”cWzsQtuS-l8″]

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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