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‘Destroy All Humans’ Returns With Shot of Nostalgia and Polished Gameplay

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Destroy

Destroy all Humans is back, you guys. Crypto has returned with re-mastered and shiny new graphics. Best of all, he is just as pissed off at humans as you remember him. Black Forest Games has come out to bring some re-polished human disdain to Pandemic Studio’s 2005 Destroy All Humans.

Destroy All Humans is filled from top to bottom with a pulpy, atomic age B-movie vibe. From the sound effects to the Theremin music, this is undoubtedly channeling a specific feel of the 50’s sci-fi flick.

You play as Cryptosporidium-137, he is an alien from the planet of Furon. A planet that has lost its ability to reproduce due to their advanced weaponry and the side effects of using said weapons. The Furon’s have resulted to cloning as a way to continue their species, however each copy that is made is slowly diluting their powers.

All hope isn’t lost though, it turns out that on their previous travels, the Furon’s made a stop on earth at some point, and the Furon’s somehow ended up getting busy with humans. This lead to all humans having remnants of Furon DNA in within their species. A pure source of Furon energy.

So, the Furons take a road trip to Earth, only trouble is the first little guy they sent in, Crypto-136 disappeared on the little blue planet. So, in goes Crypt-137 to locate his fallen comrade, and begin the invasion to harvest the remnants of Furon energy contained in these human blood bags.

“Crypto and his maniacal

shenanigans are all in good fun.”

Crypto sounds a bit like Jack Nicholson here. Now this is a bit of a dated reference. I’m sure that only about 3 of you will know what the hell I’m talking about but, I believe that Crypto’s Nicholson voice is in homage to 1990’s Spaced Invaders. In that film one of the aliens that crashes on Earth sounds identical to Nicholson. That’s just a tiny bit of trivia for you. If you haven’t seen Spaced Invaders, you should give it a shot, it’s pretty fun B-movie goodness.

That isn’t the only voice that is worth a mention. The Furon boss, POX is played by Richard Horvitz. That’s right Invader Zim himself. He doesn’t change his voice practically at all, and he sounds just as frustrated here as he does as Zim. Again, he wants to destroy all humans. Sound familiar? You get the point.

Destroy

All the original dialogue from the 2005’s Destroy All Humans is just as it was. This means that none of the humor from back then has changed either. So, as you can expect some of it is a little rough around the edges and stuff that might cause modern day cancel culture to hit the triggered button. But, look at times it’s pretty damned funny, I think we can give little Crypto a pass.

Crypto comes to the party with a Chain lightning gun, a plasma blaster and a sort of grenade launcher. These weapons can all be upgraded between missions in order to mod their functionality. There is also an anal probe weapon that causes the poor victims head to explode after being deeply prodded. Sadly, the probe doesn’t work very well within combat.

For most of the game you are running around these open sandboxes, but in some cases you can jump into your flying saucer to unleash death from above with your trusty death ray.

Destroy

These are all in the name of destroying all humans. Crypto comes with his own set of Furon powers as well. He comes loaded with his famous telekinesis power that allows Crypto to fling cows around or send humans flying into the clouds before plummeting down to Earth to smash into concrete. You can also, brainwash targets or get them to dance as a distraction. Most notably and the mechanic you will use the most is the ability to camouflage as a human. This allows you to enter restricted areas and gets you close to individuals that you might need to take out.

All these levels are exactly the ones you may remember from 2005’s Destroy All Humans. But, for the eagle-eyed knit=pickers you might notice there is a level in which you sabotage a UFO at a military instillation that is an all new level and didn’t appear at any point in previous titles.

The graphics look really good here. The bright color palette is really fun and adds to the cartoonish chaos that makes up the entirety of this game.  Everything from the cut scenes to the gameplay has been re-mastered and it looks like Black Forest Games took its time to make everything look really good, and nicely polished.

Traversing feels really good. Crypto has a makeshift hover board that he uses to skate around and has some cool rocket pack capabilities that offer him flight and hover abilities. These feel really smooth and add to that fluidity of carefree gameplay that makes up a ton of this game.

That fluidity is especially fun once you get all your powers going a the same time. Use mind powers to make an enemy fight alongside you, toss folks around with telekinesis, chain lightning some baddies and then anal probe the last bit of them to get in some laughs. It’s fun to see how many ways you can get into these big brawls.

Now, the downside is that a lot of this become redundant and repetitive at times. Doing the same thing over and over, after you level up your weapons all the way, leaves something to be wanted. The lack of enemy variety starts to wear on you too.

There has been enough time between me playing the game back in 2005 till now. It feel like a totally new game at this point because I don’t remember story details from that long ago by any means. The only thing that feels a dated is some crude humor, but that was something that South Park and Beavis and Butt-head loving kids really dug about the series. So, in retrospect you have to take the good with the bad.

Destroy

Now, I will say that it was hard for me to kill these poor moo cows back in 2005 and it’s just as hard to kill them now. Oddly enough, the game doesn’t give you an option in killing them or not killing them. The training mission immediately tasks you with hurting the poor cows with your telekinesis. I never felt good about it. I would much rather be killing some of the xenophobes and racists that make up some parts of the town.

The game offers a fair amount of re-playability by way of its time trail challenges. Completionists will want to get the highest star rating on each of these challenges. These are probably the toughest part of the game, but well worth those achievement points to add onto the gamer score.

Destory All Humans is a fun 15-hour blasty, blasty of an experience. It is fun to destroy the dumb, racist, war mongers in the game people in the game. Crypto and his maniacal shenanigans are all in good fun. Part nostalgia and part great destroyer, this game ends up being well worth its money ($39.99) and a great way to have a few laughs while destroying a heck load of humans. If you are a fan of the series and are doing this to scratch that nostalgia itch, then you are going to have a good time and get what you expected. If you are new to this and don’t have that past connection with it, this could be hit or miss for you.

Destroy All Humans is out now on PS4, Xbox One, Stadi and Windows. You can pick up a copy right HERE.

Want to flashback to the 50’s and alien B-movies from the time? Click here.

 

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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