News

Cradle of Filth’s Lead Singer Stars in the Brutally Satanic, ‘Baphomet’

Published

5 years ago

April 28, 2021

Dani Filth of the metal band, Cradle of Filth stars in the latest film from Cleopatra Entertainment’s – Baphomet. The film also has a companion soundtrack in which Filth will lend his vocals to a couple of the tracks. Namely a single titled, Tank.

“I really liked the idea of it. The script was good. It seemed genuinely interesting, esoteric. The premise is great, and I quite liked the idea of the character I was playing… haggard and highly intelligent. It’s kind of apt, you know. I wouldn’t say it’s tongue-in-cheek, I wouldn’t even say it’s role reversal, but it’s similar in the way that Ozzy played a priest in Trick or Treat. It’s playing with the genre, mixing it up a little bit, and I think it’s cool, yeah. I think that I’m cut out for the role of an occult investigator, occult philosopher, etc. I could see myself actually doing that role in real life.” Filth said.

The synopsis for Baphomet goes like this:

The film tells the tale of an American family (the Richardsons) celebrating their daughter’s pregnancy, but things begin to go awry when Satanic cult leader, Henrik Brandr unexpectedly visits their ranch. Henrik offers to pay the family a large sum for ownership of their land, claiming it is sacred to his congregation. Jacob Richardson, the father, rejects the offer due to the sentimental value of his ranch. Henrik, displeased, begins to put curses on the Richardsons, trying to force them off of their own land – even if it means murdering them. After suffering unexplainable tragedies created by the curses, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their house, revealing why their land is so scared to the cult. They realize that they must protect their house from the cult at all costs, and a violent battle between good and evil ensues.

The soundtrack’s track listing goes is as listed:

Opening – Fabio Amurri
There Was Somebody Out There – Fabio Amurri
Welcome to Hell – ALIGN THE TIDE
Shark Attack – Fabio Amurri
Shellshock (with Dani Filth) – TANK
It’s A Rattlesnake! – Fabio Amurri
Warmth Of Your Hell – VILE A SIN
Mark – Fabio Amurri
First Blood – NOT MY GOD
It Can Be Done – Fabio Amurri
Discipline – PARANORMALES
Resurrection – Fabio Amurri
Try Death – LUNA 13
What Was That – Fabio Amurri
I’ll See You Soon – Fabio Amurri
Baphomet – Fabio Amurri
The Way This Will End – WITCH OF THE VALE
This is the End – SKOLD

Baphomet is drops on digital and blu-ray on June 8. You can place your order right here.

R.L. Stine’s Fear Street from Netflix gave us a grim tease during Netflix’s big summer tease. Check it out here.

Click to comment

You must be logged in to post a comment Login

You must be logged in to post a comment.

Related Topics:Baphomet Cradle of Filth Dani Filth

News

[Exclusive Clip] ‘From the Beyond: High Strangeness in the Bennington Triangle’

Published

11 hours ago

April 26, 2026

Ryan T. Cusick

Audiences are invited to explore one of Vermont’s most mysterious regions in From the Beyond: High Strangeness in the Bennington Triangle, arriving later this month on streaming platforms and DVD.

The documentary will debut on April 28, 2026, on platforms including Apple TV, Prime Video, and Google Play. DVD editions will be available exclusively through the Small Town Monsters online shop.

Directed by Seth Breedlove, the film continues the company’s exploration of folklore, cryptids, and unexplained phenomena. Breedlove’s previous work includes The Mothman of Point Pleasant, On the Trail of Bigfoot, American Werewolves, and more than two dozen feature-length productions. In total, Small Town Monsters has released more than thirty films, along with investigative programs, web series, books, podcasts, and exclusive membership content.

From the Beyond: High Strangeness in the Bennington Triangle was made possible through the support of backers from the company’s 2025 Kickstarter campaign.

Set in rural Vermont, the documentary examines the legend of the Bennington Triangle, an area associated with reports of UFOs, ghosts, phantom lights, mysterious creatures, and a series of unexplained disappearances. At the center of the mystery is Glastenbury Mountain, where decades of unanswered questions continue to inspire speculation.

Going beyond folklore and campfire tales, the film asks a chilling question: Why is Glastenbury Mountain so inexplicable, and what happened to those who went missing?

Check out our exclusive clip below.

News

This Week in Horror: DC Goes Full Body Horror, A24 Has Its Chainsaw Man, and The Bone Temple Is Finally Yours

Published

2 days ago

April 24, 2026

Luna Gray

Good week. The Clayface trailer dropped and made DC relevant to this website for the first time in a while, A24 put a director on the Texas Chainsaw Massacre reimagining, and we got some interviews worth reading. Here is all of it.

Clayface Has a Trailer, and It Is Exactly What You Want

The Clayface trailer landed Wednesday, and it is DC’s first real horror film. Not horror adjacent. Not dark. Horror. Tom Rhys Harries plays Matt Hagen, an actor whose face gets disfigured by a gangster. He turns to a scientist, played by Naomi Ackie, who transforms his body into clay. Then the body horror starts.

James Watkins directed, which is the right choice. He made Speak No Evil and before that The Woman in Black, and he understands how to make dread feel physical. The screenplay is by Mike Flanagan and Hossein Amini. That combination should tell you everything about the tone they are going for.

A24 Has a Director for Texas Chainsaw Massacre and His Last Film Cost Under a Million Dollars

Deadline confirmed that Curry Barker is writing and directing A24’s reimagining of the 1974 original. Barker made Obsession for under a million dollars. Focus Features paid north of fifteen million to distribute it. It sits at 96% on Rotten Tomatoes. A24 hired him before it even opens, which opens May 15.

Kim Henkel, who co-created the original with Tobe Hooper, is executive producing his own creation’s reimagining. That is either a blessing or a haunting. Probably both.

Astrolatry Is Going to Cannes and We Talked to the Actor Who Faced the Creature

Astrolatry is heading to the Frontières Buyers Showcase on May 16-17. The film has a sentient severed penis that grows into a ten-foot practical creature with spiky teeth. We interviewed star Ethan Daniel Corbett about what it was actually like to act against it. Short answer: genuinely terrifying. Long answer is on the site.

The Bone Temple Is Home

28 Years Later: The Bone Temple hit 4K UHD, Blu-ray, and DVD on Tuesday. If you held out from the digital release in February, now is the time. The 4K presentation is supposed to be great. Extras include audio commentary and a deleted scene. If your gonna watch The Bone Temple, why not watch it where the snacks are better.

News

Astrolatry Built a Ten-Foot Practical Penis Scorpion

Published

2 days ago

April 24, 2026

Luna Gray

A sentient severed penis grows into a ten-foot creature with spiky teeth. Genre cinema is doing fine.

Astrolatry follows Elliot, played by Ethan Daniel Corbett, who is every ingredient for quiet catastrophe assembled in one man. Socially isolated. Physically isolated. Craving dopamine and finding it in the wrong places. The romance guru pipeline, followed to its logical conclusion. Elliot does not just spiral. He loses a piece of himself, literally, and that piece does not cooperate.

Corbett described it as “a horror satire, a trippy mind-fuck roller coaster” and “a modern retelling of Maniac,” both of which are accurate and neither of which adequately prepares you. Director David Gordon is making his feature debut after shooting 14 films as a cinematographer and he is swinging for the fences.

The Creature

The effects company behind the creature has festival circuit work Corbett had already seen before signing on. He knew what they could do but he was not ready. “When I saw it in person it was kind of mind-blowing,” he said. “Everything that you see in this movie is practical. Very, very little else. It was genuinely terrifying to have a ten-foot creature coming at you with a big mouth and spiky teeth.”

A CG creature asks an actor to imagine something. A ten-foot physical creature on a set asks nothing. It just arrives. The fear on Corbett’s face in those scenes is not a performance. It is the normal reaction to a scorpion dick with sharp teeth.

Elliot

Corbett went into the character through the body. “I mainly focus on the physicality of it. Who this character is and who he is wholly. I strive in those kinds of moments as an actor.”

Gordon was explicit about the concept, the “nice guy” archetype and the overtly toxic one are the same problem, both aimed at the same object. That reading lands because Corbett does not play it as a reading. Elliot is not a symbol. He is a person.

Where It Is Going

Astrolatry is heading to the Frontières Buyers Showcase at Cannes on May 16-17. “To be able to get into that kind of room on David’s first feature is incredible,” Corbett said. “To be in front of buyers and to showcase the film and potentially get distribution through that.” Frontières is the correct room. It is full of people who understand that the most extreme premise, executed with precision, is not a punchline. It is an argument.