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Behind the Scenes with Supernatural Techno-Horror ‘Don’t Click’

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Don't Click

Walking the film set for Don’t Click – the upcoming supernatural techno-horror – I was struck with the incredible amount of detail that went into building the world of a crumbling student apartment. The grime was perfectly settled; abandoned dishes and bits of garbage were cohabiting with sentimental tchotchkes, with records, DVDs, and books that told me everything I needed to know about the characters. An odd wave of nostalgia hit me, thinking back to every university party apartment I’d ever wandered through.

In sharp contrast, there’s a much darker set that alludes to a world of pain, torture, and plenty of suffering. The floor of the large, dark, sparse room is splattered with blood — which appears to be very fresh. The few furnishings tickle my imagination with ideas of what the heck went on in here.

Don’t Click follows Josh (Valter Skarsgård) as he returns from a late night out to find his college roommate, Zane (Mark Koufos), missing. All that remains of Zane is his laptop with the screen flashing on a graphic pornography site. The flashing intensifies and Josh blacks out. He suddenly wakes beside Zane in a dank, surreal cellar with no way out.

“That kind of starts them off on this adventure – adventure sounds fun, but it’s not,” Skarsgård explains. “It’s sort of this alternate reality setup in which Josh has to try and figure out why he’s there, how he gets out of there, and what’s going on.”

“I’m not going to go into much detail,” he added, “but it’s a lot darker than I’m making it sound.”

As Josh tries everything he can to save both his friend and himself from a vengeful entity that begins to take control of their bodies and minds, he realizes his biggest challenge to escape may be himself.

“[Josh] kinda gets thrown into this whole world that he’s not really accustomed to, which is why it’s very confusing to try and figure out what’s really happening,” said Skarsgård, “It’s not something he – or really it’s not something anyone would expect – but definitely not Josh. He’s just there to party and get through school, basically.”

Photo credit: Damien Gordon Sekerak

Naturally, as a horror film, Don’t Click serves up plenty of blood and brutality. Actor Mark Koufos experienced the wild world of filming a horror movie as his first feature role. “It was a bit crazy,” said Koufos, “I actually couldn’t physically see or talk for a few days just because something happens to me. It was a first for me.”

“It’s great that for my first film I’m doing so many things that many actors haven’t done,” Koufos continued. “To do this all as my first is… it’s great! It’s great. Really, just to see how a horror film is filmed, it’s been really fun.”

As you can imagine, it takes a lot of setup to create that brutal, bloody world. Skarsgård touched on the experience of shooting an elaborate scene in a horror film, and how much work goes in to one quick shot. “The scene’s going to look so fast and be over in a few seconds almost, but shooting one set up can take a whole day because there are so many moving parts and everything that’s got to work together,” he said. “And blood. A lot of blood.”

Of course, Skarsgård comes from a family with a rich catalogue of work in genre film. But has that translated to a love for horror? “I kind of have a love-hate relationship with horror,” he admitted, “because it scares the crap out of me, but that’s kind of why I like it — that’s the point of watching it”.

As for Koufos, “When I was younger, absolutely not, I was so scared by everything.” But there was a turning point when that terror developed into an appreciation for the genre. “You saw the beauty of it”.

For Howard, it was her love of the genre that drew her to Don’t Click. “I love horror movies,” she said, “so immediately I was like “yes I’m going to do this”.”

“When I say [this character] is who I am, this is not actually who I am,” Howard joked, “but a part of me resonates with her and it was a way for me to get out feelings and emotions that I’ve had cooped up for a long time”.

Photo credit: Damien Gordon Sekerak

Don’t Click was developed from a short film into a feature-length film by screenwriter Courtney McAllister, who worked closely with director G-hey Kim to find the right tone for the film.

When it came time to develop the short into a full feature, McAllister explained that there was a lot of room to play. “The short itself is actually only 4 minutes, so it’s a micro short,” said McAllister. “We had a lot of room to grow and expand the story. The intro of the film is very much inspired by the short, and then we had the rest of the story to write. We’ve got the intro,” she concluded, “and now we can write the rest.”

The story uses the techno-thriller elements to shine a light on some pretty gross online behavior. “[Zane] has this weird fantasy with something that’s pretty unethical and brutal,” actress Catherine Howard explains. “In today’s society, we do so many immoral, unethical things, but we don’t have any repercussions from them because it’s all in the dark.”

When asked what they hope audiences will take away from Don’t Click, the stars were all in agreement about the film’s cautionary tale.

“That they think before they click – that they don’t click, sometimes.” Said Skarsgård, “Technology has brought us so much good, but I think this highlights what can go wrong as well.”

Koufos continued, “It will show people how technology controls our lives now. It does. It completely controls our lives,” He said. “Sometimes you need to put your phone down, or video games; it could be an addiction that could lead to something worse that you don’t think would actually happen.”

“Stop doing brutal things!” Exclaimed Howard, “if you’re a bystander in something that you’re watching — if someone is either being emotionally abused, physically abused, psychologically abused — if it’s happening you’re not just watching it. You’re part of it.”

“The screen completely mediates your experience and your interpersonal relationships,” explained McAllister. “While it has a lot of benefits it also can be like a shield. You just go on and be more cavalier about the things you can say and not really be held accountable even though it’s pretty horrific.”

“I do like this natural shift where we’re going into socially conscious horror movies and something with a bigger message or allegory of some kind.” Said McAllister, “Having that be an integral part of the storytelling now. I hope that people walk away with it not just having been terrified – which I also hope! – but I hope they noodle it a bit more”

After wandering backstage to check out some of the props and look at how everything comes together (and stumbling upon an extremely realistic torture chair), my day came to a close.

The team behind Don’t Click are passionate and dedicated, but perhaps most importantly, they’re excited. It’s a promising project, and I think horror fans are going to be just as excited when they see it.

Directed by Centennial College Film Graduate G-hey Kim and based on her short film of the same name, Don’t Click is produced by Bill Marks (WolfCop, Hellmington) and executively produced by George Mihalka, Christopher Giroux (Bite, I’ll Take Your Dead), and screenwriter Courtney McAllister. The film stars Valter Skarsgård (Lords of Chaos, Fun House) and Canadian rising stars Mark Koufos and Catherine Howard.

Photo credit: Damien Gordon Sekerak

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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