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The Best ‘Twilight Zone’ Episodes To Start The New Year

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2017 draws to a close, and what better way to bring in the New Year than with the annual Twilight Zone marathon on The Syfy Channel! Rod Serling’s classic sci-fi anthology series continues to serve as an inspiration to genre fans and casual viewers alike. The marathon is a great way to usher in the new year and in many ways acts as a palette cleanser of sorts. The series is noted as being moral and humanist in nature, beyond plot twists and the guise of fantasy, the stories strike close to the soul. So, in the spirit of a brighter future, I’ve selected 10 of the best episodes to inspire and teach virtues going into next year!

 

I Sing The Body Electric

Image via Twilight Zone wiki

The 100th episode of the series and written by sci-fi legend Ray Bradbury is one of those increasingly rare stories: an optimistic future. The story concerns the Rogers family still reeling over the loss of the matriarch, and seeking to fill the void and have some help around the house, Mr. Rogers buys a ‘Grandmother’, an android caretaker and nanny. The children are wary at first, but after Grandma selflessly pushes young Anne out of the way of a speeding truck, she truly becomes a part of the family. The narration even calls this story a fable, but it is nice to imagine as technology, robotics, and artificial intelligence advances, that the better qualities of humanity can be imprinted upon it and reciprocated.

 

Deaths-Head Revisted/The Obsolete Man/He’s Alive

Image via IMDB

Rather than choose one, I’ve selected three different tales that cover an all too dark and fearsome subject: fascism and authoritarianism. ‘Deaths-Head Revisited’ concerns a cruel and nostalgic SS officer revisiting the Dachau concentration camp where he enacted inhumane torments upon scores of prisoners, only to get karmic retribution from his victims from beyond the grave. ‘The Obsolete Man’ involves Wordsworth,(Burgess Meredith) a librarian sentenced to death by an Orwellian fascist government only to plot one last act of retribution against the Chancellor. ‘He’s Alive’ follows an upstart Neo-Nazi (Dennis Hopper) seeking authoritarian power for his fledgling movement, and finding guidance and success from a phantasmal figure in the shadows who is all too familiar. An evil trilogy encompassing the past, present, and potential future of such horrors, but also offering hope that having been stopped before, they can and will be stopped again.

 

The Monsters Are Due On Maple Street

Image via Youtube

Maple Street could be any other cozy suburban domicile in the heartland of America. Friendly neighbors, safe streets, and beautiful homes. All this changes when a strange shadow in the sky appears and lights and electronics malfunction, seeming to be an alien invasion. Soon, these formerly friendly neighbors are at each other’s throats and consumed by fear. A cautionary tale on how quickly such horrors can tear apart even the most comforting communities and not to let terror get the best of us.

 

Walking Distance

Image via IMDB

Martin Sloane, an advertising executive ends up at his hometown of Homewood and finds that barely anything has changed since he was a young boy… including himself. A story warning of the dangers of nostalgia, though it’s fun to visit the past, should we lose ourselves in the past, we are doomed to have no future.

 

The Brain Center at Whipple’s

Image via IMDB

Wallace V. Whipple is the CEO of the Whipple Manufacturing plant and seeks to make it as efficient and technologically superior- no matter the cost. Replacing as much of his workforce with machines as possible, leading to massive lay-offs and firings. In a dark mirror to ‘I Sing The Body Electric’, ‘The Brain Center at Whipple’s’ covers the dangers of machinery and futurism supplanting humanity rather than co-existing… as Mr. Whipple himself finds out by the end, with a memorable appearance by none other than Robbie The Robot!

 

Third From The Sun

Image via Twilight Zone wiki

Scientists Will Sturka and Jerry Riden are hard at work manufacturing atomic weaponry by the dozen for their government while secretly plotting to commandeer a space-craft to escape the planet on the eve of nuclear destruction. From the height of the Cold War, yet nightmarishly relevant, with the simple moral that the costs of war, especially nuclear war, is oblivion for all.

 

The Eye Of The Beholder/Number 12 Looks Just Like You

Image via Youtube

Another set of episodes with vastly different stories but all too common and needed messages. ‘The Eye Of The Beholder’ follows a deformed patient desperately hoping a surgical procedure will make her look ‘normal’ while ‘Number 12 Looks Just Like You’ involves a young girl getting anxious about an upcoming process that will make her look young and beautiful, but at what price? Both stories take a cold hard look at society’s standards of physical beauty and the dangers of blind conformity over individuality.

 

The Masks

Image via Wikipedia

Jason Foster is set to die on Mardi Gras and his sinful family is aiming to collect their inheritance as quickly as possible. But Foster has a strict condition before his greedy family can collect, forcing them to wear hideous Mardi Gras masks personifying their misdeeds, allowing them their reward but at a greater cost than they think… Another fable like episode extolling that the price of sin, especially against family, is far greater than you can think.

 

Time Enough At Last

Image via Wikipedia

Perhaps the most infamous of all Twilight Zone episodes; and with good reason! Burgess Meredith plays a bank teller obsessed with reading, pushing aside his wife, his job, and everyone else in his pursuit. When pursuing an interest, even something as harmless as reading, obsession can turn it into a source of isolation and disconnection from loved ones and humanity as a whole. Something that technology and modern pursuits have made all too common, and when there is ‘Time Enough At Last’ you maybe left with nothing.

 

The Night Of The Meek

Image via Youtube

Henry Corwen, an alcoholic mall Santa Claus in a deep depression finds meaning in his life when he discovers an actual magical sack that can give anyone what they want. A truly bright Christmas episode from The Twilight Zone showcasing the power and warmth of altruism and charity over despair.

 

Feature image via CBS News

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film. 

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

“Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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