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Trent Haaga’s “68 Kill” is One Hell of a Ride

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Have ever had one of those days where everything seemed to go wrong?  You had a flat tire.  Your boss singled you out for another new project, even though you haven’t finished the last two he threw on your desk.  Your kid got sick and threw up the Beefaroni he had at lunch all over his teacher and now you’ve got to go get him.  The obstacles pile up and you’re certain there is no way this day could get any worse.  Trent Haaga wants you to know that it can.

68 Kill, the writer/director’s latest project produced by Snowfort Pictures and AMP International and distributed by IFC Midnight, focuses on Chip (Matthew Gray Gubler of “Criminal Minds”), a regular Joe with a regular job and a not so regular girlfriend.  In fact, Liza (AnnaLynne McCord of “The Night Shift”) is just a little bit psychotic…maybe more than a little…this woman is crazy as a bag of rabid ferrets.  While Chip works cleaning our septic systems, Liza supplements their income by spending time with her sugar daddy, When Liza discovers said sugar daddy has $68,000 in cash in his safe, she decides it’s the answer to all of their problems.  Naturally, they just need to steal it.

Chip reluctantly agrees to help her after her repeated promises that no one would get hurt.  What’s could possibly go wrong, right?

The answer is everything.  Everything can go wrong, and people (mostly Chip) are going to get hurt.

Chip spends the remainder of his night discovering just how bad things can get as he tangles with one group of psychotics after another.  And whether it’s Liza’s brother, who has a thing for chopping up women’s bodies in his own snuff films, or a group of drug fueled miscreants who decide to teach him a lesson, beautiful women seem to always be involved.

AnnaLynne McCord and Matthew Gray Gubler in the trailer for 68 Kill

Haaga’s script, based on the pulp novel by Bryan Smith, keeps the violence at eleven from start to finish, and keeps the film walking the tightrope between grindhouse exploitation and a modern day comedy of errors.

This balancing act could not have worked without Gubler in the role of Chip, however.  Not only do we sympathize as Chip is put through the wringer but we root for him as his reactions evolve from shocked victim to determined, if bumbling, survivor, and that’s entirely down to Gubler’s embodiment of the role.  We don’t often see a script flipped this way.  By the end of the film, when he’s pissing blood and making a last ditch escape, I was rooting for him, out loud, to drive.  Get out of there!  JUST DRIVE!

What I found most interesting about 68 Kill, however, is that unlike any other film of its kind, Chip is the victimized half of his relationship.  All too often, this character would have been female, and this twist on the norm is interesting, especially in my own reactions to it.  There was a feeling, in the beginning, of the film being off kilter.  As the realization of what brought on that feeling set in, it was time to sit back and think about it, which was not something I expected from a movie like this.

In the end, I realized that it was not only a welcome change to see these roles reversed, but it also highlights the fact that all too often men are silent victims in abusive relationships which is a conversation we don’t have nearly enough in this country.

68 Kill is a fun, adrenaline-soaked thrill ride  for fans who like a dose of dark comedy with their violence.  The characters are over the top, the violence is raw and unflinching, and the laughs are plentiful.  The film releases August 4, 2017.  Check out the trailer below and don’t miss 68 Kill on IFC Midnight.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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