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Hudson Theatre’s Adaptation of “1984” Brings Real Terror to the Stage

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It isn’t often in today’s Broadway landscape that audiences are known to faint or vomit mid-show, nor do we often hear stories of theatergoers being arrested for breaking into fights during or after a performance.  Gone are the days when audiences would yell at actors because they were so consumed by the performance that they feared for a performer’s life.  And yet, at the Hudson Theatre in New York, audiences have been witnessing these very events since previews began of a new adaptation of George Orwell’s 1984.

The production, starring Olivia Wilde, Reed Birney, and Tom Sturridge, has been shocking audiences since it opened in London, but American audiences have seemed especially prone to intense reactions to its graphic portrayals of torture as well as the play’s message of resistance to government misinformation.  It’s a hot button topic in the United States at the moment and the source novel has seen a resurgence in popularity since Inauguration Day 2017.

With the current administration’s use of phrases like “alternative facts” and constant cries of “fake news”, it seems the perfect time for such an adaptation.  The story centers around Winston Smith (Sturridge) who silently deals with the oppression in fictional Oceania where every move is examined under the watchful eye of their leader, Big Brother.  Winston works in the Records department of the Ministry of Truth where his job involves distorting history to fit the government’s message.  In the course of time, Winston meets a woman named Julia (Wilde) with whom he falls in love.  Smith begins keeping a diary, an offense punishable by death, and his non-conformity becomes his ultimate downfall.

Photo Credit: Julieta Cervantes

While most audiences might know the the novel, it’s one thing to read a scene and quite another to have it performed only a few feet from them.  Aside from the vomiting and fainting, the actors have reported audience members yelling at them including one who shouted at Birney to stop during a particularly violent scene.  Birney, still in character, shouted back.  In other instances, they have shouted their approval or disdain of scenes in the play and some have even been known to call out for actors to “Resist!”

By opening night, directors Duncan Macmillan and Robert Icke had imposed an age restriction on the production.  No one under age 13 is allowed to attend the show.  The directors also encourages audience members who cannot handle the gratuitous torture scenes to exit the theater.

“You can stay and watch or you can leave — that’s a perfectly fine reaction to watching someone be tortured,” Icke told The Hollywood Reporter. “But if this show is the most upsetting part of anyone’s day, they’re not reading the news headlines. Things are much worse than a piece of theater getting under your skin a little bit.”

Icke has a point.  The place of art has always been to stir its audience, to draw upon their emotions and make them question their reality.  1984 is a perfect example for this time and place and its terror is real because it so closely mirrors some of our current situation.  Regardless, it is certainly a production for the books.

For more information about the production, including videos, pictures and more, check out their official website!

 

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The Tall Man Funko Pop! Is a Reminder of the Late Angus Scrimm

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Phantasm tall man Funko pop

The Funko Pop! brand of figurines is finally paying homage to one of the scariest horror movie villains of all time, The Tall Man from Phantasm. According to Bloody Disgusting the toy was previewed by Funko this week.

The creepy otherworldly protagonist was played by the late Angus Scrimm who passed away in 2016. He was a journalist and B-movie actor who became a horror movie icon in 1979 for his role as the mysterious funeral home owner known as The Tall Man. The Pop! also includes the bloodsucking flying silver orb The Tall Man used as a weapon against trespassers.

Phantasm

He also spoke one of the most iconic lines in independent horror, “Boooy! You play a good game, boy, but the game is finished. Now you die!”

There is no word on when this figurine will be released or when preorders will go on sale, but it’s nice to see this horror icon remembered in vinyl.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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