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LITTLE NIGHTMARES: A Must-Play Haunting Gaming Experience

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Trasier Studios and Bandai Namco have managed to do something strange and beautiful in the form of their latest, Little Nightmares.

The odd little title revolves around a young yellow raincoat clad girl named Six, who is trapped aboard The Maw, a submerged island that caters to gluttonous monsters who come aboard in droves to be catered to. The Maw, is a dark place with secrets and terrors waiting around every corner. As Six, you explore The Maw looking for a way to escape before you become part of the menu.

The platformer is something out of a Tim Burton nightmare. The environment and characters are richly developed and embody the world that is built around them. Little Nightmares is primarily a puzzle based game that has you figuring out simple brainteasers in order to get into the next area. Each level is centered and compartmentalized to a different part of The Maw and gives you a nice change of scenery and architecture as you make your way from the belly of the Maw to the upper decks.

Much like Limbo and Inside, this game takes place in a masterfully unique world that offers up very little in the form of what, where and why, instead posing new fragments of the unknown. Little Nightmares is aptly named and has a hypnotic effect that puts you in a state that is akin to that feeling you have between waking and sleeping, and firmly on the paradigm shift between dreams and nightmares.

The game is earmarked by a lot of  homages to great genre cornerstones. Heavy influences from City of Lost Children imamate throughout, with character design that mirrors Freddy Krueger, Leatherface and characters from Spirited Away. Little Nightmares doesn’t rely on cheap jump scares either. The palpably addictive terror comes from the dark world that inhabits The Maw.

Little Nightmares doesn’t give you anything to fight back with; leaving you to encounter its dwellers with nothing to do but outsmart them, and play hide and seek in order to stay alive. Speaking of running, there are a few points when you will be chased that will make the hair on the back of your neck stand up and cause your stomach to roll over.

The character design is beautiful and while it does borrow from a range of art and pop culture it is also uniquely belongs to itself. Characters like The Janitor who blindly dwells the deepest floors of The Maw complete with arms three times as long has his torso is pure nightmare fuel. He uses those skinny, freakishly lengthy arms to reach you while hiding in small spaces. Trying to sneak around him is hard considering his hearing is so well evolved as a side effect of his blindness. This leaves you having to figure out ways to sneak past him as the blind creature pats the floor in search of you. The protagonist Six, is adorable too. She is a character that you want to hug but, also know full well that she would take an adorable little bite out of you as a return gesture.

“…hypnotic effect that puts you in a state that is akin

to that feeling you have between waking and sleeping,

and firmly on the paradigm shift between dreams and nightmares.”

The levels are brilliantly designed and have haunting levity that goes for the throat. In one section the entire floor is covered with mountains of dis-guarded leather shoes and bags. This area was eerily reminiscent of the rooms that Nazi’s would use to dispose of peoples clothing during the horror of the Holocaust. While making your way, waist deep in shoes and baggage, something begins to move underneath them going after you, as you try to make it to solid ground without being pulled under

Intentionally, somewhat complex controls make it an anxiety inducing event to try to get away from something or to hide. By making one of the shoulder buttons have the grab functionality Little Nightmares causes your hands to shake and fumble while trying to find your way to safety. For example, if you are being chased by something, you need to remember to sprint, jump and at the right moment, hold the grab button to pull yourself to safety. I know, I know. It sounds simple, but one play-through with the game and you realize the control layout is just as much a part of the story as The Maw itself.

Little Nightmares isn’t very long but its short narrative allows for a concise and effective story, that doesn’t allow time for boredom and cuts out all the fluff in order to make it a memorable experience. I really wanted to spend more time in this world, I wanted to know more about the breathing enviroment around you, but just as quickly and as satisfying  as it begins it ends. With a game that looks this great and has this level of dynamic lighting and world building, it is hard to not want to revisit it for either a second playthrough or in hopes that the dev team decides to follow this up with another Little Nightmares title. Get ready for a singular experience that really does have the power to infiltrate your dreams and maybe even turn em into nightmares… in a good way, of course.

Little Nightmares is out now for PS4, Xbox One and Steam for the awesome price of $19.99.

 

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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