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Top 10 Foreign Horror Films You Probably Haven’t Seen

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Foreign Horror

It’s important to branch outside of our comfort zone when we’re in search of something unsettling or frightening. That’s where foreign horror films come in. There’s a huge benefit to seeing horror films with unfamiliar accents or actors. They pull us further into the action by introducing us to a story that we don’t know with faces that we don’t recognize.

In general, there are so many amazing foreign horror films I could list here. Let’s start with some of the best ones that might actually be new to you.

Norway – Trollhunter

Trollhunter was directed by André Øvredal, who recently went on to direct the highly regarded The Autopsy of Jane Doe. This is one of my all-time favorite foreign films, period. In another example of an excellent faux-documentary, it follows a group of students who decide to set their cameras on an unlicensed bear hunter.

As you may have guessed from the title, this man is not hunting bears. It’s clever, fun, and features some fantastic creature design. Have you ever seen those creepy troll dolls from Norway? Imagine that, but larger, scarier, and without the keen fashion sense.

New Zealand – Housebound

If you’ve seen Deathgasm (click here for more info) or What We Do In The Shadows (click here for our review), you’ll understand that horror comedy is something that New Zealand does very well.

In Housebound, Kylie has been sentenced to house arrest and must return home to live with her frustratingly quirky mother in her possibly haunted house. Rima Te Wiata stands out for her awkwardly hilarious performance as Kylie’s mother. If you’re looking for a foreign film with an excellent balance of humor, heart, mystery and horror, you can’t go wrong.

Ireland – The Hallow

I first saw The Hallow at a film fesitval in 2015. It stuck with me to the point where I was regularly checking for DVD release dates.

Writer/Director Corin Hardy has warped traditional Irish folklore into something much more sinister. He took inspiration from legends of faeries, banshees and changelings, but followed the same rules that were outlined in the source material. The Hallow does not waste any time getting into the action of the film. Most importantly, it is full of dark and creepy imagery that sinks under your skin and winds through your head long after you’ve walked away.

France – Haute Tension (High Tension)

The tension is so haute, you guys. High Tension is a sharp, brutal, dark, and twisted assault on your more delicate senses. This was the breakout film for Director Alexandre Aja (The Hills Have Eyes (2006), Horns, Mirrors) and was included in TIME Magazine’s 10 most ridiculously violent films. The ending is not flawless, however, if you’re looking for a white-knuckle thrill ride, this is a good one to go for.

Belgium – Welp (Cub)


In this Belgian horror, a group of cub scouts venture off for a camping trip. They come with their own baggage, but did not expect to encounter a feral child and vicious poacher. Cub was partially funded through an IndieGoGo campaign that allowed backers to “buy a trap, kill a cub”. The proceeds were used to build the gnarly traps and tricks that could have been conceived by Kevin McCallister on bath salts.

Spain – Mientras Duermes (Sleep Tight)

If you’ve ever felt ill-at-ease in your own home, this film will make you even more paranoid. In Sleep Tight, an apartment concierge works very hard to secretly make his affluent tenants miserable. He develops a disturbing obsession with one particularly optimistic tenant and goes to unnerving extremes to try and break her.

You may be familiar with director Jaume Balagueró from his other films (REC, REC 2). He demonstrates his range with this sleeper hit by building tension that is less frantic than his previous films, but equally effective.

Australia – The Loved Ones

Writer/Director Sean Byrne’s first feature-length film was a hit on the festival circuit. However, it took about 3 years before it received US distribution. It was well worth the wait. The Loved Ones is a terrifying look at what can happen when awkward young love turns into a horrible obsession.

This twisted abduction horror is graphic, feisty, shocking and uncomfortable. It has made Sean Byrne a filmmaker we should all be watching. I caught his second feature film, The Devil’s Candy, at TIFF and I absolutely cannot wait for its DVD release (set for March 2017).

Austria – Ich Seh Ich Seh (Goodnight Mommy)

Twin boys become suspicious of their mother after her cosmetic surgery. Her behavior is off and she has transformed into someone they do not recognize.

Let’s discuss the brilliant slow burn of Goodnight Mommy. The whole film is spectacularly eerie, devoid of any musical score, and beautifully shot. Writers/Directors Severin Fiala and Veronika Franz avoid fast cuts in favor of extended shots, framed mostly in medium or close-up. They force an intimacy that you cannot look away from. It’s full of trepidation, but the pressure builds to a fever pitch.

China – Rigor Mortis

A suicidal washed-up actor moves into an apartment building infested with ghosts, vampires, and other supernatural creatures. While it sounds like the weirdest pitch to a sitcom you’ll ever hear, Rigor Mortis is a visually stunning thriller with brilliantly elaborate action sequences. Honestly, it’s just super cool to watch.

Japan – Audition

Takashi Miike is an absolute legend in the world of Asian genre films. Ichi the Killer, 13 Assassins, Three… Extremes, Sukiyaki Western Django, and Masters of Horror are a few of the films on his resume. Audition made Rolling Stone’s list of “20 Scariest Movies You’ve Never Seen”, and rightfully so.

It follows a widower who stages a film audition to hopefully find a new partner. The film shows a startling dichotomy between the charming courtship in the beginning and the vicious violence at the end. It’s widely praised by critics and is said to have influenced many directors, including Eli Roth and the Soska sisters. If you’re looking for a foreign director who really knows his shit, Miike will not let you down.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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