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Here’s Why the Suspiria Remake Is a Bad Idea, According to Argento

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Written by John Squires

Released in 1977, Suspiria is widely considered to be the masterpiece of Italian filmmaker Dario Argento, and a remake has been on-again, off-again for several years now. As we learned back in March, Luca Guadagnino has found himself in the director’s chair for the project’s latest iteration, and all seems to be going smoothly. Last we heard, Dakota Johnson and Tilda Swinton have joined the cast.

But what does Dario Argento himself think about the Suspiria remake?

Speaking with Indiewire, Argento revealed that he hasn’t even been contacted about it.

I’ve been waiting for this project to come about for so many years,” he told the site. “The copyrights were bought about seven years ago. First, they belonged to 20th Century Fox, then they were handed over to some other companies, and so on. But what’s really absurd — really unbelievable — is that I have never, ever been asked about it. I mean, I never got a call or anything, asking me about casting, locations, whatever. I know nothing about this project except what I read in the papers. I repeat: I have ever, ever been asked about it.”

I might give some advice on the screenplay, the script, maybe the locations,” Argento added, when asked how he would like to contribute. “When I did the film, I did a lot of research with the location scout. I heard that this remake, if it’s ever made, will be shot again in Europe. So I might be able to provide useful advice about that. But, honestly, I do think it would be better if it wasn’t remade.”

The film has a specific mood,” he elaborated. “Either you do it exactly the same way — in which case, it’s not a remake, it’s a copy, which is pointless — or, you change things and make another movie. In that case, why call it Suspiria?

Suspiria remake

Guadagnino recently revealed that his Suspiria will be set in Berlin, Germany in 1977, and he’s hoping to have John Adams work on the score. In addition, he mentioned that the remake will be the most “Fassbinderian” film he’s ever made – a reference to German filmmaker Rainer Werner Fassbinder, whose work has obviously been a huge influence on Guadagnino.

Here are some other things Guadagnino recently said about the remake…

The film by Dario Argento was a very indicative moment of growing up for me because I saw it when I was 14. I think it changed me forever. I was obsessed [with Argento] through all my adolescence. [My version] is going to be set in Berlin in 1977. It’s going to be about the mother and the concept of motherhood and about the uncompromising force of motherhood. It’s going to be about finding your inner voice – the title is very evocative on these grounds.”

The movie by Dario Argento was maybe a child of its own times. It’s very delicate; almost childish. I have a very strong interest in German literature and film, so I think [my] Suspiria will have to focus very strongly on that moment in history, in 1977, when Germany was divided and a new generation was claiming and asking to recognize the debt of guilt that forged the new Germany after the war against the fathers who wanted to deny the responsibility.”

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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