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When (Misleading) Movie Trailers Betray Us

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When I was younger, I thought the absolute best job in the world would be to make movie trailers. Yeah. Cowgirl, firewoman, and astronaut-ninja-princess were all vetoed in favor of putting together movie clips in such a way that viewers would gasp in shock and wonder and fight each other to death getting in line to see movies that I selected just the right soundtrack for (yes, I thought that decision would be up to me. Life was happier before I learned about copyrights and shit) and edited to perfection. I gave up on that dream when I dropped out of college (the second time), not that a CC in Michigan offered such courses, but lately I’ve been thinking maybe I should go back for a third shot, because editors these days just don’t seem to appreciate the responsibility they have.

How many times, fellow horror fans? How many times has a trailer sucked you in, only to have you shell out $18 for a ticket just to have you end up throat punching a stranger in anger when the movie BLOWS? Off the top of my head I can think of a gazillion trailers that have straight. Up. Lied. Do you remember the DECEPTION that was the trailer for Paranormal Activity 3? So many scenes that weren’t even in the fucking movie?! I was so pissed! The trailer…not in good faith–and I…

nancy the craft

Whew. Deep breath. I’m back. You just have to understand how excited I was for that movie because of a bullshit trailer that lied to me.

But it’s really not the first time, is it? And it certainly won’t be the last. In my humble opinion, here are a few of the trailers that made a movie look far too good. And not in a “just doing my job way”, but in a “irresponsible to the audience” way.

The Houses October Built

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I feel really bad about this one, because one of the first posts I ever made to this site was about The Houses October Built. I was so excited! Like a kid in a candy store, or, well, me on Halloween. Clowns, haunted houses, the coin flip of the found footage…sigh. It could have been great. But, as you may or may not know, it was not. It was actually one of the worst things I’ve ever done to myself. From a mildly promising beginning to the peak that just never came, this movie couldn’t hold my attention, and I don’t know that anyone could watch this beginning to end without at least one nap halfway through.

The Babadook

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Whether you were pleased with the final product or not, it’s hard to argue that the trailer was miles ahead of the movie. The Babadook was infinitely scarier when it was a gravelly voice in the dark, and the climax of the movie was much more tolerable when it was spliced into fragments and not being passed as an actual climax. And depending on where you fall with quasi-ambiguous endings, one could argue that the terror was entirely sucked out of the movie itself in the last ten minutes.

Ouija

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Ugh. As far as overselling it…Jesus. I was really excited for this movie, thanks to the trailer. And then I was thought, “No, Michele. It’s PG-13. Don’t even bother.” And then I watched the trailer again. And then I decided I was being a movie snob. And then I watched it. And then I lost those 89 minutes of my life forever. FOREVER. The trailer made Ouija look horrifying, quick paced, and most of all, interesting. It was roughly 0% of any of those things. It was the kind of movie I would use to introduce a skittish tween to horror, as softcore as off brand vanilla ice cream. No. Vanilla frozen yogurt. There was definitely not the level of terror and mayhem implied by the trailer.

Paranormal Activity 3

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Perhaps the worst of the worst, as I’ve already said. I know I wasn’t the only one who was pissed–viewers took to social media in droves to express their frustration (which is nothing new for horror fans, but this was at least a semi-legitimate complaint). The vast majority of this trailer wasn’t even in the fucking movie. That, my friends, is bullshit. This blatantly fraudulent fuckery is apparently an attempt to surprise and, theoretically, horrify viewers more effectively. The trailer provides the overall central plot line in a way slightly more engaging than just advertising, “Hey, the third installment of the series is coming out. Come see it if you’re into that kind of thing” without giving away any key scenes, and actually very few minor scenes, either.

But…does it work? Creating scenes specifically for trailers means no wasted jump scares, no chance of any hidden twists being given away too soon (we all know that one horror nerd that can’t fucking wait to spoil newly released movies and will study intently each individual frame of a three minute trailer just to get a leg up on the ending), but still entice the viewer into actually paying to see the movie with a reasonable expectation of the general story. In theory, it should work. Upon some introspection, I’ve concluded that it’s an eensy bit possible that I simply don’t like trailers too far removed from the actual movie only because that’s not how I’m used to it being done. It’s very possible there’s other fans out there that love it.

Conversely, it’s just as possible that misleading movie trailers are only pissing off and possibly alienating fans. It’s 2015–everyone shares shit on social media, trailers for any movie can be found on YouTube and tweeted or Facebooked or that Google Plus thing that nobody really ever uses and shared millions of times; advertising is all but done for the studios. Why bother creating an entirely new movie for the sake of marketing when that appears to be the least of concerns?

It goes both ways, too. Some movies are edited to appear less rad than they are. Event Horizon looked more like a modernized retelling of the sci-fi flick 2001: A Space Odyssey than the ball of terror it actually was (do you know what the crew was doing in that recovered footage? Do you?). The Cabin in the Woods had a standard, by-the-books trailer that didn’t even hint at the steaming pile of awesome Joss Whedon bestowed upon us. That, too, seems irresponsible.

So, because I know you’re just dying to tell me how wrong I am, I invite you to sound off in the comments. What trailer do you have beef with? Or do you like it when trailers intentionally leave out/add huge plot points or scenes? Where and how should I go die because I don’t know anything about horror? Let me hear it, and shit, maybe we’ll end up writing a post together.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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