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When (Misleading) Movie Trailers Betray Us

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When I was younger, I thought the absolute best job in the world would be to make movie trailers. Yeah. Cowgirl, firewoman, and astronaut-ninja-princess were all vetoed in favor of putting together movie clips in such a way that viewers would gasp in shock and wonder and fight each other to death getting in line to see movies that I selected just the right soundtrack for (yes, I thought that decision would be up to me. Life was happier before I learned about copyrights and shit) and edited to perfection. I gave up on that dream when I dropped out of college (the second time), not that a CC in Michigan offered such courses, but lately I’ve been thinking maybe I should go back for a third shot, because editors these days just don’t seem to appreciate the responsibility they have.

How many times, fellow horror fans? How many times has a trailer sucked you in, only to have you shell out $18 for a ticket just to have you end up throat punching a stranger in anger when the movie BLOWS? Off the top of my head I can think of a gazillion trailers that have straight. Up. Lied. Do you remember the DECEPTION that was the trailer for Paranormal Activity 3? So many scenes that weren’t even in the fucking movie?! I was so pissed! The trailer…not in good faith–and I…

nancy the craft

Whew. Deep breath. I’m back. You just have to understand how excited I was for that movie because of a bullshit trailer that lied to me.

But it’s really not the first time, is it? And it certainly won’t be the last. In my humble opinion, here are a few of the trailers that made a movie look far too good. And not in a “just doing my job way”, but in a “irresponsible to the audience” way.

The Houses October Built

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I feel really bad about this one, because one of the first posts I ever made to this site was about The Houses October Built. I was so excited! Like a kid in a candy store, or, well, me on Halloween. Clowns, haunted houses, the coin flip of the found footage…sigh. It could have been great. But, as you may or may not know, it was not. It was actually one of the worst things I’ve ever done to myself. From a mildly promising beginning to the peak that just never came, this movie couldn’t hold my attention, and I don’t know that anyone could watch this beginning to end without at least one nap halfway through.

The Babadook

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Whether you were pleased with the final product or not, it’s hard to argue that the trailer was miles ahead of the movie. The Babadook was infinitely scarier when it was a gravelly voice in the dark, and the climax of the movie was much more tolerable when it was spliced into fragments and not being passed as an actual climax. And depending on where you fall with quasi-ambiguous endings, one could argue that the terror was entirely sucked out of the movie itself in the last ten minutes.

Ouija

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Ugh. As far as overselling it…Jesus. I was really excited for this movie, thanks to the trailer. And then I was thought, “No, Michele. It’s PG-13. Don’t even bother.” And then I watched the trailer again. And then I decided I was being a movie snob. And then I watched it. And then I lost those 89 minutes of my life forever. FOREVER. The trailer made Ouija look horrifying, quick paced, and most of all, interesting. It was roughly 0% of any of those things. It was the kind of movie I would use to introduce a skittish tween to horror, as softcore as off brand vanilla ice cream. No. Vanilla frozen yogurt. There was definitely not the level of terror and mayhem implied by the trailer.

Paranormal Activity 3

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Perhaps the worst of the worst, as I’ve already said. I know I wasn’t the only one who was pissed–viewers took to social media in droves to express their frustration (which is nothing new for horror fans, but this was at least a semi-legitimate complaint). The vast majority of this trailer wasn’t even in the fucking movie. That, my friends, is bullshit. This blatantly fraudulent fuckery is apparently an attempt to surprise and, theoretically, horrify viewers more effectively. The trailer provides the overall central plot line in a way slightly more engaging than just advertising, “Hey, the third installment of the series is coming out. Come see it if you’re into that kind of thing” without giving away any key scenes, and actually very few minor scenes, either.

But…does it work? Creating scenes specifically for trailers means no wasted jump scares, no chance of any hidden twists being given away too soon (we all know that one horror nerd that can’t fucking wait to spoil newly released movies and will study intently each individual frame of a three minute trailer just to get a leg up on the ending), but still entice the viewer into actually paying to see the movie with a reasonable expectation of the general story. In theory, it should work. Upon some introspection, I’ve concluded that it’s an eensy bit possible that I simply don’t like trailers too far removed from the actual movie only because that’s not how I’m used to it being done. It’s very possible there’s other fans out there that love it.

Conversely, it’s just as possible that misleading movie trailers are only pissing off and possibly alienating fans. It’s 2015–everyone shares shit on social media, trailers for any movie can be found on YouTube and tweeted or Facebooked or that Google Plus thing that nobody really ever uses and shared millions of times; advertising is all but done for the studios. Why bother creating an entirely new movie for the sake of marketing when that appears to be the least of concerns?

It goes both ways, too. Some movies are edited to appear less rad than they are. Event Horizon looked more like a modernized retelling of the sci-fi flick 2001: A Space Odyssey than the ball of terror it actually was (do you know what the crew was doing in that recovered footage? Do you?). The Cabin in the Woods had a standard, by-the-books trailer that didn’t even hint at the steaming pile of awesome Joss Whedon bestowed upon us. That, too, seems irresponsible.

So, because I know you’re just dying to tell me how wrong I am, I invite you to sound off in the comments. What trailer do you have beef with? Or do you like it when trailers intentionally leave out/add huge plot points or scenes? Where and how should I go die because I don’t know anything about horror? Let me hear it, and shit, maybe we’ll end up writing a post together.

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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