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Why 2010’s ‘A Nightmare on Elm Street’ was actually a really good remake

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So many remakes fall into the trap. They are either so different from the original that they might as well not be a remake, but instead a new movie (Total Recall), or they emphasize the wrong part of the movie, missing the underlying storyline that made the original so great (Robocop).  Why does this happen? Well, in my view this comes down to wrong script choice, bad direction and not enough research.  I will explain myself, because I can hear squid-like noises from thousands of fans eyes rolling in their sockets as I write.

All great movies have an underlying storyline that can be applied to everyday life. The amazing 1987’s Robocop, for example, the story was not simply a man turned robot who fought crime. The backbone of the story was more about man playing God, and the world’s reaction to a miracle or monster, resulting in a movie more like a Mary Shelley novel.  The overall moral of the story is that the desire to be human is still too powerful to be controlled by technology.  The remake seemingly didn’t bother too much with the battle between human consciousness and technology, only having a small scene where the human mind overtakes the robot mind towards the end and influences the robot’s decision. The movie was more interested in whether or not they should turn off the human mind altogether. Maybe they were trying to take it in a new direction, but I think they hoped the viewers would be distracted by the special effects, or have not seen the original.

The director can influence the movie enough to keep what is important to the fans of the classic. When a director decides to not pay homage to the original, and does not include any references that the fans will notice, is either because the director was not a fan of the first one themselves, or they are afraid they will bastardize it.  In my view, it is important to have a true fan direct any remake and include references as a tip of the hat to the original writers and directors.

The 2010 remake of A Nightmare on Elm Street was full of references that the fans could appreciate, and it counts as a sign of respect to Wes Craven for making such an excellent movie.  At the end of the day, Wes Craven’s movie is iconic, and so many scenes have been outlined in the horror industry for his genius practical effects.

I have heard critics say that the remake was too like the first and that it lacked originality, but I think they have forgotten what a “remake” means. A remake takes a movie that did a lot of things right, and adds to the imagery to retell the story in an attempt to make it current and possibly even better (although none that have achieved this come to mind).  This can only be a compliment if done by a true fan, and not just made by anyone trying to make a quick buck, or get their name out there.  I mean, why take away some of 1984’s A Nightmare on Elm Street amazing scenes?

Freddy coming out of the wall

Body bag scene from both movies

Bath tub scene from both movies

End twist from both movies

Even though all these great scenes were reworked, I would have loved to seen the part where Johnny Depp was splattered over his bedroom ceiling thrown in there, too.  However, there must have been a conscious reason for not including it and if I ever get to interview Samuel Bayer, I will be asking him. He did include the Depp t-shirt though. Did you notice?

Johnny Depp's tshirt used in both movies

I know, I know. I’m a movie geek. I just hope it was not a coincidence.

**Spoilers

So now that we have discussed the similarities, what about the differences? Lets start with the story. It’s pretty much all there, but they decided to give the audience an insight to Krueger’s background, which is something you didn’t see, but only heard, in 1984.  Then the storyline takes a turn for a short while, to make you believe that Freddy was innocent and that he was taking revenge for the lies the children told. When we finally find the truth, we find that Freddy was actually a pedophile, and not a child murder.  Wes Craven decide to not have Krueger as a pedophile in the original, as he felt this would have been too much for the viewers at the time.  I still think a child murderer would have been enough for the remake, but they obviously wanted to make it more sinister.

The ending of the original movie was one of many discussions had during the making, and could be why they decided to use the ending more like from 1991’s Freddy’s Dead. Once Krueger has been brought out of the dream world into the real one, they slash his throat, as opposed to simply turning their back on him to take away his power. Good move, and they set him on fire again!

Now, for some reason there is an unwritten rule that the original antagonist can not be the character again in the remake, and for good reason I think. But if they didn’t get Englund to play Freddy, then who? This was a problem they had in the casting of Freddy’s Revenge,  due to Engulnd’s management asking for too much money. When New Line Cinema auditioned others for the role, they found that Robert Englund was truly the only person that could pull it off.

Jackie Earle Haley was excellent, and I could not imagine anyone else doing it without being too much Freddy or not enough.  He brought along with him a new, twisted soul that made it darker and far less comical then his predecessor, and his scar tissue is far more believable.  If you can think of anyone that could have done better, comment below.

However, I do want to point out that there were some things they didn’t get right.  Although Rooney Mara was more then adequate covering the role of Nancy, she does not deserve the privilege, given that she feels being in the movie was a mistake, and has questioned continuing being an actor. If this is due to the fact the movie has been heavily criticized, then she needs to man the fuck up! She did a good job and needs to remember all remakes will be criticized, good or bad.

And just as a side note, the CGI used to recreate the Freddy coming out of the wall scene was shit. It was laughable and should have found itself with a slice either side of it on the film reel.

In conclusion, this movie was made by a Freddy fan, for the Freddy fans, and recreated loads of things to point out to the less fanatic one of us.  This is not only what the remake lover enjoys, but as a enormous A Nightmare on Elm Street fan, I can say the Freddy fans should love it, too.  If you watched the movie and didn’t like it, and are either of these two types of people, watch it again having heard my opinion and think… “This movie was made for me.”

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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