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Movie Review: Karen Lam’s: ‘Evangeline’ (2013)

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Evangeline Title
Whether or not you’re a hardcore horror fan, Karen Lam’s latest film, the revenge thriller Evangeline, is a stupefying experience. After making its debut back in November at The Blood in the Snow Canadian Film Festival in Toronto, Canada, Evangeline will be creeping its way on VOD May 8, 2015 and on DVD / Blu-Ray June 9, 2015.

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Evangeline Pullman (Kat de Lieva) has been living the sheltered life with a father who is an overly committed preacher. Evangeline has been given the opportunity to start over in college as a freshman. Her new roommate Shannon (Mayumi Yoshida) is very excited to take her new shy friend Evangeline out for a good time at an “off the hook” frat party. Evangeline catches the eye of many; however, the very sought-after Michael Konner (Richard Harmon) and his two friends are very much interested in this young gem. Evangeline living a real nightmare finds herself being hunted and chased through the menacing forest by Michael and his henchmen, where she’s severely beaten and left for dead. Evangeline’s precious body is taken over by a spirit giving her the opportunity to seek revenge on those who took part in destroying her innocence.

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Writer-director Karen Lam did a spectacular job creating the character Evangeline. For me, Kat de Lieva nailed it! De Lieva carried the character Evangeline to the limits. De Lieva had the daunting task of making Evangeline the “good girl” and then becoming the sexy chick that was far from innocent, and then had to reverse the entire process. Lam took a lot of time to develop the innocence of the character, and it was abruptly obliterated. The visual effects in this film were exceptional along with a fitting score. At times, Evangeline gave me that Last House on the Left feel, which I was most definitely good with. I will be the first to criticize a movie for not developing their characters, but this film did not require it. The character Evangeline was developed quickly, and I was able to vest myself into this character. At times, this film felt brutal but it challenges the question of whether a person should turn away or risk losing one’s soul to abomination. Evangeline exposes the vulnerability that young women deal with everywhere. Evangeline demonstrates that women can take control and seek a type of vengeance, and punish those that have taken advantage of those vulnerable attributes, with a twist!

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Karen Lam has worked full-time in the film and television industry for the past fifteen years. As a producer and entertainment lawyer, Karen began her career. Since then Lam has produced four feature films, eight short films, and three television series. The Cabinet was her first short film, and she was the writer/director for that picture. The Cabinet won the NSI Drama Prize in 2006. Since that time she has written seven feature film screenplays, directed half a dozen short films, a music video, and two feature films, Stained (2010) and Evangeline (2013).

Lam’s extreme impressive vision and enthusiasm for the horror genre and being a woman working in film, specifically horror, has unlatched my mind about gender role in film. For so long women have been associated with particular roles, but Lam is one who stands out to set presentment to a new way of thinking. Lam took time out of her busy schedule to speak to me about her role in film and about Evangeline. Enjoy!

Karen Lam

Karen Lam

iHorror: Can you explain your inspiration for the creation of your film Evangeline?

Karen Lam: The original idea came from my short film, “Doll Parts”, which is where Evangeline first appeared. I came up with the idea of this killer doll woman in Hong Kong when I was spending time with my grandma–who was dying. She was hallucinating through the night, and I started creating the purgatory room. (Check Out Doll Parts).

iH: How long was the shooting schedule for Evangeline? What were some of the locations filming took place?

KL: The film was shot over 18 days in February of 2013. Different Vancouver locations were used, including University of British Columbia.

iH: What are your thoughts about sequels? Any thoughts of a direct sequel to Evangeline?

KL: I have a min-series in very early stages of development, and my story editor Gavin Bennett is also a graphic novel writer–we have a universe of stories for her.

iH: How did your short films that you created prepare you for a full feature film?

KL: I love going between shorts, features, television and recently a web series. Each medium has its unique quirks and lets me do something different. The shorts give me a chance to be really experimental with technique, and the features allow for a bigger story.

iH: What challenges and rewards have you experienced because of gender role in society?

KL: The biggest challenges are in finance, but I think that’s everyone’s issue. The investors and distributors tend to read scripts in a certain way, and I don’t think they’re aware that it comes with strong stereotypes. The inequality tends to be more systemic than outright discrimination. It’s hard to tackle because it’s not obvious.

iH: On the set of Evangeline what was the biggest challenge you faced?

KL: Back to budget, but I think. We always have grander aspirations than what the budget or schedule will allow, but I did a fairly significant rewrite on the script before we even went to camera so a lot of problem solving was done on paper. It helps that I’ve had over fifteen years as a producer.

iH: Any memorable experiences on set that you would like to share?

KL: I think the funniest scene to shoot was the gym scene with my actor David Lewis. He sent me an email that he wanted to do the scene naked and I misread it as “the shower scene.” I said yes, and everyone kept asking me if I was really okay with it. When I reread the email, I realized he wanted to do the whole scene naked, but I already said yes. Anyway, the sock kept falling off so it became a really awkward day…

 iH: Any future projects you are able to discuss?

KL: I’m just in the process of finishing up rewrites on two new feature scripts, and I;m shooting my first feature length documentary. It’s about a band, but don’t worry: there will be blood.

 

Karen Lam on Twitter!

Evangeline on Facebook

Evangeline Official Web Site 

 

Check Out The Jaw-Dropping Trailer Below!

 

[youtube id=”SoAAEIILtrU”]

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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