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Movie Review: Adam Green’s ‘Digging Up the Marrow’

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Above all else, Adam Green’s Digging Up the Marrow (based on art by Alex Pardee) is fun. It’s bound to appeal much more to genre fans than to the general public, and this is evident right from the beginning as we see appearances from a variety of familiar faces (all playing themselves). These include the late Oderus Urungus (Dave Brockie) from Gwar, Troma’s Lloyd Kaufman and Toxie, Tony Todd, Don Coscarelli, and Dread Central’s Steve Barton. Some other fun cameos appear later.

The film is presented in mockumentary style, and features Green (known for films like Hatchet, its sequels and Frozen as well as the Fearnet series Holliston) and cinematographer Will Barratt as themselves as they set out to make a doc about a man named William Dekker, who claims he has found monsters who live underground. Is he for real, is he full of shit, or is he just crazy? These are the questions the filmmakers are seeking the answers to throughout the movie.

Much of the film plays like we’re just watching a documentary about Green himself. We spend time at his house and at his place of work, and we even follow him to a horror convention. We see a lot of imagery related to his past work ( a Victor Crowley doll, Frozen shirts, Kane Hodder). We’re getting to know Adam as much as we are learning about the monsters and the Marrow.

Ah yes, the Marrow. That’s the name Dekker (played brilliantly by Ray Wise) has given to a hole in the ground at the edge of a cemetery, which serves as the gateway to an underground metropolis (or perhaps metropolises) where the “monsters” live. If the word “Midian” crosses your mind, you’re not alone.

Dekker (hmm, that name sounds really familiar) has become an expert on these monsters over the years, and has plenty of art to show Green, but little in the way of evidence of their existence, so everyone is forced to wonder how true it all is throughout much of the film. While most of the film’s characters are skeptical at best, Green plays the Mulder role with the “I want to believe” approach. As a lifelong monster movie fan, he’s always wanted there to be real-life monsters, and he’s mostly buying into what Dekker is selling. Even when we start to see what Dekker claims are these monsters, the truth remains up in the air.

It’s Wise as Dekker that really sells this movie. His monster stories and descriptions are nearly as creepy as anything we actually see. As a huge Robocop fan, I’ve always liked him, but here he shines as brightly as in any other film I’ve seen him in. He was perfect for this role, and was a great complement to the likable Green who’s on screen for the majority of the time.

If you’re going in expecting a ton of monster screen time, you may be disappointed, but in my opinion, it’s handled just right. Also, if you’re expecting a gorefest, you may want to look elsewhere. That’s not what this is about. If you’re happy to put a bit of your logic on hold and just have some fun looking for monsters with Green and co., I think you’ll enjoy the ride.

Digging Up the Marrow feels closer in tone to a film like Fantasm than to Hatchet or Frozen. It is, after all, a pseudo-documentary. While part of my brain keeps telling me that I’m getting tired of so many genre films using the mockumentary or found footage styles, the more sensible part of my brain reminds me that there are plenty of good films that take these approaches, and tells that other part of my brain to just shut up. I don’t think the former part is going to completely abide, but as long as movies like Digging Up the Marrow, and last year’s The Sacrament and Afflicted continue to entertain and/or disturb, I’m happy to keep patronizing the sub-genre.

I can’t say I found the movie to be the scariest in two decades as the quote in the trailer says (especially since I watched The Canal earlier this week), but as I said at the beginning, it’s just fun. Watch it when you get a chance.

Digging Up the Marrow on Blu-ray is available for pre-order from Amazon.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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