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Horror Movie Titles That Almost Were

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What’s a name anyway? Well for starters, people are going to remember it. The idea behind the title of a movie is to grab people’s attention. Think of some of your favorite horror movies and what the title is. Pretty catchy, right? Some are bold and right to the point, while others are just plain catchy. Titles like Halloween or Friday the 13th stick to the name of the day they are celebrating, since they are well known, giving it a special kind of ring and get you in the mood to view them come the holiday.

But not all titles are, well, very good. Some of the most cherished and beloved horror films out there were originally supposed to be named under a different title, but fortunately due to a last minute decision by a marketing person or producer, the title was changed to what you know and love. Let’s take a look at some of them, shall we?

halloween
The Babysitter Murders (Halloween)

It’s hard to imagine a series so iconic as Halloween being called something else. Of course, this was before a franchise was in mind. The first, and originally thought to be a stand alone, film was originally supposed to be called The Babysitter Murders, which to me sounds like a Lifetime movie loosely based on real events. Supposedly the events of the film were to take place over the span of several days, but due to budget reasons, the film ends up taking place over the same evening and what better evening than the scariest night of them all than Halloween? I heard John Carpenter was influenced by Bob Clark’s shocking slasher Black Christmas and wanted to do a sequel based on that wherein the killer would be escaping an asylum and wreaking havoc on Halloween. In any case, I’m sure we are all glad the title was switched, giving us a reason to marathon the series every October.

evil dead
The Book of the Dead (The Evil Dead)

Producer Irvin Shapiro said it best to director Sam Raimi when he said, “Nobody will want to see a movie if they think they have to read!” Fearing that the younger audience might be turned off at literally interpreting the title, Raimi ended up changing the name to The Evil Dead. Sounds much better, don’t you think? While the title is pretty catchy, it goes without saying that The Evil Dead is by far more eye catching and more alarming. Good Call, Irvin.

friday the 13th
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Long Night at Camp Blood (Friday the 13th)

Here’s another that sounds like it would have belonged somewhere else. I’m picturing a drama/comedy centered around camp counselors telling ghost stories while trying to hook up. This was never the shooting title, however, but Victor Miller’s working title for the script (Jason was also called Josh at this point), but his partner in crime, Sean S. Cunningham, believed that a catchier title, say Friday the 13th, was much more interesting and rushed out (he had previously been wanting a movie with this title, but had no idea what it would be until he read Victor’s script) to place an ad in Variety. The rest is history. Can you imagine if the original title stuck? I don’t know about you, but A Long Night at Camp Blood Part VI: Josh Lives doesn’t sound nearly as frightening. Sounds like Josh pulled through that operation who were hoping he would.

scream
Scary Movie (Scream)

Well, isn’t this a coincidence? Although the parody film Scary Movie would later use that same title, riffing Scream, believe it or not, that was its working title. It’s fitting all the same, Scream being a meta-flick on all the scary films of the 80’s, poking at the tropes, but a single word representing what you do when you are most terrified certainly fits the bill much better. Of course now we can’t imagine the original title being nothing more than a series of parody flicks recycling the same jokes.

alien
Star Beast (Alien)

I actually love the original title for this. Star Beast sounds like one of the dozen Star Wars/Alien clones that Roger Corman would later shovel out or perhaps something Troma would distribute alongside Nightbeast. As much as I do love that title, it wasn’t fitting for the realism and world Dan O’Bannon and Ridley Scott created, so to O’Bannon’s distaste for the title, he changed it to Alien after noting how many times the word appeared in the script. It’s the perfect example of how impactful one word can be, as it’s both a noun and an adjective. Also I can’t picture James Cameron’s sequel Star Beasts or the later Star Beast: Resurrection  and Star Beast Vs. Predator once the crossover happened.

childs play
Batteries Not Included (Child’s Play)

You mean that cute film about apartment tenants seeking the aid of a mechanical alien so their building won’t get destroyed? Nope, I’m talking about the film where a serial killer possesses a doll. Unbeknownst to Tom Holland and crew that Steven Spielberg was already in production with a movie under that same title, it was changed to Blood Buddy, which doesn’t sound that good when you think about girls becoming women… (ok, that’s lude and I apologize), so another change was made to the memorable Child’s Play. Although, the Batteries Not Included title does play a part in the scene where Andy’s mother discovers that her son’s doll was operating the whole time without batteries in a very memorable scene.

psycho
Wimpy (Psycho)

Psycho only went under the production title of Wimpy, but was never truly intended to be named that. It was rather a nod to second-unit camera man Rex Wimpy who appeared on clapboards and production sheets, as well as some stills. If they had actually gone with that name, I can’t imagine a film called Wimpy scaring the pants off of people for the past 55 years.

tcm
Head Cheese (The Texas Chainsaw Massacre)

That title sounds like it should be a teen sex-romp in the vein of Porky’s or Meatballs, but it’s a reference to a meat jelly (my new band shall be called Meat Jelly) made from the flesh of the head of calf or pig. Mmm, meat jelly sure does sound appetizing. Sure, if you know what head cheese is, it fits the content in the movie, but doesn’t quite have a ring to it. Before Head Cheese, the film was to be named Leatherface, which was used later for a sequel, but the creators landed on The Texas Chainsaw Massacre. Why? Because it puts a picture in your head before you’ve even seen the movie. It’s visceral, it’s mean and it gives the image that the film is much more bloody than it actually is.

notl
Rabbits (Night of the Lepus)

MGM was right in thinking that a movie called Rabbits wouldn’t suit a horror film. Your friends would make fun of you for being scared of a movie called that. Instead, they opted for the latin term lepus, meaning hare, and figured a ‘night of’ would be wildly successful since it worked for Night of the Living Dead. Well, they were halfway right.

jc
Here Comes the Boogeyman (Jeepers Creepers)

Hmm, that title is okay, but it sounds like something from the 80’s that nobody remembers. So let’s change that title to something else, like maybe after the name of a familiar and catchy jingle? I don’t know if that was how the decision actually went down, but for whatever reason, the title was changed to Jeepers Creepers and nobody has made a loveable tune seem so dark and creepy since Halloween II using ‘Mr. Sandman.’

Did I miss one? Let me know in the comments below!

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“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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