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Sundance 2022: ‘Nanny’ is a Haunting, Sometimes Fumbling, Look at Motherhood

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Nanny

Writer/director Nikyatu Jusu made her feature debut today at Sundance Film Festival with Nanny, a film steeped in mythology and folklore that will haunt its viewers long after the credits roll.

Set in New York City, the film focuses on Aisha (Anna Diop), a Senegalese woman working as a nanny for a wealthy family on the Upper East Side. Aisha is focused and driven. Her one goal is to save up enough money to bring her son from Senegal to live with her. It soon becomes clear, however, that all is not what it seems.

Drawn into the marital spats of her employers, Amy and Adam (Michelle Monaghan and Morgan Spector), Aisha desperately tries to focus on the child despite the girl’s parents forgetting to pay her again and again. The more she stands up for herself, the more Amy resents her and her bond with the child. When she begins having strange visions that draw her into a trance state, she becomes a danger to herself and others.

Jusu’s filmmaking has a beautiful, almost lyrical, quality to it. She draws upon traditional imagery from African folklore including tales of Anansi the Spider and Mami Wata, the source of some of the earliest mermaid-like stories in the world. As the film explains, both figures symbolize survival and the freedom to live one’s life on your own terms. Those things matter deeply to Aisha. She wants nothing more than to have her son with her so that they can survive together.

For all its mythic beauty and terror, however, there were moments when it felt as though Nanny might leap out of Jusu’s control. As the visions become bigger, more terrifying, her hold on the narrative feels tenuous, but one could argue that birth and rebirth are tenuous, disjointed events so some of this can be forgiven.

Still, there is Diop. For those who are only familiar with the actress’s work in the DC series, Titans, you’re in for a real treat here. There is a stillness in the actress that can take your breath away. Each movement is measured, each breath paced as if moving forward in an interminable race. In her hands, Aisha is a model of control which makes her spiral all the more dramatic and gut-wrenching.

Water is a recurring theme throughout the film, again underlining birth and rebirth, and the actress has a way of acting with the water that is so unusual. It becomes a dance of sorts. It assaults her one moment and cradles her, curled in the fetal position in her bath, the next. She confronts it, soothes it, and becomes it.

It is one of the most powerful and reserved performances this reviewer has seen in years, and it was a treat to take this journey with her.

For those who are wondering, yes, this is a horror movie. The horror comes in fits and starts, overtaking the otherwise grounded story, again with a frenetic, untamed energy.

Ultimately, Nanny may end up drawing comparisons to Remi Weekes’s His House, a film that also confronts the horrors of displacement and family. While the films certainly belong in the same category, Jusu’s film deserves a place of its own without comparison. Africa is not, as is pointed out in the film “just one big country,” and the different stories from different cultures within the continent deserve to be honored for what they bring singularly to the table.

Check out what Nikyatu Jusu had to say about her film below!

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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