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[Fantastic Fest] Last Night in Soho: Charmed and Chilled Us to Death

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Last Night

Edgar Wright’s deep dive of Soho is an exquisitely made thriller that changes the pace and direction of the room for its entire runtime. It seems that giallo cinema, or at the very least giallo inspired cinema, is making a strange and welcome come back and its doing so by way of auteur directors who are giving us something that is totally off the barometer of what is mainstream. Both, Wright’s Last Night in Soho and James Wan’s Malignant have come out swinging on a return to gialli films and a new wave in a cinematic blast.

Last Night in Soho follows small town Eloise to Central London with big dreams of becoming a fashion designer. Upon arrival, she discovers that she is a little more old fashioned when it comes to music tastes and her social life. After discovering that she isn’t going to fit in with her party all night, bullying roommates, she decides to rent a room belonging to a nice older lady who shares a lot more of Eloise qualities than girls her own age.

It really doesn’t take Wright to turn up the stylistic dial to 11 and sweep Eloise back to swinging 60’s London. Wright achieves this by placing Eloise within the shoes of the beautiful soul singing, Sandy (Anya Taylor-Joy). Sandy matches Eloise in pretty much all the ways a new to the big ciy dreamer could.

Wright does an incredible job of technically putting Eloise and Sandy in the same shoes. An immense amount of in camera magic was used to place both girls in the same place at the same time.

Both Anya Taylor-Joy and Thomasin McKenzie are incredibly moving in their respective roles. Each bringing with it their own heartbreaking turns in the world where dreams are crushed willy nilly and hopes and dreams are quickly shoved under the carpet.

All isn’t as it seems with the beautiful Sandy. Jack (Matt Smith) is promising Sandy stardom in London and might not be up to snuff. However, Smith plays his classic and superb debonair approach to the role of Jack too charming for Eloise or an audience to resist. The former Doctor Who star is truly working magical charm all over the place in the film’s first act.

The moving pieces all set up for a thriller that keeps the audience on their toes as the film bobs and weaves under and above expectations.

Last Night in Soho is incredibly rich in its design and colors. The best of Argento and Bava definitely come to mind. A gialli blueprint for all out style is used wonderfully by Wright who proves he is a true student and master of the sub-genre.

I’m in love with the era of the sixties in Central London. Wright does a painstakingly, awe- inspired recreation of the world and lets us live in it right along side Eloise.

Both Diana Rigg and Terrence Stamp add their classic presence, heart and even sinister side to the film. Both amazing classic actors are at the top of their games offering a big part of their cinematic fingerprints in incredible ways.

The film is as heart-wrenching as it is wonderfully comprised. The writing for SOHO goes a long way for keeping us deeply grounded with its characters. By the finale, Wright convinces the audience to all but fight for the lead. A remarkable writing achievement and brought home by the whirlwind of beauty and grace that both Joy and McKenzie bring to their roles.

Last Night in Soho keeps everyone on the edge of their seat by way of making us fall in love with its two main characters. By the end of the film, no fault can be found in Eloise or Sandy. The horrors of the film, go from the cold-blooded killer type to the supernatural in single beats. Wright orchestrates those break neck turns in genre masterfully throughout.

Last Night in Soho will go down in my top 10 of the year. Much like Wright’s other films it begs to immediately be watched and re-watched. It’s a horror film that ups the ante around every single corner it takes and constantly shocks in delightful ways. Wright’s film is elegant, electric and all out chilling . It will reintroduce audiences to giallo films and there isn’t anything more I could ask for.

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Movie Reviews

Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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