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Horror Pride Month: 5 of Clive Barker’s Most Terrifying Books

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Clive Barker

Clive Barker. That name alone is enough to send a shiver down your spine. He’s perhaps one of the most influential horror writers since the 1980s, blending fantasy, horror, and speculative fiction elements into something that manages to be both terrifying and profound.

You would know you’re reading a Clive Barker story even if it were presented to you without name or title. Barker did not push the limits of horror. He simply did not recognize the limitations existed and unleashed one horror after another on an increasingly rabid fan-base who wanted more.

Barker’s fiction is sexy. It’s transgressive. It makes you squirm in your chair and appreciate the fact that you’re reading something and experiencing emotions that perhaps you shouldn’t be. It’s the book you should hide when proper company comes over, but instead you set it out on the coffee table so they know who they’re dealing with.

I have written before about the impact his fiction had on me. Here was an author who wrote horror that had an innate sense of queerness to it, not only in characters but in themes. More importantly, his characters’ queerness was never the most important thing or prominent thing about them. It was normalized representation in a hyper-reality of blood and gore and dark fantasy.

The profundity of that fiction only increased when I found out that Barker, himself, was gay. And now, in our third year of iHorror’s Horror Pride Month, an article dedicated to the man’s genius is perhaps overdue.

So, here are five of my favorite books by Clive Barker in no particular order. If you’re also a fan and have different favorites, I’d love to hear yours in the comments!

Clive Barker Books of Blood

Okay, so I’m cheating right out of the gate on this one, but I don’t care.

Books of Blood actually total six books containing 30 stories, though you can often find all six in a single volume. They were published between 1984 and 1985 and had horror master Stephen King hailing Barker as the future of horror.

In a way, they almost feel like Clive Barker saying, “This is a taste of what I have in store for you later.”

Tonally, the stories covered a lot of ground. There was the undeniably comical “The Yattering and Jack” which told the story of a man dealing with a demon sent to torment him by Beelzebub. The demon does his level best to drive Jack insane, but the man continues to ignore him until the demon breaks the rules and finds himself under Jack’s control. The story was eventually adapted as an episode for Tales from the Darkside.

Then there was “Rawhead Rex” which concerned a hellish ancient creature accidentally unleashed upon a rural community that slices and dices its way through the countryside.

But one of my favorites, the one that still haunts me to this day, is “In the Hills, the Cities” which finds a gay couple stumbling upon an unearthly sight in Yugoslavia where every ten years the populations of two entire cities strap themselves together to form giant humanoid forms as tall as skyscrapers. This year, however, something goes wrong and one of the giants collapses killing thousands of people. Upon seeing it, the citizens in the other giant are driven mad and careen across the valley as their members slowly die of exhaustion.

Several of the stories from Books of Blood have been adapted for film including the title story which forms the wraparound for the entire collection. It involves a young man pretending to be psychic who angers the spirits traveling a desolate highway through the afterlife. They carve their stories into his skin and he becomes the Book of Blood.

You’ll also find the source story for Candyman in its pages titled “The Forbidden.”

If you haven’t read Books of Blood, do it now!

Imajica

It is damn near impossible to explain Imajica in just a few paragraphs. Its sprawling narrative is by far the most complex that Barker ever wrote and the author has called it his favorite.

In the novel, Earth is just one of the five connected worlds called Dominions ruled by a God named Hapexamendios. Long ago, Earth was separated from the other four dominions but every 200 years Maestros, the greatest magicians of the other Dominions, attempt to reconnect the planet back to the other four.

Every single attempt fails, and death and destruction almost always follow in the wake of that failure.

The story follows a man named Gentle and a shape-shifting assassin by the name of Pie’o’Pah, Pie for short, who travel across the five dimensions experiencing one terrifying scenario after another.

At 824 pages, it is by far the largest work on this list, but it is also one of the most immensely satisfying if you like the intersection of horror and dark fantasy.

Cabal

Clive Barker Cabal

Cabal was first published in 1988 and would later serve as the basis for the film Nightbreed which Barker wrote and directed.

It concerns a young man named Boone who is convinced by a psychiatrist named Decker that he has committed a series of horrible serial murders.

In a series of dreams, a city called Midian is revealed to Boone. It’s a city that accepts monsters and miscreants into its fold. After another patient reveals the way for Boone to find the city, he sets out, only to discover Decker has followed him.

Boone is shot and left for dead and is taken into the city of Midian and that’s where the real trouble begins.

For me, Cabal might be one of Barker’s most overtly queer stories. It speaks to the ideas of hidden communities forced to the margins of society. The main antagonists are priests, doctors, and police, i.e. groups with which the LGBTQ community has clashed with time and again throughout history.

If you’ve seen the movie, there is merit in reading the source material.

The Hellbound Heart

You didn’t think I’d get through this whole thing without this one did you?

Hellraiser and the dreaded Cenoibites began their life in the pages of yet another novella from Barker titled The Hellbound Heart which appeared in Night Vision Volume 3, an anthology edited by none other than George R.R. Martin.

When hedonist Frank Cotton hears of the mysterious Lemarchand Configuration and immediately sets out to find the puzzle box for himself. Upon securing it, he returns to his grandmother’s abandoned home and sets out offerings for the mysterious Cenobite, members of a “religious order” dedicated to extreme sensual delights.

Poor Frank had no idea what he was actually releasing. The Cenobites have blurred the lines between pain and pleasure for so long that they can no longer tell the difference, and he is soon pulled against his will into a dimension of torment he could never have imagined.

When his brother and family move into the home later, they accidentally set off a chain of events that will change all of their lives forever.

If you love this novella and the Hellraiser films, I also recommend The Scarlet Gospels, a sequel that digs into the goings on in Hell with Pinhead and the Cenobites as well as the return of Barker’s world-weary supernatural detective Harry D’Amour.

The Great and Secret Show

Another beautiful example of Barker’s ability to blend horror and fantasy, The Great and Secret Show centers on the conflict between Randall Jaffe and Richard Fletcher over the dream sea called Quiddity.

Every human visits Quiddity three times in their lives: the first time we ever sleep outside our mother’s womb, the first time we sleep beside the one we truly love, and the last time we ever sleep before we die.

That’s not enough for Jaffe, however. He wants control of Quiddity to tap into its powers and Fletcher is dedicated to keeping this power source pure.

The story is wild and wonderful and terrifying with creatures that could only spring from the imagination of Clive Barker. The Lix, for example, are snake-like creatures created from feces and semen.

The novel was later adapted as a 12-part graphic novel as well.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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